{"id":2956,"date":"2025-07-03T12:10:27","date_gmt":"2025-07-03T12:10:27","guid":{"rendered":"https:\/\/montsebadia.net\/cindy-sherman-y-mika-rottenberg-en-hauser-wirth-menorca\/"},"modified":"2025-07-05T12:21:01","modified_gmt":"2025-07-05T12:21:01","slug":"cindy-sherman-y-mika-rottenberg-en-hauser-wirth-menorca","status":"publish","type":"post","link":"https:\/\/montsebadia.net\/ca\/cindy-sherman-y-mika-rottenberg-en-hauser-wirth-menorca\/","title":{"rendered":"Cindy Sherman i Mika Rottenberg a Hauser & Wirth Menorca"},"content":{"rendered":"

Sovint es parla de com els diferents agents de l\u2019ecosistema art\u00edstic redefineixen els seus rols i els seus models de treball. El cas de Hauser & Wirth \u00e9s especialment interessant, no nom\u00e9s per ser una de les galeries amb m\u00e9s pes en l\u2019escena art\u00edstica global, sin\u00f3 tamb\u00e9 per com ha anat definint cadascun dels seus espais de manera diferenciada, aportant elements d\u2019entorn i benestar que enriqueixen l\u2019experi\u00e8ncia de col\u00b7leccionistes, clients i visitants. Hauser & Wirth Menorca n\u2019\u00e9s un clar exemple, ja que combina natura, sostenibilitat i una certa exclusivitat.<\/p>\n

Ara b\u00e9, no \u00e9s el moment d\u2019analitzar models de galeria, sin\u00f3 de posar el focus en les dues exposicions que acull actualment aquest espai privilegiat: dues mostres individuals dedicades a dues artistes amb traject\u00f2ries \u00e0mpliament consolidades: Mika Rottenberg i Cindy Sherman.<\/p>\n

Cindy Sherman. The Women<\/em><\/strong><\/p>\n

Retrobar l\u2019obra de Cindy Sherman \u00e9s sempre un esdeveniment remarcable, especialment si tenim en compte que la seva darrera exposici\u00f3 individual a l\u2019Estat espanyol va tenir lloc l\u2019any 1996 al Museo Nacional \u2013 Centro de Arte Reina Sof\u00eda de Madrid, organitzada conjuntament amb el Museu Boijmans Van Beuningen de Rotterdam.<\/p>\n

En aquesta ocasi\u00f3, The Women<\/em><\/a> reuneix una selecci\u00f3 significativa de treballs creats entre les d\u00e8cades de 1970 i 2010. S\u2019hi poden veure algunes de les seves s\u00e8ries m\u00e9s ic\u00f2niques, com Untitled Film Stills<\/em> (1977\u20131980), on Sherman recrea fotogrames ficticis que evoquen la nouvelle vague<\/em>, el cinema franc\u00e8s dels anys seixanta, el neorealisme itali\u00e0 o fins i tot Hitchcock.<\/p>\n

Aquesta \u00e9s l\u2019\u00fanica s\u00e8rie a la qual l\u2019artista ha posat t\u00edtol. Tal com explica en un documental produ\u00eft per Art21<\/a> \u2014projectat dins l\u2019exposici\u00f3\u2014, Sherman no acostuma a titular les seves obres perqu\u00e8 perqu\u00e8 prefereix deixar espai a l\u2019ambig\u00fcitat de les imatges per no condicionar-ne les possibles lectures. A l\u2019exposici\u00f3 de Menorca tamb\u00e9 s\u2019hi poden veure peces dels seus anys d\u2019estudiant, on ja s\u2019hi detecta el germen de les Untitled Film Stills<\/em>. En aquestes imatges primerenques, com en gran part de la seva traject\u00f2ria, Sherman utilitza maquillatge, perruques, m\u00e0scares i vestuari, i exerceix simult\u00e0niament de model, directora i fot\u00f2grafa, accionant la c\u00e0mera des de dins l\u2019escena. Tamb\u00e9 s\u2019hi inclouen imatges de les Murder Series<\/em>, en qu\u00e8 encarna personatges tan quotidians com inquietants, que anticipen algunes de les figures que apareixeran m\u00e9s endavant al film de distribuci\u00f3 comercial Office Killer<\/em> (1997).<\/p>\n

