{"id":1313,"date":"2024-10-30T14:17:24","date_gmt":"2024-10-30T14:17:24","guid":{"rendered":"https:\/\/montsebadia.net\/new\/projectes\/"},"modified":"2024-11-14T13:29:13","modified_gmt":"2024-11-14T13:29:13","slug":"projectes","status":"publish","type":"page","link":"https:\/\/montsebadia.net\/ca\/projectes\/","title":{"rendered":"Projectes"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1313\" class=\"elementor elementor-1313 elementor-525\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d0fef4c e-flex e-con-boxed e-con e-parent\" data-id=\"d0fef4c\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-e7a9d04 e-con-full e-flex e-con e-child\" data-id=\"e7a9d04\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9352586 elementor-widget__width-initial animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"9352586\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Projectes<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-931d3f8 animated-slow elementor-widget__width-initial elementor-invisible elementor-widget elementor-widget-image\" data-id=\"931d3f8\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"82\" height=\"81\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/10\/arrow.svg\" class=\"attachment-large size-large wp-image-672\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e488be8 e-flex e-con-boxed e-con e-parent\" data-id=\"e488be8\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a74d2cd animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"a74d2cd\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\"Exposicions i altres <em>projectes<\/em> innovadors que exploren temes relevants per entendre el mon en el que vivim\"<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3900357 e-flex e-con-boxed e-con e-parent\" data-id=\"3900357\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-4d29a4c e-con-full e-flex e-con e-child\" data-id=\"4d29a4c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-a78c61a e-con-full e-flex e-con e-child\" data-id=\"a78c61a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-53f9217 e-con-full e-flex e-con e-child\" 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value=\"\" autocomplete=\"off\" role=\"combobox\" aria-autocomplete=\"list\" aria-expanded=\"false\" aria-controls=\"results-53ef3b4\" aria-haspopup=\"listbox\">\n\t\t\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" width=\"14px\" height=\"13px\" viewBox=\"0 0 14 13\"><title>Group 5<\/title><g id=\"Page-1\" stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g id=\"Home\" transform=\"translate(-1252, -1602)\" stroke=\"#000000\"><g id=\"Group-5\" transform=\"translate(1253, 1603)\"><line x1=\"0\" y1=\"11\" x2=\"4\" y2=\"7\" id=\"Stroke-1\"><\/line><path d=\"M12,4.5 C12,6.9852 9.9854,9 7.5,9 C5.0146,9 3,6.9852 3,4.5 C3,2.0148 5.0146,0 7.5,0 C9.9854,0 12,2.0148 12,4.5 Z\" id=\"Stroke-3\"><\/path><\/g><\/g><\/g><\/svg>\t\t\t\t\t\t\t\t\t\t<output id=\"results-53ef3b4\" class=\"e-search-results-container hide-loader\" aria-live=\"polite\" aria-atomic=\"true\" aria-label=\"Results for search\" 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class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/baremos-retributivos-para-profesionales-de-las-artes-visuales\/\">Barems retributius<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2026\/07\/04\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>4 - juliol - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p><a title=\"document pdf\" href=\"https:\/\/cultura.gencat.cat\/web\/.content\/dgcc\/05_Noticies\/2026\/Barems-Retributius_Arts_Visuals.pdf\" target=\"_blank\" rel=\"noopener\">Barems retributius per a professionales de les arts visuals<\/a> t\u00e9 com a finalitat establir un <strong>document marc sobre les retribucions de persones comiss\u00e0ries i artistes per les feines dutes a terme en centres d\u2019art contemporani<\/strong> integrats en el Sistema P\u00fablic d\u2019Equipaments d\u2019Arts Visuals (<strong>SPEAV<\/strong>).<\/p>\n<p>L\u2019objectiu principal \u00e9s proposar uns barems salarials orientatius que fomentin la dignificaci\u00f3 del treball cultural i que els centres es comprometin a aplicar.<\/p>\n<p>La proposta \u00e9s una <strong>iniciativa de la Direcci\u00f3 General de Drets Culturals, Creaci\u00f3 i Biblioteques<\/strong> del Departament de Cultura de la Generalitat de Catalunya i ha estat elaborada conjuntament per representants de <strong>centres del Sistema P\u00fablic d\u2019Equipaments d\u2019Arts Visuals (SPEAV)<\/strong>, i les <strong>associacions professionals PAAC<\/strong> (Plataforma Assemble\u00e0ria d&#8217;Artistes de Catalunya) i <strong>ACCA<\/strong> (Associaci\u00f3 Catalana de Cr\u00edtica d\u2019Art). <span dir=\"auto\">Montse Badia ha dut a terme la relatoria d&#8217;aquest document.