{"id":694,"date":"2024-10-30T08:27:17","date_gmt":"2024-10-30T08:27:17","guid":{"rendered":"https:\/\/montsebadia.net\/new\/montse-badia-inici\/"},"modified":"2026-09-03T10:58:53","modified_gmt":"2026-09-03T10:58:53","slug":"montse-badia-inici","status":"publish","type":"page","link":"https:\/\/montsebadia.net\/ca\/","title":{"rendered":"Montse Badia &#8211; Inici"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"694\" class=\"elementor elementor-694 elementor-346\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9779773 e-flex e-con-boxed e-con e-parent\" data-id=\"9779773\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d48ff31 elementor-widget__width-initial animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"d48ff31\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Art contemporani <span style=\"font-family:Time News Roman;font-style:italic\">&amp;<\/span> pensament cr\u00edtic<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d0fef4c e-flex e-con-boxed e-con e-parent\" data-id=\"d0fef4c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-931d3f8 animated-slow elementor-invisible elementor-widget elementor-widget-image\" data-id=\"931d3f8\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"720\" height=\"680\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse.webp\" class=\"attachment-large size-large wp-image-1392\" alt=\"\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse.webp 720w, https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse-300x283.webp 300w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e7a9d04 e-con-full e-flex e-con e-child\" data-id=\"e7a9d04\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e5aa689 animated-slow elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"e5aa689\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>S\u00f3c la Montse Badia, historiadora de l&#8217;art i comiss\u00e0ria d&#8217;exposicions i projectes. S\u00f3c cofundadora i directora d&#8217; <a href=\"https:\/\/a-desk.org\/en\/\" target=\"_blank\" rel=\"noopener\">A*DESK.<\/a><\/p>\n<p>Em preocupa l&#8217;estandarditzaci\u00f3 que vivim i la p\u00e8rdua de drets. Crec que l&#8217;an\u00e0lisi del passat \u00e9s crucial per entendre el present. Tot aix\u00f2 ho tasllado al treball curatorial i a l&#8217;\u00e0mbit editorial partint de la recerca i la transdisciplinarietat.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-15930b1 e-flex e-con-boxed e-con e-parent\" data-id=\"15930b1\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-ce54007 e-con-full e-flex e-con e-child\" data-id=\"ce54007\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ecb80c6 e-con-full e-flex e-con e-child\" data-id=\"ecb80c6\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9616f40 e-con-full e-flex e-con e-child\" 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value=\"\" autocomplete=\"off\" role=\"combobox\" aria-autocomplete=\"list\" aria-expanded=\"false\" aria-controls=\"results-a1339ec\" aria-haspopup=\"listbox\">\n\t\t\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" width=\"14px\" height=\"13px\" viewBox=\"0 0 14 13\"><title>Group 5<\/title><g id=\"Page-1\" stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g id=\"Home\" transform=\"translate(-1252, -1602)\" stroke=\"#000000\"><g id=\"Group-5\" transform=\"translate(1253, 1603)\"><line x1=\"0\" y1=\"11\" x2=\"4\" y2=\"7\" id=\"Stroke-1\"><\/line><path d=\"M12,4.5 C12,6.9852 9.9854,9 7.5,9 C5.0146,9 3,6.9852 3,4.5 C3,2.0148 5.0146,0 7.5,0 C9.9854,0 12,2.0148 12,4.5 Z\" id=\"Stroke-3\"><\/path><\/g><\/g><\/g><\/svg>\t\t\t\t\t\t\t\t\t\t<output id=\"results-a1339ec\" class=\"e-search-results-container hide-loader\" aria-live=\"polite\" aria-atomic=\"true\" aria-label=\"Results for search\" tabindex=\"0\">\n\t\t\t\t\t\t<div class=\"e-search-results\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/output>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<button class=\"e-search-submit  \" type=\"submit\" aria-label=\"Search\">\n\t\t\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" width=\"14px\" height=\"13px\" viewBox=\"0 0 14 13\"><title>Group 5<\/title><g id=\"Page-1\" stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g id=\"Home\" transform=\"translate(-1252, -1602)\" stroke=\"#000000\"><g id=\"Group-5\" transform=\"translate(1253, 1603)\"><line x1=\"0\" y1=\"11\" x2=\"4\" y2=\"7\" id=\"Stroke-1\"><\/line><path d=\"M12,4.5 C12,6.9852 9.9854,9 7.5,9 C5.0146,9 3,6.9852 3,4.5 C3,2.0148 5.0146,0 7.5,0 C9.9854,0 12,2.0148 12,4.5 Z\" id=\"Stroke-3\"><\/path><\/g><\/g><\/g><\/svg>\n\t\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t<input type=\"hidden\" name=\"e_search_props\" 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class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Not\u00edcies<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-27c2254 elementor-grid-1 animated-slow elementor-grid-tablet-1 elementor-grid-mobile-1 elementor-invisible elementor-widget elementor-widget-loop-grid\" data-id=\"27c2254\" data-element_type=\"widget\" data-e-type=\"widget\" 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class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/jornada-sobre-periodisme-critica-i-arts-visuals\/\">Jornada sobre periodisme, cr\u00edtica i arts visuals<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2026\/10\/28\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>28 - octubre - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p><span id=\"descripcionCorta\" class=\"fs16\">Dins del marc del <strong>Pla d\u2019Impuls de les Arts visuals<\/strong>, l&#8217;<strong>Institut Catal\u00e0 de les Empreses Culturals<\/strong> (ICEC), mitjan\u00e7ant l&#8217;SDE\u00a0 i en col\u00b7laboraci\u00f3 amb el <a href=\"https:\/\/festivalpanoramic.cat\/\"><strong>Festival Panor\u00e0mic<\/strong><\/a>, organitza una jornada professional amb l\u2019objectiu de reflexionar sobre els reptes del periodisme cultural actual i generar un espai de di\u00e0leg entre professionals, creadors i p\u00fablic.