{"version":"1.0","provider_name":"Montse Badia","provider_url":"https:\/\/montsebadia.net\/ca\/","author_name":"admin","author_url":"https:\/\/montsebadia.net\/ca\/author\/badia\/","title":"Precarietat i homogene\u00eftzaci\u00f3. Contradiccions del present curatorial - Montse Badia","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ZLJ9mrfwHr\"><a href=\"https:\/\/montsebadia.net\/ca\/precarietat-i-homogeneitzacio-contradiccions-del-present-curatorial\/\">Precarietat i homogene\u00eftzaci\u00f3. Contradiccions del present curatorial<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/montsebadia.net\/ca\/precarietat-i-homogeneitzacio-contradiccions-del-present-curatorial\/embed\/#?secret=ZLJ9mrfwHr\" width=\"600\" height=\"338\" title=\"&#8220;Precarietat i homogene\u00eftzaci\u00f3. Contradiccions del present curatorial&#8221; &#8212; Montse Badia\" data-secret=\"ZLJ9mrfwHr\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/montsebadia.net\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Recentment, la comiss\u00e0ria \u00c0ngels Miralda publicava a la revista Frieze (febrer 2026) l\u2019article Who Killed the Independent Curator?, un text que em remet als primers anys 2000 (no sense una certa sensaci\u00f3 de vertigen) quan, en el context del Programa Curatorial de la Fundaci\u00f3 De Appel d\u2019Amsterdam, la figura del curador independent internacional ocupava un [&hellip;]"}