\u00a0<\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3067 post-3067 post type-post status-publish format-standard hentry category-proyectos-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/alive-2026-the-kitchen-network-episode-4-de-luiza-prado\/\">A*LIVE 2026: The Kitchen Network. Episodi 4 de Luiza Prado<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2026\/03\/27\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>27 - mar\u00e7 - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"3067\" class=\"elementor elementor-3067 elementor-3061 elementor-3061 elementor-3061\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5ab8230d e-flex e-con-boxed e-con e-parent\" data-id=\"5ab8230d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-494a36f6 elementor-widget elementor-widget-text-editor\" data-id=\"494a36f6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong><em>The Kitchen Network. Episodi 4\u00a0 <\/em><\/strong><strong>de<\/strong><strong> <a href=\"https:\/\/www.luiza-prado.com\/\" target=\"_blank\" rel=\"noopener\">Luiza Prado<\/a><\/strong><br \/><strong><a href=\"https:\/\/www.anticteatre.com\/\" target=\"_blank\" rel=\"noopener\">Antic Teatre, Barcelona<\/a><br \/>Data: 24\/3\/2026, a les 20 hores<\/strong><\/p><p><img fetchpriority=\"high\" fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-medium wp-image-3063\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/03\/TKN-splash-300x212.jpg\" alt=\"\" width=\"300\" height=\"212\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/03\/TKN-splash-300x212.jpg 300w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/03\/TKN-splash-768x543.jpg 768w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/03\/TKN-splash.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p><p><strong>Benvingudes i benvinguts a The Kitchen Network!<br \/>El quart episodi t\u00e9 lloc a Barcelona.<\/strong><\/p><p>Presentat com un episodi de l&#8217;\u00faltima competici\u00f3 culin\u00e0ria de reality TV a la Terra, aquesta performance utilitza l&#8217;humor per examinar la bretxa entre les cultures aliment\u00e0ries en l\u00ednia i la seva desconnexi\u00f3 de q\u00fcestions m\u00e9s \u00e0mplies de classe, g\u00e8nere i geografia.<\/p><p>Ens situem en un futur on s&#8217;ha dissolt la Uni\u00f3 Europea, la pol\u00edtica clim\u00e0tica ha fracassat i els acords comercials s&#8217;han fragmentat. Les promeses de l&#8217;European Green Deal es mantenen inconcluses en un continent marcat per l&#8217;escassetat material, mentre la cultura digital continua projectant imatges d&#8217;abund\u00e0ncia.<\/p><p>A Espanya, les terres agr\u00edcoles competeixen amb centres de dades que sostenen el n\u00favol i la intel\u00b7lig\u00e8ncia artificial. L&#8217;aigua es desvia entre cultius i sistemes de refrigeraci\u00f3; les zones rurals es tensionen, les ciutats creixen i la infraestructura digital transforma el paisatge. Davant de la manca de governan\u00e7a coordinada, l&#8217;espectacle es converteix en pol\u00edtica.<\/p><p>La distribuci\u00f3 d&#8217;aliments \u00e9s regida per l&#8217;Acord d&#8217;Intercanvi d&#8217;Eurovisi\u00f3 (EEA): cada any, el pa\u00eds guanyador obt\u00e9 autoritat temporal sobre l&#8217;assignaci\u00f3 aliment\u00e0ria continental. Espanya, com a guanyadora m\u00e9s recent, ocupa una posici\u00f3 fr\u00e0gil de relativa abund\u00e0ncia a una Europa desigual.<\/p><p>L&#8217;aigua, estrictament controlada i mercantilitzada, travessa tota la competici\u00f3. Cada concursant nom\u00e9s rep dues ampolles per a tota la prova, mentre la presentadora IA recorda: \u00abPerqu\u00e8 no tothom t\u00e9 una segona ronda\u00bb.<\/p><p>Amb residents majors del barri com a jurats, <em><a href=\"https:\/\/www.luiza-prado.com\/the-kitchen-network\" target=\"_blank\" rel=\"noopener\">The Kitchen Network<\/a><\/em> converteix la cuina en performance en temps d&#8217;escassetat, reflexionant sobre desigualtat, expansi\u00f3 digital i la pol\u00edtica de l&#8217;alimentaci\u00f3.<\/p><figure id=\"attachment_74586\" aria-describedby=\"caption-attachment-74586\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/a-desk.org\/wp-content\/uploads\/2026\/02\/tm24_TheKitchenNetwork_MiriamMakebaAuditorium_HKW_2445_CCBYNCSA_LauraFiorio_015-1-595x397.jpg\"><img decoding=\"async\" class=\"wp-image-74586 size-full\" src=\"https:\/\/a-desk.org\/wp-content\/uploads\/2026\/02\/tm24_TheKitchenNetwork_MiriamMakebaAuditorium_HKW_2445_CCBYNCSA_LauraFiorio_015-1.jpg\" alt=\"\" width=\"1000\" height=\"667\" \/><\/a><figcaption id=\"caption-attachment-74586\" class=\"wp-caption-text\">Jas Rault, Luiza Prado, Helen Pritchard, T.L. Cowan, The Kitchen Network: Anti-Fascism and Plants. Conversa i performance a la transmediale 2024, HKW. Foto de Laura Fiorio. CC BY-NC-SA<\/figcaption><\/figure><p><strong>Sobre\u00a0<em>The Kitchen Network<\/em>\u00a0&amp; Luiza Prado<\/strong><\/p><p><em><a href=\"https:\/\/www.luiza-prado.com\/the-kitchen-network\" target=\"_blank\" rel=\"noopener\">The Kitchen Network <\/a><\/em>\u00e9s una performance teatral de Luiza Prado que continua la seva investigaci\u00f3 de les infraestructures necropol\u00edtiques al voltant de la reproducci\u00f3, la nutrici\u00f3 i el col\u00b7lapse planetari.