<\/span><\/p>\n<p>Vivim un moment de transformaci\u00f3 profunda en la manera com circula el discurs p\u00fablic, i la cr\u00edtica d&#8217;art no n&#8217;\u00e9s una excepci\u00f3. Els diaris i mitjans tradicionals, que durant d\u00e8cades van ser l&#8217;espai principal des d&#8217;on es constru\u00efa, difonia i legitimava el judici cr\u00edtic sobre l&#8217;art contemporani, han vist redu\u00eft el seu pes com a prescriptors culturals. Avui, una part significativa de la conversa sobre les arts visuals transita per nous canals i formats digitals: plataformes especialitzades, revistes en l\u00ednia, p\u00f2dcasts, xarxes socials, newsletters i projectes independents que han assumit un paper cada vegada m\u00e9s rellevant en la generaci\u00f3 i difusi\u00f3 de continguts.<\/p>\n<p>Aquest nou escenari obliga a replantejar algunes preguntes fonamentals: qui exerceix avui la funci\u00f3 cr\u00edtica? Qui genera opini\u00f3 i relat sobre l&#8217;art contemporani? Des de quins espais parla, a quins p\u00fablics arriba i amb quina legitimitat?<\/p>\n<p>Aquesta jornada proposa abordar aquestes q\u00fcestions a partir de les experi\u00e8ncies de periodistes culturals, responsables de plataformes digitals, artistes i creadors de continguts que participen activament en la construcci\u00f3 del discurs cultural contemporani. M\u00e9s enll\u00e0 d&#8217;analitzar l&#8217;evoluci\u00f3 del periodisme cultural i de la cr\u00edtica d&#8217;art, la jornada vol oferir eines per comprendre com es configuren avui els mecanismes de mediaci\u00f3, prescripci\u00f3 i legitimaci\u00f3 en l&#8217;\u00e0mbit de les arts visuals i quins reptes planteja aquest nou ecosistema per al futur del sector.<\/p>\n<p><strong>Objectius<\/strong><\/p>\n<p>&#8211; Analitzar l&#8217;impacte de la transformaci\u00f3 digital en el periodisme cultural i la cr\u00edtica d&#8217;art.<\/p>\n<p>&#8211; Identificar els agents, plataformes i formats que actualment intervenen en la construcci\u00f3 del discurs sobre les arts visuals.<\/p>\n<p>&#8211; Debatre el paper de les xarxes socials, els p\u00f2dcasts, els projectes editorials independents i altres espais emergents de mediaci\u00f3 cultural.<\/p>\n<p>&#8211; Reflexionar sobre els mecanismes actuals de prescripci\u00f3, autoritat i legitimaci\u00f3 cr\u00edtica.<\/p>\n<p>&#8211; Compartir experi\u00e8ncies i perspectives de professionals que desenvolupen la seva activitat en els nous ecosistemes de comunicaci\u00f3 cultural.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0Programa<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td>09.40 &#8211; 10.00 h<\/td>\n<td><strong>Inscripcions i caf\u00e8 de benvinguda<\/strong><\/td>\n<\/tr>\n<tr>\n<td>10.00 &#8211; 11.30 h<\/td>\n<td><strong>L\u2019artista com a agent medi\u00e0tic.<\/strong> Com l\u2019artista genera relat i discurs cr\u00edtic sense intermediaci\u00f3 period\u00edstica. Activisme i autogesti\u00f3 del discurs.<\/p>\n<p><strong>&#8211; Daniel Garc\u00eda And\u00fajar.\u00a0<\/strong>Artista visual, activista i te\u00f2ric dels nous mitjans.<strong>\u00a0<\/strong><\/p>\n<p><strong>&#8211; Cl\u00e0udia Rius.\u00a0<\/strong>Periodista cultural i cap de redacci\u00f3 de N\u00favol.<\/td>\n<\/tr>\n<tr>\n<td>11.45 &#8211; 13.15 h<\/td>\n<td><strong>De la redacci\u00f3 al <em>feed<\/em>: on es fa cr\u00edtica avui.<\/strong> La cr\u00edtica ha canviat de suport, ha canviat de naturalesa o ha desaparegut?<\/p>\n<p><strong>&#8211; Joan Maria Minguet Batllori.\u00a0<\/strong>Historiador i cr\u00edtic d\u2019art.<\/p>\n<p><strong>&#8211; Toni Ribas<\/strong>.\u00a0Director adjunt del diari Ara.<\/p>\n<p><strong>&#8211; Carolina Ciuti.\u00a0<\/strong>Periodista cultural i editora d\u2019Exibart Espa\u00f1a.<strong>\u00a0<\/strong><\/td>\n<\/tr>\n<tr>\n<td>13.15 &#8211; 14.15 h<\/td>\n<td><strong>Dinar-Networking<\/strong><\/td>\n<\/tr>\n<tr>\n<td>14.15 &#8211; 15.45\u00a0h<\/td>\n<td><strong>Plataformes digitals comissariades com a espai cr\u00edtic i divulgatiu.\u00a0\u00a0<\/strong>Els models de plataformes independents com a alternatives als espais tradicionals de cr\u00edtica i mediaci\u00f3 cultural. Qui legitima el discurs sobre art? Autoritat cr\u00edtica, algorismes, audi\u00e8ncies i precarietat del sector.<\/p>\n<p><strong>&#8211;\u00a0<\/strong><strong>Montse Badia<\/strong>.\u00a0Comiss\u00e0ria, historiadora de l\u2019art i cofundadora d\u2019A*Desk.<\/p>\n<p><strong>&#8211; Iv\u00e1n de la Nuez<\/strong>.\u00a0Escriptor, assagista i comissari.<\/p>\n<p><strong>&#8211; Judith M\u00e9ndez<\/strong>.