{"id":2992,"date":"2025-10-23T15:20:53","date_gmt":"2025-10-23T15:20:53","guid":{"rendered":"https:\/\/montsebadia.net\/cartografias-de-agua\/"},"modified":"2025-10-23T15:40:36","modified_gmt":"2025-10-23T15:40:36","slug":"cartografias-de-agua","status":"publish","type":"post","link":"https:\/\/montsebadia.net\/ca\/cartografias-de-agua\/","title":{"rendered":"Cartografies d’aigua"},"content":{"rendered":"

No nom\u00e9s tenim una relaci\u00f3 estreta amb l\u2019aigua: som aigua<\/strong>. El 70% del nostre cos i el 71% del planeta s\u00f3n aigua, per\u00f2 nom\u00e9s un 2% \u00e9s dol\u00e7a. L\u2019aigua \u00e9s un recurs finit que circula, es regenera i es transforma, per\u00f2 no es pot crear. El cicle natural ja no pot seguir el ritme de la demanda global: si el 1900 la humanitat consumia uns 670 km\u00b3 anuals, avui en gasta prop de 4.000[1]<\/a>. Ens trobem, doncs, davant d\u2019una crisi ecol\u00f2gica<\/strong> que interpel\u00b7la la manera com consumim i administrem aquest b\u00e9 com\u00fa que \u00e9s tamb\u00e9 un dret hum\u00e0.<\/p>\n

L\u2019aigua renovable disponible \u2014la de pluja, aq\u00fc\u00edfers, embassaments o dip\u00f2sits\u2014 dep\u00e8n d\u2019una complexa infraestructura de captaci\u00f3, transport i tractament (pous, canals, dessaladores, depuradores). Tot plegat conforma una xarxa vital que sost\u00e9 la vida humana, per\u00f2 tamb\u00e9 la industrial, agr\u00edcola i energ\u00e8tica. No \u00e9s casual que la Biennal d\u2019Arquitectura de Ven\u00e8cia 2025<\/strong> hagi situat l\u2019aigua al centre del debat: mentre el Pavell\u00f3 Catal\u00e0 reivindicava la imaginaci\u00f3 radical com a eina per afrontar-ne la crisi, el projecte The Architecture of Virtual Water<\/em> de Benedetta Tagliabue feia visible la petjada h\u00eddrica invisible del comer\u00e7 i la construcci\u00f3.<\/p>\n

Beure, menjar, produir o despla\u00e7ar-nos requereixen aigua. Per aix\u00f2, gaireb\u00e9 tots els pa\u00efsos disposen de Lleis de l\u2019Aigua<\/strong> que regulen els drets d\u2019\u00fas, la qualitat, els serveis i les tarifes, aix\u00ed com la protecci\u00f3 de rius i llacs. Tot i ser un recurs gratu\u00eft, el seu tractament i distribuci\u00f3 comporten costos elevats. En molts territoris, l\u2019escassetat i la desigualtat en l\u2019acc\u00e9s han generat tensions (les guerres de l’aigua<\/strong>) que travessen fronteres: \u00e9s el cas dels conflictes al voltant del Tigris i l\u2019Eufrates, el canal de Crimea, el llac Txad o el Mediterrani oriental i tamb\u00e9 dels abusos per part d’empreses transnacionals en sectors econ\u00f2mics estrat\u00e8gics que provoquen un impacte negatiu en l’entorn i les comunitats afectades[2]<\/a>.<\/p>\n

Davant aquest panorama, cal imaginar pactes hidro-socials<\/strong>[3]<\/a> que integrin coneixement cient\u00edfic, comunitari i ambiental per garantir una gesti\u00f3 sostenible i justa. Com defensa Yayo Herrero[4]<\/a>, recuperar la mem\u00f2ria dels cinc elements \u2014aigua, aire, terra, foc i vida\u2014 \u00e9s essencial per repensar la nostra relaci\u00f3 amb el m\u00f3n. L\u2019aigua \u00e9s recurs, met\u00e0fora i mem\u00f2ria; una for\u00e7a que modela territoris, cossos i relacions.<\/p>\n

