{"id":974,"date":"2013-10-25T16:35:34","date_gmt":"2013-10-25T16:35:34","guid":{"rendered":"https:\/\/montsebadia.net\/new\/nuevos-relatos-vs-colecciones-inamovibles\/"},"modified":"2025-02-19T13:15:37","modified_gmt":"2025-02-19T13:15:37","slug":"nuevos-relatos-vs-colecciones-inamovibles","status":"publish","type":"post","link":"https:\/\/montsebadia.net\/ca\/nuevos-relatos-vs-colecciones-inamovibles\/","title":{"rendered":"Nous relats vs. col\u00b7leccions inamobibles"},"content":{"rendered":"

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Fa temps que la programaci\u00f3 de museus i fundacions d’art contemporani no es nodreix principalment d’exposicions i projectes comissariats per col\u00b7laboradors independents (o \u201cmultidependents\u201d per ser m\u00e9s precisos) externs a la instituci\u00f3.<\/span><\/div>\n
Hace tiempo que la programaci\u00f3n de museos y fundaciones de arte contempor\u00e1neo no se nutre principalmente de exposiciones y proyectos comisariados por colaboradores independientes (o multidependientes para ser m\u00e1s precisos) externos a la instituci\u00f3n.<\/div>\n<\/div>\n<\/div>\n
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La programaci\u00f3 de museus i fundacions d’art contemporani fa temps que no es nodreix principalment d’exposicions i projectes comissariats per col\u00b7laboradors independents (o \u201cmultidependents\u201d per ser m\u00e9s precisos) externs a la instituci\u00f3.<\/span><\/div>\n
La programaci\u00f3n de museos y fundaciones de arte contempor\u00e1neo hace tiempo que no se nutre principalmente de exposiciones y proyectos comisariados por colaboradores independientes (o multidependientes para ser m\u00e1s precisos) externos a la instituci\u00f3n.<\/div>\n<\/div>\n<\/div>\n<\/div>\n