\u00a0Divulgadora cultural especialitzada en hist\u00f2ria de l\u2019art.<\/p>\n<p><strong>&#8211; Carmen Corbera.\u00a0<\/strong>Creadora i presentadora del p\u00f2dcast El Mundo del Arte.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>\u2192<\/strong> Jornada moderada per <strong>Roberta Bosco<\/strong>,\u00a0periodista especialitzada en art contemporani.<\/p>\n<p>&nbsp;<\/p>\n<p>30\/11\/2026. M\u00e9s informaci\u00f3 <a href=\"http:\/\/Vivimos un momento de profunda transformaci\u00f3n en c\u00f3mo circula el discurso p\u00fablico, y la cr\u00edtica de arte no es una excepci\u00f3n. Los diarios y medios tradicionales, que durante d\u00e9cadas fueron el espacio principal desde el que se constru\u00eda, difund\u00eda y legitimaba el juicio cr\u00edtico sobre el arte contempor\u00e1neo, han visto reducido su peso como prescriptores culturales. Hoy, una parte significativa de la conversaci\u00f3n sobre las artes visuales transita por nuevos canales y formatos digitales: plataformas especializadas, revistas online, podcasts, redes sociales, newsletters y proyectos independientes que han asumido un papel cada vez m\u00e1s relevante en la generaci\u00f3n y difusi\u00f3n de contenidos. Este nuevo escenario obliga a replantear algunas preguntas fundamentales: \u00bfqui\u00e9n ejerce hoy la funci\u00f3n cr\u00edtica? \u00bfQui\u00e9n genera opini\u00f3n y relato sobre el arte contempor\u00e1neo? \u00bfDesde qu\u00e9 espacios habla, a qu\u00e9 p\u00fablicos llega y con qu\u00e9 legitimidad? Esta jornada propone abordar estas cuestiones a partir de las experiencias de periodistas culturales, responsables de plataformas digitales, artistas y creadores de contenidos que participan activamente en la construcci\u00f3n del discurso cultural contempor\u00e1neo. M\u00e1s all\u00e1 de analizar la evoluci\u00f3n del periodismo cultural y de la cr\u00edtica de arte, la jornada quiere ofrecer herramientas para comprender c\u00f3mo se configuran hoy los mecanismos de mediaci\u00f3n, prescripci\u00f3n y legitimaci\u00f3n en el \u00e1mbito de las artes visuales y qu\u00e9 retos plantea este nuevo ecosistema para el futuro del sector. Objetivos - Analizar el impacto de la transformaci\u00f3n digital en el periodismo cultural y la cr\u00edtica de arte. - Identificar a los agentes, plataformas y formatos que actualmente intervienen en la construcci\u00f3n del discurso sobre las artes visuales. - Debatir el papel de las redes sociales, los podcasts, los proyectos editoriales independientes y otros espacios emergentes de mediaci\u00f3n cultural. - Reflexionar sobre los actuales mecanismos de prescripci\u00f3n, autoridad y legitimaci\u00f3n cr\u00edtica. - Compartir experiencias y perspectivas de profesionales que desarrollen su actividad en los nuevos ecosistemas de comunicaci\u00f3n cultural. Programa 09.40 - 10.00 h Inscripciones y caf\u00e9 de bienvenida 10:00 - 11:30 h El artista como agente medi\u00e1tico. C\u00f3mo el artista genera relato y discurso cr\u00edtico sin intermediaci\u00f3n period\u00edstica. Activismo y autogesti\u00f3n del discurso. - Daniel Garc\u00eda And\u00fajar. Artista visual, activista y te\u00f3rico de los nuevos medios. - Claudia Rius. Periodista cultural y jefe de redacci\u00f3n de Nube. 11.45 - 13.15 h De la redacci\u00f3n al feed: d\u00f3nde se hace cr\u00edtica hoy. \u00bfLa cr\u00edtica ha cambiado de apoyo, ha cambiado de naturaleza o ha desaparecido? - Joan Maria Minguet Batllori. Historiador y cr\u00edtico de arte. - Toni Ribas. Director adjunto del diario Ara. - Carolina Ciuti. Periodista cultural y editora de Exibart Espa\u00f1a. 13.15 - 14.15 h Almuerzo-Networking 14.15 - 15.45 h Plataformas digitales comisariadas como espacio cr\u00edtico y divulgativo. Los modelos de plataformas independientes como alternativas a los espacios tradicionales de cr\u00edtica y mediaci\u00f3n cultural. \u00bfQui\u00e9n legitima el discurso sobre arte? Autoridad cr\u00edtica, algoritmos, audiencias y precariedad del sector. - Montse Badia. Comisaria, historiadora del arte y cofundadora de A*Desk. - Iv\u00e1n de la Nuez. Escritor, ensayista y comisario. - Judith M\u00e9ndez. Divulgadora cultural especializada en historia del arte. - Carmen Corbera. Creadora y presentadora del podcast El Mundo del Arte. \u2192 Jornada moderada por Roberta Bosco, periodista especializada en arte contempor\u00e1neo.\" target=\"_blank\" rel=\"noopener\">aqu\u00ed<\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3261 post-3261 post type-post status-publish format-standard hentry category-news-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/nuevas-estrategias-en-la-programacion-de-las-artes-visuales\/\">Noves estrat\u00e8gies en la programaci\u00f3 de les arts visuals<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2026\/10\/28\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>28 - octubre - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>Taula rodona: <em>Noves estrat\u00e8gies en la programaci\u00f3 de les arts visuals, amb<\/em> Marco Scotini (Nuova Academia di Belle Arti), Jenny Nordquist (Landskrona Foto) i Martina Mill\u00e0 (Fundaci\u00f3 Mir\u00f3). Modera: Montse Badia<\/p>\n<p>Dilluns, 9 de Novembre, 10:45 &#8211; 11:45 h.<\/p>\n<p><a href=\"https:\/\/festivalpanoramic.cat\/agenda\/setmana-internacional-professional-la-porxada-panoramic\/\" target=\"_blank\" rel=\"noopener\">Panor\u00e0mic Pro<\/a>. Roca Umbert. F\u00e0brica de les Arts, Granollers.