<\/p><p>L&#8217;esdeveniment que tindr\u00e0 lloc a l&#8217;Antic Teatre de Barcelona el 24 de mar\u00e7 de 2026 correspon al quart episodi de la s\u00e8rie, que continua i completa la recerca desenvolupada per l&#8217;artista tot adaptant-se a cada context espec\u00edfic. El primer episodi, presentat en el marc de Transmediale a Berl\u00edn (gener de 2024), va emfatitzar els aspectes tecnol\u00f2gics del projecte. El segon, celebrat a Nottingham (abril de 2024), es va centrar en les cuines de les comunitats migrants. El tercer, presentat al restaurant del Martin Gropius Bau de Berl\u00edn (octubre de 2024), va abordar el treball i el moviment a trav\u00e9s de l&#8217;univers de l&#8217;entrep\u00e0, un aliment associat als ritmes de treball i els or\u00edgens culinaris del qual apunten a tradicions no aut\u00f2ctones.<\/p><p>A <em>The Network Kitchen. Episodi 4<\/em><strong><span style=\"color: #ff0000;\"><br \/><\/span><\/strong>Concepte i directci\u00f3: <strong>Luiza Prado<\/strong><br \/>Mestre de Cerim\u00f2nies: <strong>Albert S\u00e1nchez<\/strong><br \/>Cuinera # 1: <strong>Monica Escudero<\/strong><br \/>Cuinera # 2: <strong>Agnes Essonti Luque<br \/><\/strong>Cuinera # 3: <strong>Irene Arcas<br \/><\/strong>Jurat: <strong>Iaies de l&#8217;Antic Teatre<\/strong><\/p><p><em>The Kitchen Network Episodi 4<\/em>\u00a0 \u00e9s una producci\u00f3 d&#8217;A*DESK<\/p><p>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-2992 post-2992 post type-post status-publish format-standard has-post-thumbnail hentry category-proyectos-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/cartografias-de-agua\/\">Cartografies d&#8217;aigua<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2025\/10\/23\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>23 - octubre - 2025<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>No nom\u00e9s tenim una relaci\u00f3 estreta amb l\u2019aigua: <strong>som aigua<\/strong>. El 70% del nostre cos i el 71% del planeta s\u00f3n aigua, per\u00f2 nom\u00e9s un 2% \u00e9s dol\u00e7a. L\u2019aigua \u00e9s un recurs finit que circula, es regenera i es transforma, per\u00f2 no es pot crear. El cicle natural ja no pot seguir el ritme de la demanda global: si el 1900 la humanitat consumia uns 670 km\u00b3 anuals, avui en gasta prop de 4.000<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a>. Ens trobem, doncs, davant d\u2019una <strong>crisi ecol\u00f2gica<\/strong> que interpel\u00b7la la manera com consumim i administrem aquest b\u00e9 com\u00fa que \u00e9s tamb\u00e9 un dret hum\u00e0.<\/p>\n<p>L\u2019aigua renovable disponible \u2014la de pluja, aq\u00fc\u00edfers, embassaments o dip\u00f2sits\u2014 dep\u00e8n d\u2019una complexa infraestructura de captaci\u00f3, transport i tractament (pous, canals, dessaladores, depuradores). Tot plegat conforma una xarxa vital que sost\u00e9 la vida humana, per\u00f2 tamb\u00e9 la industrial, agr\u00edcola i energ\u00e8tica. No \u00e9s casual que la <strong>Biennal d\u2019Arquitectura de Ven\u00e8cia 2025<\/strong> hagi situat l\u2019aigua al centre del debat: mentre el Pavell\u00f3 Catal\u00e0 reivindicava la imaginaci\u00f3 radical com a eina per afrontar-ne la crisi, el projecte <em>The Architecture of Virtual Water<\/em> de Benedetta Tagliabue feia visible la petjada h\u00eddrica invisible del comer\u00e7 i la construcci\u00f3.<\/p>\n<p>Beure, menjar, produir o despla\u00e7ar-nos requereixen aigua. Per aix\u00f2, gaireb\u00e9 tots els pa\u00efsos disposen de <strong>Lleis de l\u2019Aigua<\/strong> que regulen els drets d\u2019\u00fas, la qualitat, els serveis i les tarifes, aix\u00ed com la protecci\u00f3 de rius i llacs. Tot i ser un recurs gratu\u00eft, el seu tractament i distribuci\u00f3 comporten costos elevats. En molts territoris, l\u2019escassetat i la desigualtat en l\u2019acc\u00e9s han generat tensions (les <strong>guerres de l&#8217;aigua<\/strong>) que travessen fronteres: \u00e9s el cas dels conflictes al voltant del Tigris i l\u2019Eufrates, el canal de Crimea, el llac Txad o el Mediterrani oriental i tamb\u00e9 dels abusos per part d&#8217;empreses transnacionals en sectors econ\u00f2mics estrat\u00e8gics que provoquen un impacte negatiu en l&#8217;entorn i les comunitats afectades<a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a>.<\/p>\n<p>Davant aquest panorama, cal imaginar <strong>pactes hidro-socials<\/strong><a href=\"#_ftn3\" name=\"_ftnref3\">[3]<\/a> que integrin coneixement cient\u00edfic, comunitari i ambiental per garantir una gesti\u00f3 sostenible i justa. Com defensa Yayo Herrero<a href=\"#_ftn4\" name=\"_ftnref4\">[4]<\/a>, recuperar la mem\u00f2ria dels cinc elements \u2014aigua, aire, terra, foc i vida\u2014 \u00e9s essencial per repensar la nostra relaci\u00f3 amb el m\u00f3n. L\u2019aigua \u00e9s recurs, met\u00e0fora i mem\u00f2ria; una for\u00e7a que modela territoris, cossos i relacions.