En aquest marc, \u201cCartografies d\u2019aigua\u201d<\/strong> proposa un recorregut per quatre pr\u00e0ctiques art\u00edstiques que converteixen l\u2019aigua en dispositiu de percepci\u00f3, rastre hist\u00f2ric, genealogia del cos i eina de resist\u00e8ncia. L\u2019exposici\u00f3 es desplega com una conflu\u00e8ncia de mirades que vinculen ecologia, espiritualitat, tecnologia i cura. Les obres conviden a aturar-nos, a escoltar el curs del temps i del cos, a percebre all\u00f2 l\u00edquid com un espai de relaci\u00f3 i de mem\u00f2ria compartida.<\/p>\n

Anna Dot. Libacions<\/em> (2022\u2013en curs)<\/strong>
\nLibacions <\/em>\u00e9s un projecte que consisteix en una s\u00e8rie de p\u00e0teres de cer\u00e0mica i accions col\u00b7lectives. S’inspira en els rituals grecs de libaci\u00f3, en qu\u00e8 es vessava aigua o vi en honor dels absents. Les seves p\u00e0teres, decorades amb flora i fauna locals, s\u2019han activat a Par\u00eds, Villava i Sant Mart\u00ed d\u2019Emp\u00faries. En aquesta darrera acci\u00f3, inclosa a l’exposici\u00f3 Aig\u00fces, lleng\u00fces i oblits<\/em> (Museu de la Mediterr\u00e0nia, 2024), les libacions van seguir el tra\u00e7at hist\u00f2ric del Ter, des de Colomers fins al Mediterrani, homenatjant un antic bra\u00e7 del riu avui redu\u00eft a canals de rec. Libacions<\/em> combina recerca, gest po\u00e8tic i comunitat, i ens recorda que cada gota cont\u00e9 una hist\u00f2ria.<\/p>\n

Caterina Miralles Tagliabue. 0.5<\/em> (2025)<\/strong>
\n0.5<\/em> \u00e9s una instal\u00b7laci\u00f3 audiovisual que contraposa la intel\u00b7lig\u00e8ncia tecnol\u00f2gica dels centres de recerca clim\u00e0tica i el saber popular dels pescadors de la Llacuna de Ven\u00e8cia. El t\u00edtol \u20140,5 cm\u2014 al\u00b7ludeix a l\u2019augment anual del nivell de l\u2019aigua, s\u00edmbol de l\u2019impacte de l\u2019Antropoc\u00e8. Dividida en quatre blocs tem\u00e0tics, combina dades, relats i paisatges per reflexionar sobre l\u2019ecologia, la mem\u00f2ria i la conviv\u00e8ncia entre formes humanes i no humanes de coneixement. L\u2019obra esdev\u00e9 un espai d\u2019observaci\u00f3 i escolta on la informaci\u00f3 cient\u00edfica i la saviesa tradicional conflueixen en un mateix flux.<\/p>\n

Fina Miralles. Mar, cel i terra<\/em> (1973) i El retorn<\/em> (2012)<\/strong>
\nReferent de l\u2019art conceptual catal\u00e0, Miralles ha explorat la relaci\u00f3 directa entre cos i natura mitjan\u00e7ant accions amb terra, herba, pedres i aigua. Mar, cel i terra<\/em> \u00e9s un collage que associa paraules i imatges \u2014mar, cel, n\u00favol, pluja, sol\u2014 per al\u00b7ludir a l\u2019ecosistema com a unitat viva. El retorn<\/em> \u00e9s el registre fotogr\u00e0fic d’una acci\u00f3 posterior en el temps que dialoga directament amb les dutes a terme als 70 (Relacions. Relaci\u00f3 del cos amb l’aigua.<\/em> El cos dins del mar<\/em>) i que es vincula tamb\u00e9 als seus treballs sobre la figura de la dona, la font, el mar i les dones d’aigua com a formes de mem\u00f2ria ancestral. Com diu l\u2019artista: \u201cEl que \u00e9s important \u00e9s l\u2019aigua que canta, l\u2019aigua viva. Canta l\u2019aigua, canten els ocells, les sirenes, les balenes i cantem nosaltres.\u201d[5]<\/a> La seva obra ens convida a re-aprendre a escoltar aquest cant primigeni, com un acte d\u2019afirmaci\u00f3 i d\u2019arrelament.<\/p>\n