<\/p>\n<p>En el context del<a href=\"https:\/\/festivalpanoramic.cat\/\" target=\"_blank\" rel=\"noopener\"> Festival Panoramic<\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-529b479 animated-slow elementor-invisible elementor-widget elementor-widget-button\" data-id=\"529b479\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/montsebadia.net\/ca\/noticies\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Anar a not\u00edcies<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-bb15159 e-con-full post-column e-flex e-con e-child\" data-id=\"bb15159\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5cc0936 elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"5cc0936\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Projectes<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1500dde elementor-grid-1 animated-slow elementor-grid-tablet-1 elementor-grid-mobile-1 elementor-invisible elementor-widget elementor-widget-loop-grid\" data-id=\"1500dde\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;template_id&quot;:380,&quot;columns&quot;:1,&quot;_animation&quot;:&quot;fadeIn&quot;,&quot;columns_tablet&quot;:1,&quot;row_gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:20,&quot;sizes&quot;:[]},&quot;_skin&quot;:&quot;post&quot;,&quot;columns_mobile&quot;:&quot;1&quot;,&quot;edit_handle_selector&quot;:&quot;[data-elementor-type=\\&quot;loop-item\\&quot;]&quot;,&quot;row_gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;row_gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"loop-grid.post\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-loop-container elementor-grid\" role=\"list\">\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3225 post-3225 post type-post status-publish format-standard hentry category-proyectos-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/aqua-et-tempus-alvar-calvet\/\">Aqua et Tempus. \u00c0lvar Calvet<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2026\/10\/06\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>6 - octubre - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p><a href=\"https:\/\/medol.cat\/activitats\/exposicio-aqua-et-tempus-alvar-calvet\/?wcs_timestamp=1791572400\">AQUA ET TEMPUS, exposici\u00f3 d&#8217;\u00c0lvar Calvet, comissariada per Montse Badia, a les Voltes del Circ Rom\u00e0 de Tarragona<\/a><\/p>\n<p><strong>AQUA ET TEMPUS o l\u2019arqueologia de l\u2019anticipaci\u00f3<\/strong><\/p>\n<p>Els rius exemplifiquen una de les grans paradoxes de la nostra relaci\u00f3 amb la natura. Sabem que s\u00f3n sistemes vius, per\u00f2 hem apr\u00e8s a mirar-los com a recursos que es poden gestionar. \u00c9s en aquesta tensi\u00f3 on se situa bona part del treball d\u2019\u00c0lvar Calvet.<\/p>\n<p>A <em>Aqua et Tempus<\/em> aquestes preocupacions es concentren al voltant del riu Aniene. L\u2019exposici\u00f3 reuneix el treball desenvolupat durant la resid\u00e8ncia de Calvet al Laci entre 2024 i 2025 i dona continu\u00eftat a <em>Set llocs, set \u00e0nimes<\/em> i <em>Les set \u00e0nimes de l\u2019Aniene<\/em>. L\u2019Aniene, un afluent del T\u00edber, recorre un territori on s\u2019acumulen restes arqueol\u00f2giques i sistemes hidr\u00e0ulics. Calvet s\u2019hi aproxima com qui intenta llegir un paisatge escrit i reescrit moltes vegades.<\/p>\n<p>L\u2019arqueologia ocupa un lloc central. Caps, cors, llums d\u2019oli en forma de truita de riu, estendards, monedes de sediments i petits temples d\u2019aigua semblen despla\u00e7ats del seu temps. A Calvet li interessa la condici\u00f3 ambigua de l\u2019objecte. S\u00f3n restes d\u2019all\u00f2 que ha passat, per\u00f2 tamb\u00e9 anticipacions d\u2019una relaci\u00f3 amb l\u2019aigua que encara no sabem imaginar.<\/p>\n<p>Les peces procedeixen de l\u2019experi\u00e8ncia a l\u2019entorn de l\u2019Aniene, de les trobades amb persones vinculades al riu i d\u2019accions que configuren una lit\u00fargia laica. Caminar, oferir i enterrar s\u00f3n els tres moments de la process\u00f3 <em>Les set \u00e0nimes de l\u2019Aniene<\/em>. Caminar ajusta el cos a una altra escala; oferir estableix una relaci\u00f3 que no parteix de la possessi\u00f3; enterrar introdueix un gest contrari a l\u2019extracci\u00f3.<\/p>\n<p>El ritual no \u00e9s una evocaci\u00f3 rom\u00e0ntica de la natura, sin\u00f3 una manera d\u2019introduir un altre temps per a l\u2019atenci\u00f3. Els objectes donen forma a all\u00f2 que queda fora dels llenguatges de la gesti\u00f3, com ara l\u2019experi\u00e8ncia d\u2019un lloc i la desaparici\u00f3 d\u2019una esp\u00e8cie. El llum amb forma de truita remet a una esp\u00e8cie desapareguda de l\u2019Aniene; els set temples d\u2019aigua es relacionen amb set punts concrets del riu i amb les tensions pr\u00f2pies de cadascun. Un d\u2019aquests temples ja ha format part d\u2019una process\u00f3 i d\u2019un enterrament; els altres sis, preparats per a futures processons i enterraments, resten com a formes d\u2019anticipaci\u00f3. Les monedes fetes amb sediments introdueixen, al seu torn, una pregunta sobre el valor.<\/p>\n<p>L\u2019aigua no es pot separar de la geopol\u00edtica. La seva circulaci\u00f3, distribuci\u00f3 o retenci\u00f3 determina relacions entre territoris i comunitats. El riu fa visibles conflictes del present: l\u2019aigua com a b\u00e9 com\u00fa i com a recurs econ\u00f2mic, i la voluntat de controlar els seus cicles.