No Place Like Home i altres joies fruit del confinament<\/a><\/p>\n <\/p>\n
![\"-38.jpg\"](\"\/IMG\/jpg\/-38.jpg\")
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Que dif\u00edcil fer coses amb sentit aquests dies! No llan\u00e7ar-se a una hiperactivitat digital compulsiva, a obrir a la brava accessos a material d\u2019arxiu o, simplement, no quedar-se paralitzada davant la que ens espera. Tornar a la normalitat? Ja hem vist que \u201cla normalitat\u201d era precisament el problema. Com era aquella maledicci\u00f3? \u201cDesitjo que visquis temps interessants\u201d. Doncs s\u00ed, \u201cinteressants\u201d ho s\u00f3n, per a tots.<\/p>\n
A Magazine estem aquests dies analitzant amb Mart\u00ed Manen la necessitat de repensar la instituci\u00f3, en el que ell anomena \u201cnewnewnewinstitutionalism\u201d. I estem veient tamb\u00e9 multitud d\u2019iniciatives institucionals, independents, art\u00edstiques, que evidencien que el m\u00f3n de l\u2019art \u00e9s un \u00e0mbit de resilients i supervivents tossuts, massa acostumats a no poder comptar amb Ministeris de Cultura (i equivalents) a l\u2019altura de les circumst\u00e0ncies. En aquest maremagnum de propostes, volem destacar algunes joies que mereixen no passar desapercebudes. \u00d2bviament, donades les circumst\u00e0ncies, la majoria de propostes poden trobar-se en l\u00ednia. Important\u00edssim destacar aqu\u00ed que el digital no substitueix al presencial, sin\u00f3 que tots dos conviuen i cadascun t\u00e9 els seus moments i formats, de presentaci\u00f3, de distribuci\u00f3 i d\u2019abast.<\/p>\n
Comencem amb una iniciativa institucional, Un metro y medio, comissariada per Manuel Segade i Tania Pardo, CA2M, una convocat\u00f2ria retribu\u00efda (molt molt important destacar-ho) i dirigida a artistes residents a la Comunitat de Madrid sense treballs a la col\u00b7lecci\u00f3 del CA2M. CA2M proposa una reflexi\u00f3 sobre la situaci\u00f3, sobre aquest metre i mig de dist\u00e0ncia social per a presentar online cada dia una proposta art\u00edstica.<\/p>\n
Aquestes setmanes de tancament for\u00e7at d\u2019exposicions algunes galeries ens han acostat part del seu programa, com Thomas Schulte que permet temporalment l\u2018acc\u00e9s online al documental sobre Mapplethorpe que havien programat com a activitat p\u00fablica i paral\u00b7lela a l\u2019exposici\u00f3 sobre l\u2019artista. Esther Schipper fa temps que treballa les visites online a les seves exposicions i aprofita aquests dies per a donar m\u00e9s pes a la seva plataforma Continuity, que inclou continguts sobre els artistes de la galeria, converses, projeccions i presentacions de la hist\u00f2ria d\u2019aquesta galeria que compta amb trenta anys de traject\u00f2ria.<\/p>\n
Instagram \u00e9s la plataforma utilitzada per moltes galeries per a acostar-nos als seus continguts, com l\u2019exposici\u00f3 que no es va poder inaugurar de Carlos Pazos a ADN Galeria i els seus lliuraments peri\u00f2dics TakeAway, presentant treballs individuals; Bombon Projects, amb converses en v\u00eddeo entre l\u2019artista Jordi Mitj\u00e0 i el comissari Tiago d\u2019Abreu Pinto i tamb\u00e9, igual que altres galeries, desplegant aspectes diversos de les exposicions que mantenen tancades en els seus espais. \u00c9s el cas tamb\u00e9 de la mostra dedicada a Ana Mendieta i comissariada per Wilfredo Prieto a NoguerasBlanchard.<\/p>\n
Si de (time)site-specific parlem, No Place Like Home, un projecte comissariat per Fito Conesa, juntament amb Isma\u00ebl Chappaz i Juanma Menero (Espai Tactel), mereix una atenci\u00f3 especial. \u00c9s una exposici\u00f3 comissariada a partir d\u2019obres de la galeria, concebudes per al seu espai f\u00edsic, on han estat instal\u00b7lades (ja que Isma\u00ebl i Juanma viuen a la part de darrere de la galeria) i mostrades en un recorregut videogr\u00e0fic, comentat i guiat. Les obres exposades adquireixen en aquest context noves lectures: el v\u00eddeo sobre la venda d\u2019una escultura amb data de caducitat d\u2019Aggtelek; el toc a l\u2019ego dels artistes de Paco Chanivet; o la composici\u00f3 de Fito Conesa que relaciona la seva data de naixement amb una batalla naval del 1905.<\/p>\n
Perqu\u00e8 la situaci\u00f3 que vivim, ja sigui de c\u00f2mode confinament o de risc i trag\u00e8dia, es mou entre el meme i el drama, entre el quotidi\u00e0 i els fets hist\u00f2rics, com la c\u00e8lebre entrada del 2 d\u2019agost de 1914 en el diari de Kafka: \u201cAvui Alemanya ha declarat la guerra a R\u00fassia. A la tarda vaig anar a nedar\u201d. No Place Like Home era la frase recurrent de Dorothy a El M\u00e0gic d\u2019Oz. I, com conclou el text curatorial, potser a m\u00e9s de buscar guies en textos complicats que tracten d\u2019analitzar el col\u00b7lapse del m\u00f3n tal com el coneixem, t\u00e9 molt sentit tornar a posar-nos en la pell del nostre jo adolescent, aquesta etapa per la qual tots hem passat, tan complexa i incerta, tan, per\u00f2 que tan \u201cinteressant\u201d.<\/p>\n
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No Place Like Home i altres joies fruit del confinament Que dif\u00edcil fer coses amb sentit aquests dies! No llan\u00e7ar-se a una hiperactivitat digital compulsiva, a obrir a la brava accessos a material d\u2019arxiu o, simplement, no quedar-se paralitzada davant la que ens espera. Tornar a la normalitat? Ja hem vist que \u201cla […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-810","post","type-post","status-publish","format-standard","hentry","category-textos-ca"],"yoast_head":"\n
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No llan\u00e7ar-se a una hiperactivitat digital compulsiva, a obrir a la brava accessos a material d\u2019arxiu o, simplement, no quedar-se paralitzada davant la que ens espera. Tornar a la normalitat? 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