<\/p>\n<p>En aquest marc, <strong>\u201cCartografies d\u2019aigua\u201d<\/strong> proposa un recorregut per quatre pr\u00e0ctiques art\u00edstiques que converteixen l\u2019aigua en dispositiu de percepci\u00f3, rastre hist\u00f2ric, genealogia del cos i eina de resist\u00e8ncia. L\u2019exposici\u00f3 es desplega com una conflu\u00e8ncia de mirades que vinculen ecologia, espiritualitat, tecnologia i cura. Les obres conviden a aturar-nos, a escoltar el curs del temps i del cos, a percebre all\u00f2 l\u00edquid com un espai de relaci\u00f3 i de mem\u00f2ria compartida.<\/p>\n<p><strong>Anna Dot. <em>Libacions<\/em> (2022\u2013en curs)<\/strong><br \/>\n<em>Libacions <\/em>\u00e9s un projecte que consisteix en una s\u00e8rie de p\u00e0teres de cer\u00e0mica i accions col\u00b7lectives. S&#8217;inspira en els rituals grecs de libaci\u00f3, en qu\u00e8 es vessava aigua o vi en honor dels absents. Les seves p\u00e0teres, decorades amb flora i fauna locals, s\u2019han activat a Par\u00eds, Villava i Sant Mart\u00ed d\u2019Emp\u00faries. En aquesta darrera acci\u00f3, inclosa a l&#8217;exposici\u00f3 <em>Aig\u00fces, lleng\u00fces i oblits<\/em> (Museu de la Mediterr\u00e0nia, 2024), les libacions van seguir el tra\u00e7at hist\u00f2ric del Ter, des de Colomers fins al Mediterrani, homenatjant un antic bra\u00e7 del riu avui redu\u00eft a canals de rec. <em>Libacions<\/em> combina recerca, gest po\u00e8tic i comunitat, i ens recorda que cada gota cont\u00e9 una hist\u00f2ria.<\/p>\n<p><strong>Caterina Miralles Tagliabue. <em>0.5<\/em> (2025)<\/strong><br \/>\n<em>0.5<\/em> \u00e9s una instal\u00b7laci\u00f3 audiovisual que contraposa la intel\u00b7lig\u00e8ncia tecnol\u00f2gica dels centres de recerca clim\u00e0tica i el saber popular dels pescadors de la Llacuna de Ven\u00e8cia. El t\u00edtol \u20140,5 cm\u2014 al\u00b7ludeix a l\u2019augment anual del nivell de l\u2019aigua, s\u00edmbol de l\u2019impacte de l\u2019Antropoc\u00e8. Dividida en quatre blocs tem\u00e0tics, combina dades, relats i paisatges per reflexionar sobre l\u2019ecologia, la mem\u00f2ria i la conviv\u00e8ncia entre formes humanes i no humanes de coneixement. L\u2019obra esdev\u00e9 un espai d\u2019observaci\u00f3 i escolta on la informaci\u00f3 cient\u00edfica i la saviesa tradicional conflueixen en un mateix flux.<\/p>\n<p><strong>Fina Miralles. <em>Mar, cel i terra<\/em> (1973) i <em>El retorn<\/em> (2012)<\/strong><br \/>\nReferent de l\u2019art conceptual catal\u00e0, Miralles ha explorat la relaci\u00f3 directa entre cos i natura mitjan\u00e7ant accions amb terra, herba, pedres i aigua. <em>Mar, cel i terra<\/em> \u00e9s un collage que associa paraules i imatges \u2014mar, cel, n\u00favol, pluja, sol\u2014 per al\u00b7ludir a l\u2019ecosistema com a unitat viva. <em>El retorn<\/em> \u00e9s el registre fotogr\u00e0fic d&#8217;una acci\u00f3 posterior en el temps que dialoga directament amb les dutes a terme als 70 (<em>Relacions. Relaci\u00f3 del cos amb l&#8217;aigua.<\/em> <em>El cos dins del mar<\/em>) i que es vincula tamb\u00e9 als seus treballs sobre la figura de la dona, la font, el mar i les dones d&#8217;aigua com a formes de mem\u00f2ria ancestral. Com diu l\u2019artista: \u201cEl que \u00e9s important \u00e9s l\u2019aigua que canta, l\u2019aigua viva. Canta l\u2019aigua, canten els ocells, les sirenes, les balenes i cantem nosaltres.\u201d<a href=\"#_ftn5\" name=\"_ftnref5\">[5]<\/a> La seva obra ens convida a re-aprendre a escoltar aquest cant primigeni, com un acte d\u2019afirmaci\u00f3 i d\u2019arrelament.<\/p>\n<p><strong>Stella Rahola Matutes. <em>La Cronometradora<\/em> (2023)<\/strong><br \/>\n<em>La Cronometradora<\/em> \u00e9s una instal\u00b7laci\u00f3 que converteix el vidre en met\u00e0fora de l\u2019aigua i del temps. A trav\u00e9s d\u2019una arquitectura transl\u00facida i respirant, l\u2019obra reflexiona sobre el proc\u00e9s artesanal i cient\u00edfic del material, el seu car\u00e0cter por\u00f3s i mutable. Rahola proposa un art \u201cbevible\u201d, fet de vapor i llum, que ens recorda la interdepend\u00e8ncia entre mat\u00e8ria, medi i cos. La seva recerca connecta tradici\u00f3 i innovaci\u00f3, coneixement manual i tecnologia, i defensa una pr\u00e0ctica art\u00edstica compromesa amb la sostenibilitat i la cura del planeta.<\/p>\n<p>Aix\u00ed, <strong><em>Cartografies d\u2019aigua<\/em><\/strong> tra\u00e7a un itinerari que combina sensibilitat, coneixement i comprom\u00eds. Les obres reunides parlen de la necessitat d\u2019imaginar una nova cultura de l\u2019aigua \u2014una cultura que reconegui en ella no un recurs a explotar, sin\u00f3 una forma de vida compartida. En temps d\u2019emerg\u00e8ncia clim\u00e0tica, aquestes pr\u00e0ctiques ens conviden a pensar des del flux, a entendre que, com l\u2019aigua, tamb\u00e9 nosaltres formem part d\u2019un cicle infinit de transformaci\u00f3 i de retorn.