<\/p>\n<p>A <em>Set llocs, set \u00e0nimes<\/em> Calvet \u00e9s guiat amb els ulls coberts per set persones cap a diferents llocs de l\u2019Aniene. La ceguesa funciona com a m\u00e8tode que obliga a escoltar i acceptar la mediaci\u00f3 de persones que coneixen el riu i en tenen cura. No veure es converteix en una manera d\u2019atendre all\u00f2 que queda fora de la visi\u00f3.<\/p>\n<p>Entre l\u2019arqueologia i l\u2019anticipaci\u00f3, entre la mem\u00f2ria i la cura, els objectes d\u2019<em>Aqua et Tempus<\/em> romanen com c\u00e0psules de temps, conserven la mem\u00f2ria d\u2019all\u00f2 que ha passat i mantenen oberta la possibilitat d\u2019all\u00f2 que encara no ha passat. La q\u00fcesti\u00f3 no \u00e9s nom\u00e9s qu\u00e8 hem perdut, sin\u00f3 qu\u00e8 som capa\u00e7os de cuidar encara.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3105 post-3105 post type-post status-publish format-standard hentry category-proyectos-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/baremos-retributivos-para-profesionales-de-las-artes-visuales\/\">Barems retributius<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2026\/07\/04\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>4 - juliol - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p><a title=\"document pdf\" href=\"https:\/\/cultura.gencat.cat\/web\/.content\/dgcc\/05_Noticies\/2026\/Barems-Retributius_Arts_Visuals.pdf\" target=\"_blank\" rel=\"noopener\">Barems retributius per a professionales de les arts visuals<\/a> t\u00e9 com a finalitat establir un <strong>document marc sobre les retribucions de persones comiss\u00e0ries i artistes per les feines dutes a terme en centres d\u2019art contemporani<\/strong> integrats en el Sistema P\u00fablic d\u2019Equipaments d\u2019Arts Visuals (<strong>SPEAV<\/strong>).<\/p>\n<p>L\u2019objectiu principal \u00e9s proposar uns barems salarials orientatius que fomentin la dignificaci\u00f3 del treball cultural i que els centres es comprometin a aplicar.<\/p>\n<p>La proposta \u00e9s una <strong>iniciativa de la Direcci\u00f3 General de Drets Culturals, Creaci\u00f3 i Biblioteques<\/strong> del Departament de Cultura de la Generalitat de Catalunya i ha estat elaborada conjuntament per representants de <strong>centres del Sistema P\u00fablic d\u2019Equipaments d\u2019Arts Visuals (SPEAV)<\/strong>, i les <strong>associacions professionals PAAC<\/strong> (Plataforma Assemble\u00e0ria d&#8217;Artistes de Catalunya) i <strong>ACCA<\/strong> (Associaci\u00f3 Catalana de Cr\u00edtica d\u2019Art). <span dir=\"auto\">Montse Badia ha dut a terme la relatoria d&#8217;aquest document.\u00a0<\/span><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5ca2f62 animated-slow elementor-invisible elementor-widget elementor-widget-button\" data-id=\"5ca2f62\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/montsebadia.net\/ca\/projectes\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Anar a projectes<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d0d5673 e-con-full post-column e-flex e-con e-child\" data-id=\"d0d5673\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b7900a7 animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"b7900a7\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Textos\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4587184 elementor-grid-1 elementor-grid-tablet-1 elementor-grid-mobile-1 elementor-invisible elementor-widget elementor-widget-loop-grid\" data-id=\"4587184\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;template_id&quot;:380,&quot;columns&quot;:1,&quot;_animation&quot;:&quot;fadeIn&quot;,&quot;columns_tablet&quot;:1,&quot;row_gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:20,&quot;sizes&quot;:[]},&quot;_skin&quot;:&quot;post&quot;,&quot;columns_mobile&quot;:&quot;1&quot;,&quot;edit_handle_selector&quot;:&quot;[data-elementor-type=\\&quot;loop-item\\&quot;]&quot;,&quot;row_gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;row_gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"loop-grid.post\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-loop-container elementor-grid\" role=\"list\">\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3169 post-3169 post type-post status-publish format-standard hentry category-textos-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/la-belleza-en-disputa\/\">La bellesa en disputa<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2026\/08\/05\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>5 - agost - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>El CCCB \u00e9s una instituci\u00f3 que, de manera coherent al llarg de la seva traject\u00f2ria, s\u2019ha definit com a \u00abun centre cultural multidisciplinari dedicat a explorar els grans temes de la societat contempor\u00e0nia mitjan\u00e7ant diferents llenguatges i formats\u00bb. Al llarg dels seus trenta-dos anys d\u2019hist\u00f2ria, q\u00fcestions com la intel\u00b7lig\u00e8ncia artificial, el cervell, la cultura dels suburbis o figures procedents d\u2019\u00e0mbits diversos \u2014Chris Ware, Agn\u00e8s Varda, Stanley Kubrick, el marqu\u00e8s de Sade o, m\u00e9s recentment, Merc\u00e8 Rodoreda\u2014 han articulat programes expositius i p\u00fablics capa\u00e7os de desplegar m\u00faltiples aproximacions i nivells de lectura.