La crisi de les institucions, que \u00e9s tant econ\u00f2mica com identit\u00e0ria, \u00e9s la responsable que les col\u00b7leccions hagin tornat al primer pla de les programacions. <\/span><\/span>Les col\u00b7leccions s\u00f3n vives, evolucionen i mostren els or\u00edgens i l’ADN dels museus, configuren la seva identitat i la seva personalitat.<\/span><\/span> Encara que per als museus pugui resultar m\u00e9s agra\u00eft mostrar una vegada i una altra les seves \u201cpeces estrella\u201d (un Jeff Wall per aqu\u00ed, un Gerhard Richter per all\u00e0), \u00e9s molt m\u00e9s arriscat i enriquidor intentar configurar nous relats i aportar mirades renovades entorn de les seves obres. <\/span><\/span>Aix\u00f2 \u00e9s precisament el que la Fundaci\u00f3 \u201cla Caixa\u201d fa des de fa for\u00e7a temps.<\/span><\/span> Amb el cicle La mirada de l’artista, va acollir les mirades de Juan Usl\u00e9 i Luis Gordillo o, m\u00e9s recentment, a c\u00e0rrec de Rosa Mart\u00ednez, amb l’exposici\u00f3 articulada en tres parts Qu\u00e8 pensar?<\/span><\/span> qu\u00e8 desitjar?<\/span><\/span> qu\u00e8 fer?<\/span><\/span> Caixaforum inaugura ara un programa anomenat Comisart (s\u00ed, el nom podria haver estat una mica m\u00e9s sofisticat) dirigit a comissaris emergents, concepte que “la Caixa” tradueix com a \u201cmenors de 40 anys i l’experi\u00e8ncia dels quals inclou la realitzaci\u00f3 de tres projectes curatorials\u201d. <\/span><\/span>La primera de les tres propostes d\u201faquest programa \u00e9s Art Ficci\u00f3.<\/span><\/span> I el t\u00edtol \u00e9s el menys encertat d’aquest projecte, comissariat per Jaime Gonz\u00e1lez Cela i Manuela Pedr\u00f3n Nicolau, que parteix dels par\u00e0metres cl\u00e0ssics de la ci\u00e8ncia ficci\u00f3 per generar un relat diferent, una proposta que activa les obres d’una manera in\u00e8dita fins ara. <\/span><\/span>\u00c9s cert que la ci\u00e8ncia ficci\u00f3 \u00e9s un g\u00e8nere que des de la dist\u00e0ncia temporal permet analitzar el present d’una manera cr\u00edtica i fins i tot vaticinar un futur no sempre encoratjador si pensem en Blade Runner, 1984 o The Road.<\/span><\/span> Jaime Gonz\u00e1lez Cela i Manuela Pedr\u00f3n Nicolau ens situen en un espai i un temps indeterminats, en qu\u00e8 crida l’atenci\u00f3 l’abs\u00e8ncia de la figura humana, que nom\u00e9s apareix alienada a la videoinstal\u00b7laci\u00f3 d’Aernout Mik.<\/span><\/span> Els treballs seleccionats projecten altres mons, mostren dimensions paral\u00b7leles o presenten objectes que responen a altres realitats.<\/span><\/span> A l’exposici\u00f3 trobem les ciutats disneysades d’Ante Timmermans, els horitzons marins d’Hiroshi Sugimoto, els comportaments estranys i obsessius dels protagonistes d’Aernout Mik, el rellotge de temps detingut de Jorge Barbi, les paradoxals senyalitzacions de Rogelio L\u00f3pez Cuenca o la bicicleta carregada de bosses com a icona d’una vida n\u00f2mada. <\/span><\/span>Per\u00f2 el relat curatorial no nom\u00e9s es configura a partir de la disposici\u00f3 a l’espai dels treballs sin\u00f3 d’una intervenci\u00f3 molt mesurada com a cam\u00ed a seguir (amb unes l\u00ednies literalment pintades a terra) ia interrelacionar les obres a partir de conceptes cl\u00e0ssics en l’\u00e0mbit de la ci\u00e8ncia ficci\u00f3, com s\u00f3n utopia, dist\u00f2pia, cataclisme, g\u00e8nesi, parat. <\/span><\/span>Perqu\u00e8 \u00e9s cert que les obres poden parlar per elles mateixes, per\u00f2 el que cal demanar-li a una exposici\u00f3 \u00e9s que sigui capa\u00e7 d’articular un relat, entre tots els possibles, i de generar una situaci\u00f3 o un univers en qu\u00e8 ens sentim apel\u00b7lats.<\/span><\/span> I Art Ficci\u00f3 (malgrat el t\u00edtol) ho aconsegueix.<\/span><\/span><\/span><\/p>\n

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Vincle a l’article a A*DESK Fa temps que la programaci\u00f3 de museus i fundacions d’art contemporani no es nodreix principalment d’exposicions i projectes comissariats per col\u00b7laboradors independents (o \u201cmultidependents\u201d per ser m\u00e9s precisos) externs a la instituci\u00f3. Hace tiempo que la programaci\u00f3n de museos y fundaciones de arte contempor\u00e1neo no se nutre principalmente de exposiciones […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-974","post","type-post","status-publish","format-standard","hentry","category-textos-ca"],"yoast_head":"\nNous relats vs. col\u00b7leccions inamobibles - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/ca\/nuevos-relatos-vs-colecciones-inamovibles\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nous relats vs. col\u00b7leccions inamobibles - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"Vincle a l’article a A*DESK Fa temps que la programaci\u00f3 de museus i fundacions d’art contemporani no es nodreix principalment d’exposicions i projectes comissariats per col\u00b7laboradors independents (o \u201cmultidependents\u201d per ser m\u00e9s precisos) externs a la instituci\u00f3. 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