<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\"><\/a><\/p>\n<p><img decoding=\"async\" class=\"size-medium wp-image-2985 alignleft\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/10\/cartografies_d_aigua-212x300.jpeg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/10\/cartografies_d_aigua-212x300.jpeg 212w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/10\/cartografies_d_aigua-724x1024.jpeg 724w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/10\/cartografies_d_aigua-768x1086.jpeg 768w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/10\/cartografies_d_aigua.jpeg 905w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[<em><strong>Cartografies d&#8217;aigua<\/strong><\/em> \u00e9s una exposici\u00f3 col\u00b7lectiva comissariada per Montse Badia, amb les artistes <strong>Anna Dot<\/strong>, <strong>Fina Miralles<\/strong>, <strong>Caterina Miralles Tagliabue<\/strong>, <strong>Stella Rahola Matutes<\/strong>, presentada a la<a href=\"https:\/\/fundaciouniques.art\/exposicions\/\" target=\"_blank\" rel=\"noopener\"> Fundaci\u00f3 \u00daniques<\/a> 6\/11\/25 &#8211; 14\/2\/26]<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\"><\/a><\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> Paniagua, Jes\u00fas M. <em>Agua. Historia, tecnolog\u00eda y futuro<\/em>. Ed. Guadalmaz\u00e1n, Madrid 2023.<br \/>\n<a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> Arenal Lora, Libia (ed.), <em>Negocios insaciables: Estados, Transnacionales, Derechos humanos y Agua.<\/em> Ed. Fundaci\u00f3n para la Cooperaci\u00f3n APY Solidaridad en Acci\u00f3n, 2015.<br \/>\n<a href=\"#_ftnref3\" name=\"_ftn3\">[3]<\/a> Cerarols Ram\u00edrez, Rosa. \u00abPacte hidrosocial\u00bb a <em>100 paraules per a l&#8217;aigua: un vocabulari<\/em>. (Ed. Eva Franch i Gilabert, Mireia Luz\u00e1rraga, Alejandro Mui\u00f1o). Cat\u00e0leg\u00a0 <em>Catal\u00f2nia in Venice. Water Parliaments<\/em>. Evento Collaterale de la 19a Exposici\u00f3 Internacional d&#8217;Arquitectura _ La Biennale di Venezia. Lars M\u00fcller Publishers, Institut Ramon Llull i Col\u00b7legi d&#8217;Arquitectes de Catalunya (COAC), 2025<br \/>\n<a href=\"#_ftnref4\" name=\"_ftn4\">[4]<\/a> Herrero, Yayo. <em>Los cinco elementos. Una cartilla de alfabetizaci\u00f3n ecol\u00f3gica.<\/em> Arc\u00e0dia Editors. Barcelona, 2021.<br \/>\n<a href=\"#_ftnref5\" name=\"_ftn5\">[5]<\/a> Fina Miralles en conversa amb Mireia Sallar\u00e8s. \u00abCanta l&#8217;aigua, cantem nosaltres\u00bb. Video-entrevista. Fons #06\u00a0 MACBA, 2021<\/p>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-2978 post-2978 post type-post status-publish format-standard hentry category-proyectos-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/alive-2025-cuerpos-de-evidencia-con-adam-broomberg-ido-nahari\/\">A*LIVE 2025: \u201cCossos d&#8217;evid\u00e8ncia\u00bb amb Adam Broomberg &#038; Ido Nahari<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2025\/10\/20\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>20 - octubre - 2025<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"title\">\n<p><strong><span style=\"font-size: 16px;\">Data: Dijous, 16 d&#8217;octubre 2025, 19:30 h<br \/>\n<\/span>Lloc: MACBA, Auditori Meier, Barcelona\u00a0<span style=\"font-size: 16px;\"><br \/>\n<\/span><\/strong><\/p>\n<p><span style=\"color: #ff0000;\"><strong>La confer\u00e8ncia \u00abCossos d&#8217;evid\u00e8ncia\u00bb amb Adam Broomberg i Ido Nahari analitza la circulaci\u00f3 i el funcionament d&#8217;imatges violentes de genocidis passats i presents.<\/strong><\/span><\/p>\n<p>Des de Gaza fins a Nam\u00edbia, Nahari i Broomberg revisen les t\u00e8cniques visuals de demonitzaci\u00f3 i glorificaci\u00f3 en la imatgeria de guerra per abordar el seu paper fonamental en la definici\u00f3 i representaci\u00f3 dels l\u00edmits morals de la viol\u00e8ncia. El debat gira al voltant de la nova gram\u00e0tica fonamentalista creada per aquesta documentaci\u00f3, que visualitza l&#8217;aflicci\u00f3 \u2014els cossos destrossats de v\u00edctimes vulnerables que s&#8217;enfronten a invasors aparentment invulnerables\u2014 i aix\u00ed santifica certes formes de vida mentre en devalua d&#8217;altres.<\/p>\n<p>Aquesta presentaci\u00f3 segueix i amplia les reflexions que vam introduir el juliol passat (enlla\u00e7os als articles a continuaci\u00f3), continuant la nostra exploraci\u00f3 de com les imatges circulen, codifiquen i configuren la percepci\u00f3 de la viol\u00e8ncia.<\/p>\n<p><strong>Imatge destacada \u00a9 Adam Berry<\/strong><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"pM8gZSdYyG\"><p><a href=\"https:\/\/a-desk.org\/ca\/magazine\/ways-of-unseeing\/\">Maneres de no veure<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Maneres de no veure&#8221; &#8212; A*Desk\" src=\"https:\/\/a-desk.org\/ca\/magazine\/ways-of-unseeing\/embed\/#?secret=iKCzXGISGN#?secret=pM8gZSdYyG\" data-secret=\"pM8gZSdYyG\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"pSit9mS6G7\"><p><a href=\"https:\/\/a-desk.org\/ca\/magazine\/trading-cards-with-lives\/\">Cromos col\u00b7leccionables amb vides<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Cromos col\u00b7leccionables amb