Stella Rahola Matutes. La Cronometradora<\/em> (2023)<\/strong>
\nLa Cronometradora<\/em> \u00e9s una instal\u00b7laci\u00f3 que converteix el vidre en met\u00e0fora de l\u2019aigua i del temps. A trav\u00e9s d\u2019una arquitectura transl\u00facida i respirant, l\u2019obra reflexiona sobre el proc\u00e9s artesanal i cient\u00edfic del material, el seu car\u00e0cter por\u00f3s i mutable. Rahola proposa un art \u201cbevible\u201d, fet de vapor i llum, que ens recorda la interdepend\u00e8ncia entre mat\u00e8ria, medi i cos. La seva recerca connecta tradici\u00f3 i innovaci\u00f3, coneixement manual i tecnologia, i defensa una pr\u00e0ctica art\u00edstica compromesa amb la sostenibilitat i la cura del planeta.<\/p>\n

Aix\u00ed, Cartografies d\u2019aigua<\/em><\/strong> tra\u00e7a un itinerari que combina sensibilitat, coneixement i comprom\u00eds. Les obres reunides parlen de la necessitat d\u2019imaginar una nova cultura de l\u2019aigua \u2014una cultura que reconegui en ella no un recurs a explotar, sin\u00f3 una forma de vida compartida. En temps d\u2019emerg\u00e8ncia clim\u00e0tica, aquestes pr\u00e0ctiques ens conviden a pensar des del flux, a entendre que, com l\u2019aigua, tamb\u00e9 nosaltres formem part d\u2019un cicle infinit de transformaci\u00f3 i de retorn.<\/p>\n

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[Cartografies d’aigua<\/strong><\/em> \u00e9s una exposici\u00f3 col\u00b7lectiva comissariada per Montse Badia, amb les artistes Anna Dot<\/strong>, Fina Miralles<\/strong>, Caterina Miralles Tagliabue<\/strong>, Stella Rahola Matutes<\/strong>, presentada a la Fundaci\u00f3 \u00daniques<\/a> 6\/11\/25 – 14\/2\/26]<\/p>\n

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[1]<\/a> Paniagua, Jes\u00fas M. Agua. Historia, tecnolog\u00eda y futuro<\/em>. Ed. Guadalmaz\u00e1n, Madrid 2023.
\n[2]<\/a> Arenal Lora, Libia (ed.), Negocios insaciables: Estados, Transnacionales, Derechos humanos y Agua.<\/em> Ed. Fundaci\u00f3n para la Cooperaci\u00f3n APY Solidaridad en Acci\u00f3n, 2015.
\n[3]<\/a> Cerarols Ram\u00edrez, Rosa. “Pacte hidrosocial” a 100 paraules per a l’aigua: un vocabulari<\/em>. (Ed. Eva Franch i Gilabert, Mireia Luz\u00e1rraga, Alejandro Mui\u00f1o). Cat\u00e0leg\u00a0 Catal\u00f2nia in Venice. Water Parliaments<\/em>. Evento Collaterale de la 19a Exposici\u00f3 Internacional d’Arquitectura _ La Biennale di Venezia. Lars M\u00fcller Publishers, Institut Ramon Llull i Col\u00b7legi d’Arquitectes de Catalunya (COAC), 2025
\n[4]<\/a> Herrero, Yayo. Los cinco elementos. Una cartilla de alfabetizaci\u00f3n ecol\u00f3gica.<\/em> Arc\u00e0dia Editors. Barcelona, 2021.
\n[5]<\/a> Fina Miralles en conversa amb Mireia Sallar\u00e8s. “Canta l’aigua, cantem nosaltres”. Video-entrevista. Fons #06\u00a0 MACBA, 2021<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

No nom\u00e9s tenim una relaci\u00f3 estreta amb l\u2019aigua: som aigua. El 70% del nostre cos i el 71% del planeta s\u00f3n aigua, per\u00f2 nom\u00e9s un 2% \u00e9s dol\u00e7a. L\u2019aigua \u00e9s un recurs finit que circula, es regenera i es transforma, per\u00f2 no es pot crear. El cicle natural ja no pot seguir el ritme de […]<\/p>\n","protected":false},"author":1,"featured_media":2986,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[29],"tags":[],"class_list":["post-2992","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-proyectos-ca"],"yoast_head":"\nCartografies d'aigua<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/ca\/cartografias-de-agua\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cartografies d'aigua\" \/>\n<meta property=\"og:description\" content=\"No nom\u00e9s tenim una relaci\u00f3 estreta amb l\u2019aigua: som aigua. El 70% del nostre cos i el 71% del planeta s\u00f3n aigua, per\u00f2 nom\u00e9s un 2% \u00e9s dol\u00e7a. L\u2019aigua \u00e9s un recurs finit que circula, es regenera i es transforma, per\u00f2 no es pot crear. 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