{"id":1096,"date":"2010-06-22T15:45:00","date_gmt":"2010-06-22T15:45:00","guid":{"rendered":"https:\/\/montsebadia.net\/new\/el-hilo-de-ariadna\/"},"modified":"2025-02-24T11:39:34","modified_gmt":"2025-02-24T11:39:34","slug":"el-hilo-de-ariadna","status":"publish","type":"post","link":"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/","title":{"rendered":"El fil d’Ariadna"},"content":{"rendered":"

Vincle a l’article a A*DESK<\/a><\/p>\n

Fa temps que els museus han recuperat i estudiat en profunditat els treballs dels artistes conceptuals, ara \u00e9s el mercat qui els porta a primer terme, aix\u00ed com els artistes m\u00e9s joves que citen, rellegeixen i investiguen als seus referents.<\/p>\n

Ja ho escrivia Lawrence Wiener en la seva famosa “Declaration of\u00a0 Intent” (1968):<\/p>\n

– 1. The artist may construct the piece.
\n– 2. The piece may be fabricated.
\n– 3. The piece need not be built.
\n– Each being equal and consistent with the intent of the artist the decision as to condition rests with the receiver upon the occasion of receivership.<\/p>\n

Fa un parell de d\u00e8cades es va iniciar la recuperaci\u00f3 i l’estudi per part dels museus de totes aquelles pr\u00e0ctiques que havien tingut lloc en els anys 60 i 70 i que, precisament en oposici\u00f3 al museu-instituci\u00f3-sistema de l’art van optar per unes estrat\u00e8gies que escapaven als l\u00edmits i els codis d’aquestes institucions. Esdeveniments, *performances, reunions, documents, \u00e0udios i v\u00eddeos van passar a convertir-se en els registres o la materialitzaci\u00f3 d’uns projectes que apostaven m\u00e9s per la identificaci\u00f3 de l’art i la vida, \u00e9s a dir, per l’aqu\u00ed i ara que per la seva perdurabilitat i muse\u00eftzaci\u00f3. En els \u00faltims vint anys, grans i petits museus de tot el m\u00f3n s’han encarregat de recuperar, estudiar i documentar tots aquests treballs, des d’Hans *Haacke, fins a *Vito *Acconci o Marina *Abramovic passant per tots els grups d’artistes conceptuals de Catalunya, els antics pa\u00efsos de l’Est o els diversos pa\u00efsos llatinoamericans.<\/p>\n

En paral\u00b7lel, alguns col\u00b7leccionistes van anar generant col\u00b7leccions de refer\u00e8ncia, com el matrimoni Herbert, a B\u00e8lgica, que van entendre el seu paper com el de prendre part activa en un moviment social i pol\u00edtic i van oferir el seu suport a artistes com Lawrence *Weiner, Robert *Barry o Ian Wilson, entre altres, o l’editor Guy *Schraenen, que va col\u00b7leccionar art entre els anys 60 i 80, sense oblidar-se de recollir tota la documentaci\u00f3 paral\u00b7lela (*posters, invitacions, fotos, films, etc) relacionats amb els treballs. Totes dues col\u00b7leccions han estat tamb\u00e9 mostrades extensament en diferents museus i han servit de refer\u00e8ncia i de model a altres col\u00b7leccions de fundaci\u00f3 m\u00e9s recent.<\/p>\n

El conceptual no sols s’ha recuperat sin\u00f3 que compta amb el reconeixement del mercat, com es confirmava en la recent edici\u00f3 de la fira d’art de Basilea celebrada fa nom\u00e9s unes setmanes i en la qual es podien trobar treballs d’artistes com Lawrence Weiner, Helena Almeida, Nancy Spero, Antoni Muntadas o de cineastes com Harun Farocki i Agn\u00e8s Varda. La recuperaci\u00f3 segueix i un bon exemple \u00e9s el dels primers treballs i documents de General Idea que A.A. *Bronson, ell \u00fanic dels integrants del grup que continua viu, est\u00e0 duent a terme.<\/p>\n

S\u00f3n molts els artistes de les generacions m\u00e9s joves (i no tan joves) que han begut de les fonts del conceptual, dels seus continguts, actituds i\/o de les seves formes. Alguns d’aquests artistes, com Mario Garc\u00eda Torres no sols investiguen amb els seus treballs algunes inc\u00f2gnites relacionades amb obres conceptuals (l’Hotel One de Alighiero Boetti en Afganistan o el treball que Robert Barry va proposar als seus alumnes quan feia classe a Halifax) sin\u00f3 que tamb\u00e9 comissarien exposicions amb artistes d’aquesta generaci\u00f3, com a “Objectes per a una estona d’in\u00e8rcia”, que va tenir lloc a principis d’enguany en la galeria Elba Ben\u00edtez de Madrid i que agrupava els treballs de David Askevold, Alighiero e Boetti, Luis Camnitzer, Barry Le Va i Francesc Torres. La declaraci\u00f3 de principis era clara: “La Hist\u00f2ria, malgrat la seva insist\u00e8ncia en el contrari, pertany al temps present. La Hist\u00f2ria sempre s’est\u00e0 forjant. \u00c9s un proc\u00e9s, no un resultat. La Hist\u00f2ria i l’escriptura de la Hist\u00f2ria s\u00f3n una i la mateixa cosa”.<\/p>\n