vides&#8221; &#8212; A*Desk\" src=\"https:\/\/a-desk.org\/ca\/magazine\/trading-cards-with-lives\/embed\/#?secret=pnGGXj4gq6#?secret=pSit9mS6G7\" data-secret=\"pSit9mS6G7\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"LC5UwVJQpr\"><p><a href=\"https:\/\/a-desk.org\/ca\/magazine\/performative-rape\/\">Violaci\u00f3 performativa<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Violaci\u00f3 performativa&#8221; &#8212; A*Desk\" src=\"https:\/\/a-desk.org\/ca\/magazine\/performative-rape\/embed\/#?secret=oxj9RCS2Dp#?secret=LC5UwVJQpr\" data-secret=\"LC5UwVJQpr\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"Gc9xWglN5v\"><p><a href=\"https:\/\/a-desk.org\/ca\/magazine\/gaze-deprivation\/\">La privacio\u0301 de la mirada<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;La privacio\u0301 de la mirada&#8221; &#8212; A*Desk\" src=\"https:\/\/a-desk.org\/ca\/magazine\/gaze-deprivation\/embed\/#?secret=ta2i8G1Hbx#?secret=Gc9xWglN5v\" data-secret=\"Gc9xWglN5v\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"vmzvGRW4kL\"><p><a href=\"https:\/\/a-desk.org\/ca\/magazine\/evidence-of-bodies\/\">L&#8217;evide\u0300ncia dels cossos<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;L&#8217;evide\u0300ncia dels cossos&#8221; &#8212; A*Desk\" src=\"https:\/\/a-desk.org\/ca\/magazine\/evidence-of-bodies\/embed\/#?secret=YEG0AVXrPJ#?secret=vmzvGRW4kL\" data-secret=\"vmzvGRW4kL\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<hr \/>\n<\/div>\n<p>\u00abCossos d&#8217;evid\u00e8ncia\u00bb \u00e9s un esdeveniment organitzat per A*DESK i PEI OBERT &#8211; <a href=\"https:\/\/www.macba.cat\/es\/actividades\/cuerpos-de-evidencia\/\" target=\"_blank\" rel=\"noopener\">MACBA.<\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-2934 post-2934 post type-post status-publish format-standard has-post-thumbnail hentry category-proyectos-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/lux-un-recorrido-por-el-imaginario-de-la-luz\/\">LUX. Un recorregut per l&#8217;imaginari de la llum<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2025\/06\/09\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>9 - juny - 2025<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>La llum travessa mites, revolucions i paisatges, s\u00edmbol antic de coneixement i de transformaci\u00f3. Amb l&#8217;electricitat, es va expandir el ritme de les ciutats, modelant formes de vida i somnis. A l&#8217;art, la llum revela i reinventa el m\u00f3n. Aquesta exposici\u00f3 online per a la <a href=\"https:\/\/xarxa.museunacional.cat\/\" target=\"_blank\" rel=\"noopener\">Xarxa de Museus d&#8217;Art de Catalunya<\/a> convida a rec\u00f3rrer amb banda sonora l&#8217;imaginari\u00a0 de la llum.<\/p>\n<h4 style=\"text-align: center;\"><a href=\"https:\/\/xarxa.museunacional.cat\/un-recorregut-per-limaginari-de-la-llum\/\" target=\"_blank\" rel=\"noopener\">LUX. Un recorregut per l&#8217;imaginari de la llum<\/a><\/h4>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2940 size-large\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_CAT-1024x552.jpg\" alt=\"\" width=\"800\" height=\"431\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_CAT-1024x552.jpg 1024w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_CAT-300x162.jpg 300w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_CAT-768x414.jpg 768w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_CAT-1536x828.jpg 1536w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_CAT-2048x1104.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-1618 post-1618 post type-post status-publish format-standard hentry category-proyectos-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/alive-radical-cuteness\/\">A*LIVE: Radical Cuteness<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2025\/02\/12\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>12 - febrer - 2025<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3>La 11\u00aa edici\u00f3 d\u2019A*LIVE, el programa p\u00fablic amb forma d\u2019esdeveniment multicapa, transversal i en format expansiu d\u2019A*DESK en col\u00b7laboraci\u00f3 amb el Museu de l\u2019Art Prohibit, el dia 6\/11\/2024 a les 19:30 hores.<\/h3>\n<p>En el debat actual entorn del control d\u2019acc\u00e8s al coneixement, la prohibici\u00f3, la censura i les cancel\u00b7lacions, les fake news, les estrat\u00e8gies de distracci\u00f3, la depend\u00e8ncia de les pantalles i la manca de sentit cr\u00edtic, proposem articular A*LIVE 2024 a partir del concepte de\u00a0<i>Radical Cuteness.