<\/p>\n<p><a href=\"https:\/\/www.cccb.org\/ca\/w\/exposicions\/el-culte-a-la-bellesa\" target=\"_blank\" rel=\"noopener\"><em>El culte a la bellesa<\/em><\/a> aborda un d\u2019aquests grans temes universals. Com assenyalava Umberto Eco, la bellesa constitueix una aspiraci\u00f3 compartida per totes les cultures, encara que mai no hagi estat una categoria absoluta ni immutable. La seva vig\u00e8ncia \u00e9s especialment significativa en el present, quan continua sent una construcci\u00f3 social profundament condicionada per la ind\u00fastria est\u00e8tica, l\u2019economia de l\u2019atenci\u00f3 i les xarxes socials. L\u2019exposici\u00f3 parteix d\u2019un posicionament cultural i pol\u00edtic que no pret\u00e9n definir tant qu\u00e8 \u00e9s la bellesa com analitzar els mecanismes que sostenen el seu culte.<\/p>\n<p>La mostra \u00e9s, en realitat, una adaptaci\u00f3 de l\u2019exposici\u00f3 hom\u00f2nima presentada a la <a href=\"https:\/\/wellcomecollection.org\/exhibitions\/the-cult-of-beauty\" target=\"_blank\" rel=\"noopener\">Wellcome Collection de Londres el 2023<\/a>. A la comiss\u00e0ria original, Janice Li, s\u2019hi han sumat les investigadores blanca \u00e0ries i J\u00falia Llull, l\u2019aportaci\u00f3 de les quals amplia el relat inicial i incorpora perspectives m\u00e9s plurals, cr\u00edtiques i obertes a les dissid\u00e8ncies.<\/p>\n<p>El recorregut expositiu comen\u00e7a de forma deliberadament cronol\u00f2gica, guiant el visitant a trav\u00e9s dels ideals de bellesa cl\u00e0ssics, sustentats en els principis de proporci\u00f3, g\u00e8nere i virtut. No obstant, aquesta narrativa aparentment estable es veu interrompuda per treballs art\u00edstics que introdueixen fissures i q\u00fcestionaments. Les obres de Lorenza B\u00f6ttner o Carlos Motta, entre d\u2019altres, problematitzen aquests models normatius i evidencien fins a quin punt la bellesa ha funcionat hist\u00f2ricament com a dispositiu d\u2019inclusi\u00f3 i exclusi\u00f3.<\/p>\n<p>A mesura que avan\u00e7a l\u2019exposici\u00f3, comencen a enfonsar-se dicotomies com a bell\/lleig o virtut\/frac\u00e0s, encara que d\u2019altres continuen operant amb for\u00e7a, especialment l\u2019associaci\u00f3 entre bellesa i joventut. Les formes d\u2019exclusi\u00f3 persisteixen, encara que adoptin noves configuracions. De l\u2019exotisme colonial, capa\u00e7 de cosificar qualsevol forma d\u2019alteritat, es passa a mecanismes contemporanis d\u2019invisibilitzaci\u00f3 vinculats a la ra\u00e7a, el g\u00e8nere o la identitat. Davant d\u2019aix\u00f2, col\u00b7lectius trans, queer i no binaris han desenvolupat estrat\u00e8gies d\u2019autoexpressi\u00f3, resist\u00e8ncia i construcci\u00f3 de mem\u00f2ria col\u00b7lectiva. En aquest context, els retrats de Colita dedicats a la comunitat gitana, el projecte <em>Humanae<\/em> d\u2019Ang\u00e9lica Dass, amb el seu ampli espectre de tonalitats de pell, o els retrats trans de Norma P\u00e9rez dialoguen de manera especialment efica\u00e7 amb els plantejaments de l\u2019exposici\u00f3.<\/p>\n<p>La mostra s\u2019endinsa despr\u00e9s en la complexa relaci\u00f3 entre bellesa, medicina i ci\u00e8ncia. Des de les pr\u00e0ctiques cosm\u00e8tiques de l\u2019antic Egipte fins als ideals anat\u00f2mics del Renaixement, el recorregut arriba al present, on l\u2019obsessi\u00f3 per la imatge \u2014resultat extrem de la societat de l\u2019espectacle\u2014 es veu amplificada per la comercialitzaci\u00f3 de productes farmac\u00e8utics, tractaments est\u00e8tics i procediments quir\u00fargics. Els nous c\u00e0nons ja no s\u2019associen necess\u00e0riament a la proporci\u00f3 o a la virtut, sin\u00f3 cada cop m\u00e9s a la capacitat adquisitiva. La bellesa apareix aix\u00ed com un privilegi susceptible de comprar-se, amb conseq\u00fc\u00e8ncies que afecten tant la salut f\u00edsica com el benestar emocional. Com identificar aquestes formes de control per conquistar espais d\u2019autonomia m\u00e9s grans? On acaba el desig individual i on comen\u00e7a la pressi\u00f3 col\u00b7lectiva? Les obres de Marina Vargas i Arvida Bystr\u00f6m apunten precisament cap a aquest desbordament dels l\u00edmits normatius, fent visibles les restriccions subjacents a qualsevol c\u00e0non.<\/p>\n<p>La instal\u00b7laci\u00f3 <em>Mirror, Mirror on the Wall<\/em>, de Xcessive Aesthetics, situa el visitant davant d\u2019un mirall deformant en qu\u00e8 es reflecteix la contaminaci\u00f3 visual que acompanya la nostra experi\u00e8ncia quotidiana. Un flux incessant d\u2019imatges, filtres, algorismes i models aspiracionals que consumim a trav\u00e9s de les xarxes socials i del que cada vegada resulta m\u00e9s dif\u00edcil sostreure\u2019s i que genera nombroses preguntes: Qui estableix avui els c\u00e0nons de bellesa: les institucions culturals, la ind\u00fastria est\u00e8tica, els algorismes o les xarxes socials? Com afecten els filtres, la intel\u00b7lig\u00e8ncia artificial i l\u2019edici\u00f3 digital a la nostra percepci\u00f3 de nosaltres mateixos? Hi pot haver una est\u00e8tica de la difer\u00e8ncia que no sigui absorbida pel mercat? Estem assistint a una democratitzaci\u00f3 de la bellesa o a una sofisticaci\u00f3 dels seus mecanismes de control? \u00c9s possible imaginar-se una societat menys obsessionada amb l\u2019aparen\u00e7a? Qu\u00e8 perdem quan convertim la bellesa en una obligaci\u00f3?