La utilitzaci\u00f3 de diapositives i diaporames, de documents, els inventaris, els diagrames, la recerca de fets i situacions per a evidenciar coses o les *performances que es dilueixen en l’espai p\u00fablic … constitueixen un fil d’Ariadna (m\u00e9s el referit a les t\u00e8cniques de navegaci\u00f3 en les p\u00e0gines Web que al mitol\u00f2gic) que s’inicia en els 60 i els 70 i ens condueix directament a les performances de Dora Garc\u00eda o Tino Seghal i els seus interrogants sobre les relacions entre artista, obra i p\u00fablic, a la cerca de descampats o els inventaris de materials de Lara Almarcegui, als llistats d’Ignasi Aball\u00ed, als relats de Francis Al\u00ffs, a les relacions entre fets aparentment distants de Simon Starling, a les evid\u00e8ncies de Sean Snyder o als “displays” d’Erick Beltr\u00e1n. Es tracta d’un fil d’Ariadna directe, que compta amb menys de sis graus de separaci\u00f3 (ja posats a establir paral\u00b7lelismes literaris), encara que en massa ocasions l’her\u00e8ncia del leitmotiv “when attitudes become form” s’hagi quedat nom\u00e9s amb les formes.<\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Vincle a l’article a A*DESK Fa temps que els museus han recuperat i estudiat en profunditat els treballs dels artistes conceptuals, ara \u00e9s el mercat qui els porta a primer terme, aix\u00ed com els artistes m\u00e9s joves que citen, rellegeixen i investiguen als seus referents. Ja ho escrivia Lawrence Wiener en la seva famosa “Declaration […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-1096","post","type-post","status-publish","format-standard","hentry","category-textos-ca"],"yoast_head":"\nEl fil d'Ariadna - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El fil d'Ariadna - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"Vincle a l’article a A*DESK Fa temps que els museus han recuperat i estudiat en profunditat els treballs dels artistes conceptuals, ara \u00e9s el mercat qui els porta a primer terme, aix\u00ed com els artistes m\u00e9s joves que citen, rellegeixen i investiguen als seus referents. Ja ho escrivia Lawrence Wiener en la seva famosa “Declaration […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/\" \/>\n<meta property=\"og:site_name\" content=\"Montse Badia\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/montse.badia.96\" \/>\n<meta property=\"article:published_time\" content=\"2010-06-22T15:45:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-24T11:39:34+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@montsebadia1\" \/>\n<meta name=\"twitter:site\" content=\"@montsebadia1\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuts\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/montsebadia.net\/en\/#\/schema\/person\/e6d1199fca140cb29c5fdf8d92b3edd5\"},\"headline\":\"El fil d’Ariadna\",\"datePublished\":\"2010-06-22T15:45:00+00:00\",\"dateModified\":\"2025-02-24T11:39:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/\"},\"wordCount\":838,\"publisher\":{\"@id\":\"https:\/\/montsebadia.net\/en\/#organization\"},\"articleSection\":[\"Textos\"],\"inLanguage\":\"ca\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/\",\"url\":\"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/\",\"name\":\"El fil d'Ariadna - Montse Badia\",\"isPartOf\":{\"@id\":\"https:\/\/montsebadia.net\/en\/#website\"},\"datePublished\":\"2010-06-22T15:45:00+00:00\",\"dateModified\":\"2025-02-24T11:39:34+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/montsebadia.net\/ca\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"El fil d’Ariadna\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/montsebadia.net\/en\/#website\",\"url\":\"https:\/\/montsebadia.net\/en\/\",\"name\":\"Montse Badia\",\"description\":\"Historiadora del arte y comisaria independiente\",\"publisher\":{\"@id\":\"https:\/\/montsebadia.net\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/montsebadia.net\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"ca\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/montsebadia.net\/en\/#organization\",\"name\":\"Montse Badia\",\"url\":\"https:\/\/montsebadia.net\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/montsebadia.net\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/10\/logo-montse-2.svg\",\"contentUrl\":\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/10\/logo-montse-2.svg\",\"width\":213,\"height\":28,\"caption\":\"Montse Badia\"},\"image\":{\"@id\":\"https:\/\/montsebadia.net\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/montse.badia.96\",\"https:\/\/x.com\/montsebadia1\",\"https:\/\/www.instagram.com\/montse_badia_more\/\",\"https:\/\/www.linkedin.com\/in\/montse-badia-b2348a33\/\",\"https:\/\/www.youtube.com\/@MontseBadia\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/montsebadia.net\/en\/#\/schema\/person\/e6d1199fca140cb29c5fdf8d92b3edd5\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/montsebadia.net\/en\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/b58539768ab2caf2e4c530e0b360aa32c8af565115bdda86c769f7d12152688c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/b58539768ab2caf2e4c530e0b360aa32c8af565115bdda86c769f7d12152688c?s=96&d=mm&r=g\",\"caption\":\"admin\"},\"sameAs\":[\"https:\/\/montsebadia.net\"],\"url\":\"https:\/\/montsebadia.net\/ca\/author\/badia\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"El