<\/i><\/p>\n<p><strong>Radical Cuteness<\/strong><br \/>\nLa influ\u00e8ncia dels mems i el \u00abcute\u00bb en la cultura popular \u00e9s part d\u2019imaginaci\u00f3 col\u00b7lectiva de forma radical, i Radical Cuteness pret\u00e9n ajudar a desemmascarar els mecanismes que, basats en estrat\u00e8gies subliminals de seducci\u00f3 \u2014all\u00f2 adorable, infantil, tendre, all\u00f2 vulnerable, fr\u00e0gil, all\u00f2 suau\u2014, influencien, pertorben i confonen per tal de reprogramar les ments. Aquest enfocament q\u00fcestiona els significats culturals i pol\u00edtics que s\u2019amaguen darrere aquestes est\u00e8tiques. Aquests mecanismes disruptius s\u00f3n cada cop m\u00e9s interns que externs i van m\u00e9s enll\u00e0 de la prohibici\u00f3 per desplegar-ne el control a partir d\u2019una veritable guerra psicol\u00f2gica que l\u2019entorn digital no fa sin\u00f3 intensificar. Ho veiem a trav\u00e9s de la pres\u00e8ncia massiva a Internet de productes DIY molt populars i atractius, en qu\u00e8 els aspectes subliminals modelen la consci\u00e8ncia col\u00b7lectiva, tot introduint missatges supremacistes.<\/p>\n<h3>A*LIVE 2024,\u00a0<em>Radical Cuteness<\/em><br \/>\nEstrat\u00e8gies subliminals. Prohibici\u00f3 i control: desentranyant el poder de la guerra psicol\u00f2gica a l\u2019era digital<\/h3>\n<p>A*LIVE 2024,\u00a0<i>Radical Cuteness<\/i>\u00a0vol aprofundir en aquests temes a partir d\u2019una estructura \u00e0gil i din\u00e0mica. Per aix\u00f2 comptar\u00e0 amb\u00a0<b>Nuria G\u00f3mez Gabriel\u00a0<\/b>com a mestra de cerim\u00f2nies i\u00a0<b>conductora de l\u2019esdeveniment<\/b>; la projecci\u00f3 del\u00a0<b>v\u00eddeo\u00a0<em>Nation Estate<\/em><\/b>\u00a0(2011) de l\u2019artista\u00a0<b>Larissa Sansour<\/b>; una\u00a0<b>confer\u00e8ncia perform\u00e0tica<\/b>\u00a0a c\u00e0rrec de\u00a0<b>Noura Tafeche i Alex Quicho<\/b>. La imatge gr\u00e0fica i\u00a0<b>visuals\u00a0<\/b>del projecte que aniran introduint les diferents seccions, a c\u00e0rrec de les artistes\u00a0<b>Momu &amp; No Es<\/b>. L\u2019esdeveniment A*LIVE 2024 es completar\u00e0 amb una secci\u00f3\u00a0<b>Q&amp;A<\/b>, a c\u00e0rrec de les responsables d\u2019 A*DESK,\u00a0<b>Montse Badia i Maria Mu\u00f1oz<\/b>.<\/p>\n<p><a href=\"https:\/\/a-desk.org\/ca\/proyecto\/alive-2024-radical-cuteness\/\">M\u00e9s info<\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-714 post-714 post type-post status-publish format-standard hentry category-proyectos-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/patrimonio-nacional-nueva-exposicion-temporal-en-el-mnac\/\">Patrimoni Nacional. Nova exposici\u00f3 temporal al MNAC<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2024\/05\/23\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>23 - maig - 2024<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>N\u00faria G\u00fcell\u00a0 tanca el primer cicle del programa p\u00fablic G\u00e9iseres (comissariat per Montse Badia) amb una confer\u00e8ncia titulada <a href=\"https:\/\/www.museunacional.cat\/es\/actividades\/conferencia-patrimonio-nacional-nueva-exposicion-temporal-en-el-mnac\"> PATRIMONI NACIONAL. Nova exposici\u00f3 temporal al MNAC, 2024.<\/a><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-medium wp-image-1403\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/05\/cartell_72_ppp_2-1-238x300.webp\" alt=\"\" width=\"100%\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/05\/cartell_72_ppp_2-1-238x300.webp 238w, https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/05\/cartell_72_ppp_2-1.webp 600w\" sizes=\"(max-width: 238px) 100vw, 238px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.museunacional.cat\/ca\/activitats\/conferencia-patrimoni-nacional-nova-exposicio-temporal-al-mnac\">Confer\u00e8ncia \u00abPatrimoni Nacional. Nova exposici\u00f3 temporal al MNAC\u00bb<\/a><\/p>\n<p>N\u00faria G\u00fcell tanca el primer cicle del programa p\u00fablic Gu\u00e8isers (comissariat per Montse Badia) amb una confer\u00e8ncia que porta per t\u00edtol PATRIMONI NACIONAL. Nova exposici\u00f3 temporal al MNAC, 2024.<\/p>\n<p>L\u2019artista fa p\u00fablica la seva extensa investigaci\u00f3 entorn a la poc coneguda funci\u00f3 dels museus com a dipositaris d\u2019obres d\u2019art que passen per algun proc\u00e9s judicial. Una recerca dins i fora del museu i fruit de m\u00faltiples converses amb professionals de la gesti\u00f3, la seguretat i el registre de les obres d\u2019art als centres patrimonials.<\/p>\n<p>La proposta de N\u00faria G\u00fcell pren la forma d&#8217;una confer\u00e8ncia en la que recopila tot aquest proc\u00e9s, per tal d&#8217;evocar una exposici\u00f3 comissariada, no ja per especialistes en art, sin\u00f3 pels tribunals de just\u00edcia.<\/p>\n<p>N\u00faria G\u00fcell ent\u00e9n la seva pr\u00e0ctica art\u00edstica \u00abcom una pr\u00e0ctica social i pol\u00edticament necess\u00e0ria en la que el fet cultural i l&#8217;establert es posen en joc\u00bb. El seu proc\u00e9s de treball parteix de la recerca i l&#8217;an\u00e0lisi de dades i situacions, continua amb el plantejament d&#8217;interrogants i, finalment, amb una proposta d&#8217;actuaci\u00f3 d&#8217;incid\u00e8ncia real.<\/p>\n<p>En la seva recerca al Museu Nacional d&#8217;Art de Catalunya es fixa en una funci\u00f3 poc coneguda, per\u00f2 habitual, dels museus: la de custodiar les obres que es troben en dip\u00f2sit judicial, \u00e9s a dir, aquells b\u00e9ns (obres d&#8217;art) que els jutges procedeixen a assegurar com a b\u00e9ns litigiosos quan en un cas legal es decreta un embargament o una confiscaci\u00f3.