{"id":984,"date":"2013-09-04T09:42:00","date_gmt":"2013-09-04T09:42:00","guid":{"rendered":"https:\/\/montsebadia.net\/new\/venecia-y-los-pabellones-nacionales\/"},"modified":"2025-02-21T11:07:02","modified_gmt":"2025-02-21T11:07:02","slug":"venecia-y-los-pabellones-nacionales","status":"publish","type":"post","link":"https:\/\/montsebadia.net\/ca\/venecia-y-los-pabellones-nacionales\/","title":{"rendered":"Ven\u00e8cia i els pavellons nacionals"},"content":{"rendered":"<div class=\"lRu31\" dir=\"ltr\">\n<p><span class=\"HwtZe\" lang=\"ca\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Des de la seva inauguraci\u00f3 l&#8217;any 1895, la idea de representaci\u00f3 nacional a la Biennal de Ven\u00e8cia va adquirir un protagonisme progressiu.<\/span><\/span> <span class=\"jCAhz\"><span class=\"ryNqvb\">Les arquitectures dels pavellons ubicats als Giardini es van construir a partir de caracter\u00edstiques nacionals.<\/span><\/span> <span class=\"jCAhz\"><span class=\"ryNqvb\">Per\u00f2 quin paper juga ara \u201call\u00f2 nacional\u201d a l&#8217;art contemporani?<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Podem parlar d&#8217;un art nacional al segle XXI?<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Tot i que la idea dels pavellons nacionals pot ser anacr\u00f2nica, a Ven\u00e8cia, aquesta ciutat al marge del temps i de l&#8217;espai, tot pot ser negociable i repensable. <\/span><\/span><\/span><\/p>\n<p><span class=\"HwtZe\" lang=\"ca\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">A la Biennal de Ven\u00e8cia 2013, alguns pavellons toquen aquest tema tant en el fons com en la forma.<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Els Pavellons de Fran\u00e7a i Alemanya han decidit intercanviar espais.<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">En un intent de reflectir que el di\u00e0leg entre cultures va m\u00e9s enll\u00e0 de les fronteres nacionals, Anri Sala, l&#8217;artista que representa Fran\u00e7a \u00e9s mostrat al Pavell\u00f3 Alemany i els artistes Ai Weiwei, Romuald Karmakar, Santu Mofokeng i Dayanita Singh, comissariats per Susanne Gaensheimer exposen al Franc\u00e8s. <\/span><\/span><span class=\"jCAhz\"><span class=\"ryNqvb\">Els Pavellons de Xipre i Litu\u00e0nia tamb\u00e9 col\u00b7laboren en un projecte com\u00fa, comissariat per Raimundas Mala\u0161auskas.<\/span><\/span> <span class=\"jCAhz\"><span class=\"ryNqvb\">El projecte es diu Oo i no parteix de cap concepte preestablert.<\/span><\/span> <span class=\"jCAhz\"><span class=\"ryNqvb\">El comissari va fer un concurs obert a artistes xipriotes, lituans i internacionals i proposa una exposici\u00f3 basada en seq\u00fc\u00e8ncies que es presenta en un edifici modernista proper als espais oficials de la Biennal. <\/span><\/span><span class=\"jCAhz\"><span class=\"ryNqvb\">L&#8217;assumpte transnacional tamb\u00e9 s&#8217;evidencia en l&#8217;elecci\u00f3 de comissaris de prestigi d&#8217;un pa\u00eds diferent dels pavellons que representen.<\/span><\/span> <span class=\"jCAhz\"><span class=\"ryNqvb\">\u00c9s el cas de Jonathan Watkins al Pavell\u00f3 de l&#8217;Iraq on presenta una mostra col\u00b7lectiva o Udo Kittelmann al Pavell\u00f3 Rus, on ha treballat amb Vadim Zakharov.<\/span><\/span> <span class=\"jCAhz\"><span class=\"ryNqvb\">El Pavell\u00f3 d&#8217;Est\u00f2nia, comissariat per Adam Budak, mostra el projecte de D\u00e9nes Farkas Evident in Advance, que reflexiona sobre el biaix del llenguatge i la impossibilitat de la traducci\u00f3.<\/span><\/span> <\/span><\/p>\n<p><span class=\"HwtZe\" lang=\"ca\"><span class=\"jCAhz\"><span class=\"ryNqvb\">Un altre exemple: Kathrin Rhomberg, la comiss\u00e0ria austr\u00edaca que l&#8217;any 2010 va comissariar una magn\u00edfica Biennal de Berl\u00edn a partir del tema de \u201cla realitat\u201d, \u00e9s la responsable del pavell\u00f3 de Kosovo on ha treballat amb Petrit Halilaj, un artista que explora la nocions del que \u00e9s real i la mem\u00f2ria. <\/span><\/span><span class=\"jCAhz\"><span class=\"ryNqvb\">Seguint amb aquest recorregut per Ven\u00e8cia 2013 destaquem un pavell\u00f3 que sempre crea expectaci\u00f3, el de la Gran Bretanya, que compta amb la pres\u00e8ncia de Jeremy Deller.<\/span><\/span> <span class=\"jCAhz\"><span class=\"ryNqvb\">Deller treballa amb \u201call\u00f2 real\u201d, sovint a partir de la confrontaci\u00f3 de diferents fets o situacions.