Ara b\u00e9, el protagonisme de la mostra recau en s\u00e8ries m\u00e9s recents on Sherman representa dones \u2014el fil conductor de l\u2019exposici\u00f3\u2014 de mitjana edat i de diverses condicions socials i econ\u00f2miques, situades en escenaris enigm\u00e0tics. A vegades s\u00f3n paisatges dram\u00e0tics, tractats amb un fort component pict\u00f2ric, que contrasten amb els models d\u2019alta costura que vesteixen les protagonistes (en col\u00b7laboraci\u00f3 amb Vogue<\/em> i Harper\u2019s Bazaar<\/em>); altres cops, s\u00f3n imatges constru\u00efdes a partir de capes i dobles exposicions fotogr\u00e0fiques.<\/p>\n

La s\u00e8rie coneguda informalment com The Flappers<\/em> fa un recorregut per diferents prototips de dones de les d\u00e8cades de 1920, 1930 i 1940: dones empoderades amb voluntat de transformar la societat. Aquestes obres introdueixen tamb\u00e9 la reflexi\u00f3 sobre l\u2019edat i l\u2019envelliment. Un dels moments m\u00e9s suggerents del documental abans mencionat mostra l\u2019estudi de l\u2019artista, amb calaixos perfectament ordenats plens de pr\u00f2tesis dentals, ulleres, m\u00e0scares, i tamb\u00e9 la veiem emocionada comprant peces de roba \u2014estampats animals, lluentons i molt de brilli brilli<\/em>\u2014 a partir del qual va intu\u00efnt a les seves noves protagonistes.<\/p>\n

La seva indagaci\u00f3 sobre la construcci\u00f3 de la identitat a trav\u00e9s de l\u2019autorepresentaci\u00f3 \u2014un dels grans temes del seu treball\u2014 anticipa el moment actual de les xarxes socials, especialment Instagram. Justament en aquesta plataforma podem trobar el perfil cindyshermanlegacyproject<\/em><\/a>, una iniciativa de Hauser & Wirth per conservar les seves fotografies i preservar el seu llegat art\u00edstic.<\/p>\n

Mika Rottenberg. Vibrant Matter<\/em><\/strong><\/p>\n

L\u2019exposici\u00f3 Vibrant Matter<\/em> de Mika Rottenberg<\/a> es mou entre la realitat i la ficci\u00f3 per explorar els sistemes del postcapitalisme i com condicionen les nostres vides. Rottenberg crea instal\u00b7lacions i videoinstal\u00b7lacions immersives que confronten l\u2019espectador amb mecanismes absurds de producci\u00f3, treball i consum. Dues de les peces principals que s\u2019hi presenten s\u00f3n Cosmic Generator<\/em> (2017), mostrada per primera vegada a Skulptur Projekte M\u00fcnster<\/em>, i Spaghetti Blockchain<\/em> (2019).<\/p>\n

Cosmic Generator<\/em> connecta escenes reals i fict\u00edcies que enllacen llocs tan distants com M\u00e8xic, Calif\u00f2rnia i un mercat de productes de pl\u00e0stic a la Xina. Spaghetti Blockchain<\/em>, per la seva banda, gira entorn dels materials: des de les mat\u00e8ries primeres fins a textures artificials, passant per part\u00edcules microsc\u00f2piques registrades durant una estada de l\u2019artista al CERN. Aquesta videoinstal\u00b7laci\u00f3 de tres canals incorpora un treball sonor molt acurat, que combina des de sons de manipulaci\u00f3 de boles de pl\u00e0stic i efectes ASMR<\/em> fins a cants guturals tradicionals de Sib\u00e8ria, creant una connexi\u00f3 sensorial amb l\u2019espai i amb la natura.<\/p>\n