<\/p>\n<p>N\u00faria G\u00fcell aprofundeix en aquest paper de custodi, que entra clarament en les funcions del museu (tal com s\u00f3n definides per la UNESCO, \u00abla instituci\u00f3 al servei de la societat que investiga, col\u00b7lecciona, conserva, interpreta i exhibeix el patrimoni material i immaterial\u00bb) per\u00f2 que, al mateix temps, evidencia l&#8217;altra cara de la noci\u00f3 de patrimoni associada a valors humanistes, de coneixement, de bellesa o de bondat. Precisament pel seu valor, les obres d&#8217;art s\u00f3n tamb\u00e9 objecte d&#8217;espoli, de falsificacions o d&#8217;adquisicions fora de la legalitat.<\/p>\n<p>Per tal d&#8217;aprofundir en les friccions que generen les definicions de valor patrimonial procedents de relats no legitimats, la proposta de N\u00faria G\u00fcell pren la forma d&#8217;una confer\u00e8ncia en la que recopila tot el seu proc\u00e9s de recerca, per tal d&#8217;evocar una exposici\u00f3 comissariada, no ja per especialistes en art, sin\u00f3 pels tribunals de just\u00edcia. Amb aquest projecte, N\u00faria G\u00fcell ens convida a reevaluar la dicotomia entre les nocions idealitzades de preservaci\u00f3 cultural i les complexitats jur\u00eddiques subjacents en la custodia de l&#8217;art en un context social contemporani.<\/p>\n<p><a href=\"https:\/\/canal.mesmnac.cat\/mira\/patrimonio-nacional-nova-exposicio-temporal-al-mnac-conferencia-performativa-de-nuria-guell\/\">V\u00eddeo de la conferencia<\/a><\/p>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-716 post-716 post type-post status-publish format-standard hentry category-proyectos-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/crowded-museums\/\">Crowded Museums<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2023\/10\/24\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>24 - octubre - 2023<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>Aquesta intervenci\u00f3 forma part del programa <a href=\"https:\/\/www.museunacional.cat\/ca\/gueisers-al-museu-nacional-dart-de-catalunya\">Gu\u00e8isers<\/a><\/p>\n<p>El treball de Raquel Friera es basa en estrat\u00e8gies performatives, relectures hist\u00f2riques, presentaci\u00f3 de paral\u00b7lelismes i lleugers despla\u00e7aments que configuren mirades cr\u00edtiques a q\u00fcestions rellevants del moment actual.<\/p>\n<p>En treballs anteriors, l&#8217;artista ha fet re-enactments de performances cl\u00e0ssiques (de Bas Jan Ader, John Cage o Tehching Hsieh) en les que la re-escenificaci\u00f3 duta a terme per una figura femenina genera despla\u00e7aments de sentit i noves lectures. \u00c9s cocreadora, juntament amb en Xavier Bassas, de l&#8217;Institut del Temps Susp\u00e8s que explora i proposa formes alternatives de temps que van m\u00e9s enll\u00e0 de la mera productivitat.<\/p>\n<p>La presentaci\u00f3 p\u00fablica de la investigaci\u00f3 duta a terme per Raquel Friera dins el programa Gu\u00e8isers pren la forma d&#8217;una performance i s&#8217;encaixa en el marc del debat actual sobre la funci\u00f3 dels museus. La recerca hist\u00f2rica d&#8217;aquestes funcions porta Raquel Friera a mitjan segle XIX, al Louvre de Par\u00eds i a la National Gallery de Londres. I all\u00e0 troba pintures (com Salon Carr\u00e9, Louvre (1865) de Giuseppe Castiglione o The National Gallery at Mrs J.J. Angerstein&#8217;s House, Pall Mall (1824) de Frederick Mackenzie) que mostren les sales dels museus plenes de p\u00fablic que, a part de mirar les obres penjades a les parets, fan trobades, migdiades o p\u00edcnics. En aquest \u00fas com a espai p\u00fablic del museu era clau no nom\u00e9s la gratu\u00eftat de l&#8217;acc\u00e9s, sin\u00f3 tamb\u00e9 la disposici\u00f3 de les sales que comptaven amb mobiliari m\u00f2bil i aut\u00f2nom que els visitants podien distribuir segons les seves necessitats.<\/p>\n<p>La performance de Raquel Friera, <a href=\"https:\/\/www.museunacional.cat\/ca\/performance-crowded-museums\">Crowded Museums<\/a> (2023), recrea una entrevista feta pels membres del Comit\u00e9 selecte al keeper (encarregat de museu) de la National Gallery (1850) en la que es parla de la posada en tensi\u00f3 del museu com a espai p\u00fablic (amb grups que porten menjar i begudes, nens petits que embruten el terra, comportaments inapropiats, etc.). En el mateix informe s&#8217;apunta ja una possible soluci\u00f3: regulacions i tarifes d&#8217;acc\u00e9s.<\/p>\n<p>D&#8217;aquesta manera, la performance de Raquel Friera aborda un tema de debat candent: les funcions del museu, per recrear la deriva hist\u00f2rica dels museus, d\u2019un espai p\u00fablic a un espai de consum.<\/p>\n<p><a href=\"https:\/\/canal.mesmnac.cat\/mira\/crowded-museums-performance-de-raquel-friera\/\" target=\"_blank\" rel=\"noopener\">Crowded museums v\u00eddeo de la performance<\/a><\/p>\n<p><a href=\"https:\/\/blog.museunacional.cat\/museus-i-res-publica-a-partir-de-la-performance-crowded-museums-de-raquel-friera\/\">Museums i res publica. 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