<\/span><\/span> <span class=\"jCAhz\"><span class=\"ryNqvb\">El Pavell\u00f3 Espanyol presenta un projecte comissariat per Octavio Zaya amb Lara Almarcegui en qu\u00e8 parteix de la investigaci\u00f3 de la ciutat contempor\u00e0nia i les seves \u201cru\u00efnes\u201d modernes (descampats, espais desocupats, etc). <\/span><\/span><span class=\"jCAhz\"><span class=\"ryNqvb\">Al Pavell\u00f3 Austr\u00edac, Mathias Poledna presenta les seves habituals interconnexions entre art i entreteniment i els mecanismes de creaci\u00f3 de la imatge.<\/span><\/span> <span class=\"jCAhz\"><span class=\"ryNqvb\">Detaquen tamb\u00e9 les micronarratives de Mladen Miljanovic al Pavell\u00f3 de B\u00f2snia i Hercegovina.<\/span><\/span> <span class=\"jCAhz\"><span class=\"ryNqvb\">El Pavell\u00f3 Dan\u00e8s planteja una col\u00b7laboraci\u00f3 experimental entre un artista Jesper Just i un equip d&#8217;arquitectura i comunicaci\u00f3, Project Projects. <\/span><\/span><span class=\"jCAhz\"><span class=\"ryNqvb\">Sarah Sze \u00e9s la protagonista del Pavell\u00f3 dels Estats Units d&#8217;Am\u00e8rica.<\/span><\/span> <span class=\"jCAhz\"><span class=\"ryNqvb\">Sze modifica l&#8217;arquitectura del pavell\u00f3 i connecta interior i exterior, mitjan\u00e7ant la creaci\u00f3 d&#8217;una seq\u00fc\u00e8ncia d&#8217;instal\u00b7lacions espec\u00edficament pensades per a l&#8217;espai on incorpora continus salts d&#8217;escales i mides. <\/span><\/span><span class=\"jCAhz\"><span class=\"ryNqvb\">Curi\u00f3s \u00e9s tamb\u00e9 el projecte Between the Sky and the Earth \/ Trail cel a la terra de Kata Mijatovic, al Pavell\u00f3 de Cro\u00e0cia, que parteix d&#8217;un perfil a Facebook The Dreams Archive, on qualsevol pot participar arxivant els seus somnis, i que t\u00e9 forma d&#8217;instal\u00b7laci\u00f3 a la Sala Tiziano del centre cultural don Orio. <\/span><\/span><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">El Pavell\u00f3 Finland\u00e8s parteix d&#8217;un fet esdevingut l&#8217;any passat, la caiguda d&#8217;un arbre que va destruir part del pavell\u00f3 i en va obligar la renovaci\u00f3.<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Antti Laitinen presenta Falling Trees que parla d&#8217;art i natura, explora la imprevisibilitat i la for\u00e7a destructiva del fet, per\u00f2 tamb\u00e9 el seu impuls transformador. <\/span><\/span><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">Nicola Constantino proposa al Pavell\u00f3 d&#8217;Argentina quatre instal\u00b7lacions sobre la figura d&#8217;Eva Per\u00f3n, una dona que va ser moltes dones i que funciona tamb\u00e9 com a met\u00e0fora del seu pa\u00eds. <\/span><\/span><span class=\"jCAhz\"><span class=\"ryNqvb\">I acabem el recorregut amb la l\u00f2gica expectaci\u00f3 creada pels pa\u00efsos que participen per primera vegada en aquesta biennal, com les Maldives, les Bahames, la Costa d&#8217;Ivori, Nig\u00e8ria, Bahrain i, com a curiositat, el Vatic\u00e0.<\/span><\/span><\/span><\/p>\n<div class=\"OvtS8d\"><\/div>\n<div id=\"ow32\">[Article publicat a Bonart, 2013]<\/div>\n<\/div>\n<div class=\"UdTY9 WdefRb\" aria-hidden=\"true\" data-location=\"2\">\n<div class=\"kO6q6e\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Des de la seva inauguraci\u00f3 l&#8217;any 1895, la idea de representaci\u00f3 nacional a la Biennal de Ven\u00e8cia va adquirir un protagonisme progressiu. Les arquitectures dels pavellons ubicats als Giardini es van construir a partir de caracter\u00edstiques nacionals. Per\u00f2 quin paper juga ara \u201call\u00f2 nacional\u201d a l&#8217;art contemporani? Podem parlar d&#8217;un art nacional al segle XXI? [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-984","post","type-post","status-publish","format-standard","hentry","category-textos-ca"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ven\u00e8cia i els pavellons nacionals - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/ca\/venecia-y-los-pabellones-nacionales\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ven\u00e8cia i els pavellons nacionals - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"Des de la seva inauguraci\u00f3 l&#8217;any 1895, la idea de representaci\u00f3 nacional a la Biennal de Ven\u00e8cia va adquirir un protagonisme progressiu. Les arquitectures dels pavellons ubicats als Giardini es van construir a partir de caracter\u00edstiques nacionals. Per\u00f2 quin paper juga ara \u201call\u00f2 nacional\u201d a l&#8217;art contemporani? Podem parlar d&#8217;un art nacional al segle XXI? 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