Aquest univers sonor ens acompanya mentre visitem la seva instal\u00b7laci\u00f3 m\u00e9s recent, Lampshares<\/em> (2024\u20132025), en qu\u00e8 l\u2019artista transforma el seu estudi de Nova York en una mena de microeconomia circular. En col\u00b7laboraci\u00f3 amb Inner City Green Team<\/em> i Gary Dusek, Rottenberg ha creat una s\u00e8rie de l\u00e0mpades a partir de lianes invasores recollides al nord de l\u2019estat i pl\u00e0stic reciclat de contenidors locals. Aix\u00ed, l\u2019artista construeix escultures funcionals a partir de materials considerats t\u00f2xics o residuals. Per\u00f2 no hem d\u2019oblidar que molts d\u2019aquests materials tenen un origen org\u00e0nic, ja que provenen del petroli i, per tant, d\u2019organismes vius de fa milions d\u2019anys. Amb aquesta reutilitzaci\u00f3, Rottenberg resignifica residus i materials nocius atorgan-los un nou \u00fas que posposa -i q\u00fcestiona- el seu impacte ambiental.<\/p>\n

Cindy Sherman. The Women<\/em> i Mika Rottenberg. Vibrant Matter<\/em> es poden visitar a Hauser & Wirth Menorca fins al 26 d\u2019octubre de 2025.<\/strong><\/div>\n
<\/div>\n
Article publicat a A*DESK 3-7-2025<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Sovint es parla de com els diferents agents de l\u2019ecosistema art\u00edstic redefineixen els seus rols i els seus models de treball. El cas de Hauser & Wirth \u00e9s especialment interessant, no nom\u00e9s per ser una de les galeries amb m\u00e9s pes en l\u2019escena art\u00edstica global, sin\u00f3 tamb\u00e9 per com ha anat definint cadascun dels seus […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-2956","post","type-post","status-publish","format-standard","hentry","category-textos-ca"],"yoast_head":"\nCindy Sherman i Mika Rottenberg a Hauser & Wirth Menorca - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/ca\/cindy-sherman-y-mika-rottenberg-en-hauser-wirth-menorca\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cindy Sherman i Mika Rottenberg a Hauser & Wirth Menorca - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"Sovint es parla de com els diferents agents de l\u2019ecosistema art\u00edstic redefineixen els seus rols i els seus models de treball. El cas de Hauser & Wirth \u00e9s especialment interessant, no nom\u00e9s per ser una de les galeries amb m\u00e9s pes en l\u2019escena art\u00edstica global, sin\u00f3 tamb\u00e9 per com ha anat definint cadascun dels seus […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/montsebadia.net\/ca\/cindy-sherman-y-mika-rottenberg-en-hauser-wirth-menorca\/\" \/>\n<meta property=\"og:site_name\" content=\"Montse Badia\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/montse.badia.96\" \/>\n<meta property=\"article:published_time\" content=\"2025-07-03T12:10:27+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-05T12:21:01+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@montsebadia1\" \/>\n<meta name=\"twitter:site\" content=\"@montsebadia1\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minuts\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/montsebadia.net\/ca\/cindy-sherman-y-mika-rottenberg-en-hauser-wirth-menorca\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/montsebadia.net\/ca\/cindy-sherman-y-mika-rottenberg-en-hauser-wirth-menorca\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/montsebadia.net\/en\/#\/schema\/person\/e6d1199fca140cb29c5fdf8d92b3edd5\"},\"headline\":\"Cindy Sherman i Mika Rottenberg a Hauser & Wirth Menorca\",\"datePublished\":\"2025-07-03T12:10:27+00:00\",\"dateModified\":\"2025-07-05T12:21:01+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/montsebadia.net\/ca\/cindy-sherman-y-mika-rottenberg-en-hauser-wirth-menorca\/\"},\"wordCount\":1029,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/montsebadia.net\/en\/#organization\"},\"articleSection\":[\"Textos\"],\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/montsebadia.net\/ca\/cindy-sherman-y-mika-rottenberg-en-hauser-wirth-menorca\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/montsebadia.net\/ca\/cindy-sherman-y-mika-rottenberg-en-hauser-wirth-menorca\/\",\"url\":\"https:\/\/montsebadia.net\/ca\/cindy-sherman-y-mika-rottenberg-en-hauser-wirth-menorca\/\",\"name\":\"Cindy Sherman i Mika Rottenberg a Hauser & Wirth Menorca - 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