<\/p>\n<p>Per\u00f2 <em>El culte a la bellesa<\/em> no es limita a l\u2019espai expositiu. Com \u00e9s habitual al CCCB, la proposta s\u2019amplia mitjan\u00e7ant un s\u00f2lid <a href=\"https:\/\/www.cccb.org\/ca\/w\/exposicions\/el-culte-a-la-bellesa#section03\" target=\"_blank\" rel=\"noopener\">programa p\u00fablic<\/a> que compta amb la participaci\u00f3 de pensadors i especialistes com Eloy Fern\u00e1ndez Porta, Remedios Zafra i les mateixes comiss\u00e0ries. A aix\u00f2 se suma un <a href=\"https:\/\/www.cccb.org\/ca\/w\/exposicions\/el-culte-a-la-bellesa#section06\" target=\"_blank\" rel=\"noopener\">programa formatiu dirigit a joves LGTBIQ+<\/a>, coordinat per Cordova i desenvolupat juntament amb artistes com \u00a5E$Si PERSE i Toni Herv\u00e1s, aix\u00ed com el cicle cinematogr\u00e0fic <a href=\"https:\/\/www.cccb.org\/ca\/w\/cicles\/gandules-2026\" target=\"_blank\" rel=\"noopener\"><em>Belles i eternes<\/em>,<\/a> comissariat per Desir\u00e9e de Fes per a les Gandules 2026. La selecci\u00f3 de pel\u00b7l\u00edcules de fantasia i ci\u00e8ncia per preservar la bellesa, perllongant a la pantalla moltes de les preguntes plantejades per l\u2019exposici\u00f3.<\/p>\n<p>M\u00e9s que oferir respostes definitives, <em>El culte a la bellesa<\/em> convida a reconsiderar cr\u00edticament una idea que solem donar per feta. Perqu\u00e8, si la bellesa mai no ha estat una categoria neutral, potser el veritable desafiament consisteix a preguntar-nos qui la defineix, qui se\u2019n beneficia i qui queda inevitablement fora dels seus l\u00edmits.<\/p>\n<p><strong>L\u2019exposici\u00f3 <em><a href=\"https:\/\/www.cccb.org\/ca\/w\/exposicions\/el-culte-a-la-bellesa\" target=\"_blank\" rel=\"noopener\">El culte a la bellesa<\/a><\/em>, comissariada per Janice Li, blanca arias i J\u00falia Llull aix\u00ed com el seu programa p\u00fablic pot visitar-se i seguir-se al CCCB fins al 8 de novembre de 2026.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>[<a href=\"https:\/\/a-desk.org\/ca\/spotlight\/la-belleza-en-disputa\/\" target=\"_blank\" rel=\"noopener\">Art\u00edcle publicat a A*DESK 5-8-2026]<\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3111 post-3111 post type-post status-publish format-standard hentry category-textos-ca\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/ca\/arts-visuals-col%c2%b7laboracions-i-formacio-en-temps-de-precarietat-i-expansio-museistica\/\">Arts visuals. Col\u00b7laboracions i formaci\u00f3 en temps de precarietat i expansi\u00f3 muse\u00edstica 2025<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/ca\/2026\/07\/04\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>4 - juliol - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>Text sobre l&#8217;\u00e0mbit de les arts visuals per a l&#8217;<a href=\"https:\/\/drac.cultura.gencat.cat\/\/handle\/20.500.12368\/38142#page=1\" target=\"_blank\" rel=\"noopener\">Informe annual: Estat<\/a><a href=\"https:\/\/drac.cultura.gencat.cat\/\/handle\/20.500.12368\/38142#page=1\" target=\"_blank\" rel=\"noopener\"> de la cultura i les arts 2025<\/a><\/p>\n<p>L\u2019Informe anual del CoNCA \u00e9s un document p\u00fablic que analitza l\u2019estat de la cultura i de les arts a Catalunya, revisant les principals tend\u00e8ncies, dades i pol\u00edtiques culturals de l\u2019any anterior. Tamb\u00e9 avalua l\u2019acci\u00f3 de les administracions p\u00fabliques en mat\u00e8ria cultural i identifica reptes estructurals del sector. Finalment, proposa recomanacions estrat\u00e8giques per enfortir l\u2019ecosistema cultural catal\u00e0 i orientar les pol\u00edtiques futures.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-060619e animated-slow elementor-invisible elementor-widget elementor-widget-button\" data-id=\"060619e\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/montsebadia.net\/ca\/textos\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Anar a textos<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9dfb36c e-flex e-con-boxed e-con e-parent\" data-id=\"9dfb36c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-32415fe e-con-full e-flex e-con e-child\" data-id=\"32415fe\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6050ec9 animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"6050ec9\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\u201c\u00c9s crucial revalorar l'art i la cultura, destacant-ne l'impacte social. Les institucions han denfocar-se en qualitat i sostenibilitat en lloc de rapidesa. El sistema est\u00e0 saturat i insostenible, i \u00e9s hora de reinventar-se\u201d.