fil d'Ariadna - Montse Badia","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/","og_locale":"ca_ES","og_type":"article","og_title":"El fil d'Ariadna - Montse Badia","og_description":"Vincle a l’article a A*DESK Fa temps que els museus han recuperat i estudiat en profunditat els treballs dels artistes conceptuals, ara \u00e9s el mercat qui els porta a primer terme, aix\u00ed com els artistes m\u00e9s joves que citen, rellegeixen i investiguen als seus referents. Ja ho escrivia Lawrence Wiener en la seva famosa “Declaration […]","og_url":"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/","og_site_name":"Montse Badia","article_publisher":"https:\/\/www.facebook.com\/montse.badia.96","article_published_time":"2010-06-22T15:45:00+00:00","article_modified_time":"2025-02-24T11:39:34+00:00","author":"admin","twitter_card":"summary_large_image","twitter_creator":"@montsebadia1","twitter_site":"@montsebadia1","twitter_misc":{"Escrit per":"admin","Temps estimat de lectura":"4 minuts"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/#article","isPartOf":{"@id":"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/"},"author":{"name":"admin","@id":"https:\/\/montsebadia.net\/en\/#\/schema\/person\/e6d1199fca140cb29c5fdf8d92b3edd5"},"headline":"El fil d’Ariadna","datePublished":"2010-06-22T15:45:00+00:00","dateModified":"2025-02-24T11:39:34+00:00","mainEntityOfPage":{"@id":"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/"},"wordCount":838,"publisher":{"@id":"https:\/\/montsebadia.net\/en\/#organization"},"articleSection":["Textos"],"inLanguage":"ca"},{"@type":"WebPage","@id":"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/","url":"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/","name":"El fil d'Ariadna - Montse Badia","isPartOf":{"@id":"https:\/\/montsebadia.net\/en\/#website"},"datePublished":"2010-06-22T15:45:00+00:00","dateModified":"2025-02-24T11:39:34+00:00","breadcrumb":{"@id":"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/#breadcrumb"},"inLanguage":"ca","potentialAction":[{"@type":"ReadAction","target":["https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/montsebadia.net\/ca\/el-hilo-de-ariadna\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/montsebadia.net\/ca\/"},{"@type":"ListItem","position":2,"name":"El fil d’Ariadna"}]},{"@type":"WebSite","@id":"https:\/\/montsebadia.net\/en\/#website","url":"https:\/\/montsebadia.net\/en\/","name":"Montse Badia","description":"Historiadora del arte y comisaria independiente","publisher":{"@id":"https:\/\/montsebadia.net\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/montsebadia.net\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"ca"},{"@type":"Organization","@id":"https:\/\/montsebadia.net\/en\/#organization","name":"Montse Badia","url":"https:\/\/montsebadia.net\/en\/","logo":{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/montsebadia.net\/en\/#\/schema\/logo\/image\/","url":"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/10\/logo-montse-2.svg","contentUrl":"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/10\/logo-montse-2.svg","width":213,"height":28,"caption":"Montse Badia"},"image":{"@id":"https:\/\/montsebadia.net\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/montse.badia.96","https:\/\/x.com\/montsebadia1","https:\/\/www.instagram.com\/montse_badia_more\/","https:\/\/www.linkedin.com\/in\/montse-badia-b2348a33\/","https:\/\/www.youtube.com\/@MontseBadia"]},{"@type":"Person","@id":"https:\/\/montsebadia.net\/en\/#\/schema\/person\/e6d1199fca140cb29c5fdf8d92b3edd5","name":"admin","image":{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/montsebadia.net\/en\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/b58539768ab2caf2e4c530e0b360aa32c8af565115bdda86c769f7d12152688c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/b58539768ab2caf2e4c530e0b360aa32c8af565115bdda86c769f7d12152688c?s=96&d=mm&r=g","caption":"admin"},"sameAs":["https:\/\/montsebadia.net"],"url":"https:\/\/montsebadia.net\/ca\/author\/badia\/"}]}},"_links":{"self":[{"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/posts\/1096","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/comments?post=1096"}],"version-history":[{"count":3,"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/posts\/1096\/revisions"}],"predecessor-version":[{"id":2600,"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/posts\/1096\/revisions\/2600"}],"wp:attachment":[{"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/media?parent=1096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/categories?post=1096"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/montsebadia.net\/ca\/wp-json\/wp\/v2\/tags?post=1096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}