{"id":816,"date":"2020-02-29T17:26:42","date_gmt":"2020-02-29T17:26:42","guid":{"rendered":"https:\/\/montsebadia.net\/new\/arco-2020\/"},"modified":"2025-02-14T15:39:16","modified_gmt":"2025-02-14T15:39:16","slug":"arco-2020","status":"publish","type":"post","link":"https:\/\/montsebadia.net\/ca\/arco-2020\/","title":{"rendered":"ARCO 2020 o tornar a posar l’artista al centre de tot"},"content":{"rendered":"

 <\/p>\n

ARCO 2020 o tornar a posar l’artista al centre de tot<\/a><\/p>\n

“Sona el tel\u00e8fon. Felix ha mort. Com? Felix ha mort, ho he vist al diari. No, no pot ser. Sab\u00edem de Ross, per\u00f2 Felix… Hem pensat en Ross, en la possibilitat de la mort, en la seva desaparici\u00f3. Hem intentat conv\u00e8ncer-nos que sempre ser\u00e0 aqu\u00ed, que podem mantenir-lo en vida. Hem lluitat per a mantenir a Ross. Per\u00f2 Felix, sense Felix tot s’enfonsa, tots els moments, tot l’amor cap a Ross. Les bombetes, els papers, els ocells volant en n\u00favols de blanc i negre. Els passaports cap a la llibertat”.<\/p>\n

Aix\u00ed comen\u00e7ava Contarlo todo sin saber c\u00f3mo la novel\u00b7la\/exposici\u00f3 que Mart\u00ed Manen va escriure\/comissariar l’any 2012. Felix era per descomptat, Felix Gonz\u00e1lez-Torres, un artista de treball conceptual, pol\u00edtic i minimalista, de petits gestos i gran impacte emocional. La bombeta que s’apaga massa aviat, la pila de caramels que va decreixent a mesura que aquests es van dispersant, els rellotges sincronitzats, el llit desfet mostrat en un cartell en l’espai p\u00fablic … el van convertir en un artista clau de la d\u00e8cada dels 90. La seva manera d’abordar temes com la SIDA, la viol\u00e8ncia sexual i racista o el paper de l’art en la societat contempor\u00e0nia a partir del potencial po\u00e8tic i metaf\u00f2ric dels objectes quotidians va tenir una gran repercussi\u00f3 en artistes, cr\u00edtics i comissaris de la seva generaci\u00f3 i de generacions posteriors. Dos anys despr\u00e9s de la seva mort, en 1998, la mem\u00f2ria de Felix Gonz\u00e1lez-Torres va articular la segona de les edicions de Manifesta a Luxemburg. El llegat de Felix Gonz\u00e1lez-Torres s’ha mantingut gr\u00e0cies al treball del seu galerista Andrea Rosen que, fins avui ha mostrat i mantingut viu el seu treball.<\/p>\n

Maribel L\u00f3pez, directora d’ARCO, \u00e9s una d’aquestes professionals de l’art influenciada per Felix Gonz\u00e1lez-Torres. Sempre pr\u00f2xima als artistes, com a comiss\u00e0ria, galerista o gestora, no \u00e9s estrany que aquesta primera edici\u00f3 d’ARCO dirigida per ella, faci un par\u00e8ntesi en la f\u00f3rmula dels pa\u00efsos convidats (en el fons, tots vivim en el mateix pa\u00eds, anomenat Capitalisme, deia fa poc Bong Joon-ho… per\u00f2 aquesta \u00e9s una altra hist\u00f2ria…) i se centri en els artistes. Que important recordar de tant en tant la ra\u00f3 per la qual som aqu\u00ed, l’origen de tot aix\u00f2: les i els artistes!<\/p>\n

Es solo cuesti\u00f3n de tiempo \u00e9s el t\u00edtol de la intervenci\u00f3 en l’espai p\u00fablic de Felix Gonz\u00e1lez-Torres “Untitled” (It’s Just a Matter of Time), 1992 i \u00e9s tamb\u00e9 el t\u00edtol de la petita per\u00f2 contundent secci\u00f3 amb la qual ARCO rendeix tribut a l’artista a partir d’obres d’altres artistes que al\u00b7ludeixen\/ recorden\/ s’alien amb l’esperit de Felix Gonz\u00e1lez-Torres. La mem\u00f2ria, l’ef\u00edmer, el fr\u00e0gil, el personal, l’emoci\u00f3, els sentiments, la dispersi\u00f3 o l’abs\u00e8ncia apareixen en les propostes de Liam Gillick, Danh Vo, Pepe Espali\u00fa o Jack Pierson, entre altres.<\/p>\n

I comen\u00e7ar per aqu\u00ed, de sobte condiciona una visita completament diferent a una fira, en la qual tot sembla que respira m\u00e9s i en la qual hi ha temps per a xerrades, retrobaments, presentacions p\u00fabliques, informacions exhaustives i en profunditat sobre els treballs, i esperem que aix\u00f2 es tradueixi tamb\u00e9 en els aspectes quantitatius, de vendes, d’inicis de noves col\u00b7leccions i consolidaci\u00f3 d’unes altres i de nous projectes que no oblidin posar a les i els artistes en el centre, ja que sense ells l’eco-sistema de l’art deixaria de tenir sentit.<\/p>\n

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  ARCO 2020 o tornar a posar l’artista al centre de tot “Sona el tel\u00e8fon. Felix ha mort. Com? Felix ha mort, ho he vist al diari. No, no pot ser. Sab\u00edem de Ross, per\u00f2 Felix… Hem pensat en Ross, en la possibilitat de la mort, en la seva desaparici\u00f3. Hem intentat conv\u00e8ncer-nos que sempre […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-816","post","type-post","status-publish","format-standard","hentry","category-textos-ca"],"yoast_head":"\nARCO 2020 o tornar a posar l'artista al centre de tot - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/ca\/arco-2020\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ARCO 2020 o tornar a posar l'artista al centre de tot - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"  ARCO 2020 o tornar a posar l’artista al centre de tot “Sona el tel\u00e8fon. Felix ha mort. Com? Felix ha mort, ho he vist al diari. No, no pot ser. Sab\u00edem de Ross, per\u00f2 Felix… Hem pensat en Ross, en la possibilitat de la mort, en la seva desaparici\u00f3. 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