{"id":1034,"date":"2012-10-07T03:11:07","date_gmt":"2012-10-07T03:11:07","guid":{"rendered":"https:\/\/montsebadia.net\/new\/el-futuro-del-arte-en-un-mundo-de-recortes-e-industrias-culturales\/"},"modified":"2025-02-22T13:55:51","modified_gmt":"2025-02-22T13:55:51","slug":"el-futuro-del-arte-en-un-mundo-de-recortes-e-industrias-culturales","status":"publish","type":"post","link":"https:\/\/montsebadia.net\/ca\/el-futuro-del-arte-en-un-mundo-de-recortes-e-industrias-culturales\/","title":{"rendered":"El futur de l&#8217;art. En un mon de retalls i ind\u00fastries culturals"},"content":{"rendered":"<p>L&#8217;art no salva vides, per\u00f2 les millora. Aquesta asseveraci\u00f3 pot ser m\u00e9s o menys compartida en funci\u00f3 del moment hist\u00f2ric, social i econ\u00f2mic. En els \u00faltims anys, tots els fulls de ruta han assenyalat la direcci\u00f3 cap a una major professionalitzaci\u00f3 en aquest sector, que porta impl\u00edcita una major efic\u00e0cia i estandarditzaci\u00f3. Bona prova d&#8217;aix\u00f2 ha estat la proliferaci\u00f3 de tallers *profesionalizantes: confecci\u00f3 de dossiers professionals, cursos d&#8217;angl\u00e8s per a artistes, etc. Res a objectar, sempre que aquestes eines de comunicaci\u00f3 no siguin l&#8217;objectiu principal, sin\u00f3 l&#8217;acompanyament a un treball i a un discurs art\u00edstic previs.<\/p>\n<p>Perqu\u00e8 l&#8217;art no \u00e9s una ind\u00fastria cultural i, si vol ser-ho el preu a pagar \u00e9s potser massa alt. L&#8217;art s&#8217;assembla m\u00e9s a una activitat de laboratori, de recerca, de prova i error, que de llan\u00e7ament de productes ja empaquetats i d&#8217;espectacles llestos per al seu consum. L&#8217;art treballa amb l&#8217;inesperat i amb el no saber com reaccionar. Quan anem al cinema a veure una pel\u00b7l\u00edcula de g\u00e8nere, coneixem per endavant uns certs codis i unes certes din\u00e0miques, en art no sempre sabem amb el que ens trobarem i mai acabem d&#8217;estar segurs de com hem de reaccionar. I aix\u00f2 pot constatar-se en els gestos m\u00e9s senzills: quan *asisitimos a una representaci\u00f3 teatral (no importa si \u00e9s \u201cLa vida \u00e9s somni\u201d o teatre experimental), com a espectadors, sabem que al final aplaudim als actors. Quan assistim a una *performance art\u00edstica sempre existeix un moment de dubte, abans de decidir si hem d&#8217;aplaudir o no.<\/p>\n<p>El rol independent i anticonvencional de l&#8217;art podria exemplificar-se amb *Pippi *L\u00e5ngstrump, el personatge de ficci\u00f3 creat per *Astrid *Lindgren. L&#8217;esperit de contradicci\u00f3 de *Pippi, present fins i tot en les seves trenes i en la seva *idiosincr\u00e1tica manera de vestir i de viure, \u00e9s un festival de creativitat, imaginaci\u00f3 i independ\u00e8ncia que sovint xoca amb la resta de la societat i que, al mateix temps, obre a noves experi\u00e8ncies als seus conservadors amics, Tommy i *Annika.<\/p>\n<p>L&#8217;art \u00e9s una pr\u00e0ctica que radica en la individualitat, en les obsessions personals i en la possibilitat de generar conflictes o relacions cr\u00edtiques amb les seves formes. D&#8217;aquesta manera \u00e9s capa\u00e7 de generar un coneixement que va m\u00e9s enll\u00e0 de par\u00e0metres *standards i insisteix en la diversitat i la difer\u00e8ncia. L&#8217;objectiu: plantejar q\u00fcestions, marcar interrogants que permetin observar i q\u00fcestionar les coses des de perspectives renovades.<\/p>\n<p>Encara que les perspectives objectives no semblen gens falagueres per al futur de l&#8217;art: retallades, pujada de l&#8217;IVA i de l&#8217;IRPF, recessi\u00f3. Q\u00fcestions b\u00e0siques com a sanitat o educaci\u00f3 comencen a estar desateses, de manera que la necessitat de l&#8217;art sembla molt m\u00e9s relativa. Per\u00f2, per aix\u00f2 mateix, ha de continuar sent el detonant per a despertar consci\u00e8ncies i per a apuntar cap a altres possibilitats de pensament i d&#8217;acci\u00f3. M\u00e9s que mai, l&#8217;art \u00e9s una necessitat absoluta i la seva pr\u00e0ctica, un mode de resist\u00e8ncia.<\/p>\n<p>[Article publicat a Bonart, 2012]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;art no salva vides, per\u00f2 les millora. Aquesta asseveraci\u00f3 pot ser m\u00e9s o menys compartida en funci\u00f3 del moment hist\u00f2ric, social i econ\u00f2mic. En els \u00faltims anys, tots els fulls de ruta han assenyalat la direcci\u00f3 cap a una major professionalitzaci\u00f3 en aquest sector, que porta impl\u00edcita una major efic\u00e0cia i estandarditzaci\u00f3. Bona prova d&#8217;aix\u00f2 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-1034","post","type-post","status-publish","format-standard","hentry","category-textos-ca"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>El futur de l&#039;art. 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