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a70268e animated-slow elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"a70268e\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Montse Badia<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4be13c3 animated-slow elementor-widget__width-initial elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"4be13c3\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.youtube.com\/watch?v=UqkKAErK8mQ\" target=\"_blank\" rel=\"noopener\">Gu\u00e8isers, al Museu Nacional d&#8217;Art de Catalunya &#8211; MNAC Canal<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-246c47a animated-slow elementor-invisible elementor-widget elementor-widget-image\" data-id=\"246c47a\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"540\" height=\"540\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse2.webp\" class=\"attachment-large size-large wp-image-1395\" alt=\"\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse2.webp 540w, https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse2-300x300.webp 300w, https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse2-150x150.webp 150w\" sizes=\"(max-width: 540px) 100vw, 540px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Art contemporani &amp; pensament cr\u00edtic S\u00f3c la Montse Badia, historiadora de l&#8217;art i comiss\u00e0ria d&#8217;exposicions i projectes. S\u00f3c cofundadora i directora d&#8217; A*DESK. Em preocupa l&#8217;estandarditzaci\u00f3 que vivim i la p\u00e8rdua de drets. Crec que l&#8217;an\u00e0lisi del passat \u00e9s crucial per entendre el present. Tot aix\u00f2 ho tasllado al treball curatorial i a l&#8217;\u00e0mbit editorial [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-694","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Montse Badia - Inici - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Montse Badia - Inici - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"Art contemporani &amp; pensament cr\u00edtic S\u00f3c la Montse Badia, historiadora de l&#8217;art i comiss\u00e0ria d&#8217;exposicions i projectes. S\u00f3c cofundadora i directora d&#8217; A*DESK. Em preocupa l&#8217;estandarditzaci\u00f3 que vivim i la p\u00e8rdua de drets. Crec que l&#8217;an\u00e0lisi del passat \u00e9s crucial per entendre el present. 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S\u00f3c cofundadora i directora d&#8217; A*DESK. Em preocupa l&#8217;estandarditzaci\u00f3 que vivim i la p\u00e8rdua de drets. Crec que l&#8217;an\u00e0lisi del passat \u00e9s crucial per entendre el present. Tot aix\u00f2 ho tasllado al treball curatorial i a l&#8217;\u00e0mbit editorial [&hellip;]","og_url":"https:\/\/montsebadia.net\/","og_site_name":"Montse Badia","article_publisher":"https:\/\/www.facebook.com\/montse.badia.96","article_modified_time":"2026-09-03T10:58:53+00:00","og_image":[{"width":720,"height":680,"url":"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse.webp","type":"image\/webp"}],"twitter_card":"summary_large_image","twitter_site":"@montsebadia1","twitter_misc":{"Temps estimat de lectura":"2 minuts"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/montsebadia.net\/","url":"https:\/\/montsebadia.net\/","name":"Montse Badia - Inici - Montse Badia","isPartOf":{"@id":"https:\/\/montsebadia.net\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/montsebadia.net\/#primaryimage"},"image":{"@id":"https:\/\/montsebadia.net\/#primaryimage"},"thumbnailUrl":"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse.webp","datePublished":"2024-10-30T08:27:17+00:00","dateModified":"2026-09-03T10:58:53+00:00","breadcrumb":{"@id":"https:\/\/montsebadia.net\/#breadcrumb"},"inLanguage":"ca","potentialAction":[{"@type":"ReadAction","target":["https:\/\/montsebadia.net\/"]}]},{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/montsebadia.net\/#primaryimage","url":"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse.webp","contentUrl":"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse.webp"},{"@type":"BreadcrumbList","@id":"https:\/\/montsebadia.net\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/montsebadia.net\/"},{"@type":"ListItem","position":2,"name":"Montse Badia &#8211; Inici"}]},{"@type":"WebSite","@id":"https:\/\/montsebadia.net\/en\/#website","url":"https:\/\/montsebadia.net\/en\/","name":"Montse Badia","description":"Historiadora del arte y comisaria independiente","publisher":{"@id":"https:\/\/montsebadia.net\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/montsebadia.net\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"ca"},{"@type":"Organization","@id":"https:\/\/montsebadia.net\/en\/#organization","name":"Montse Badia","url":"https:\/\/montsebadia.net\/en\/","logo":{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/montsebadia.net\/en\/#\/schema\/logo\/image\/","url":"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/10\/logo-montse-2.svg","contentUrl":"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/10\/logo-montse-2.svg","width":213,"height":28,"caption":"Montse Badia"},"image":{"@id":"https:\/\/montsebadia.net\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/montse.badia.96","https:\/\/x.com\/montsebadia1","https:\/\/www.instagram.com\/montse_badia_more\/","https:\/\/www.linkedin.com\/in\/montse-badia-b2348a33\/","https:\/\/www.youtube.com\/@MontseBadia"]}]}},"_links":{"self":[{"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/pages\/694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/comments?post=694"}],"version-history":[{"count":19,"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/pages\/694\/revisions"}],"predecessor-version":[{"id":3203,"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/pages\/694\/revisions\/3203"}],"wp:attachment":[{"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/media?parent=694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}