{"id":992,"date":"2013-07-04T06:01:37","date_gmt":"2013-07-04T06:01:37","guid":{"rendered":"https:\/\/montsebadia.net\/new\/economia-del-arte\/"},"modified":"2025-02-21T11:28:59","modified_gmt":"2025-02-21T11:28:59","slug":"economia-del-arte","status":"publish","type":"post","link":"https:\/\/montsebadia.net\/ca\/economia-del-arte\/","title":{"rendered":"Economia de l’art"},"content":{"rendered":"

Vincle a l’article a A*DESK<\/a><\/p>\n

El tema de l\u2019exposici\u00f3 de l\u2019estiu al Museu d\u2019Art Contemporani de Crac\u00f2via (MOCAK) no \u00e9s precisament lleuger. Comissariada per Monika Koziol, Delfina Piekarska i Maria Anna Potocka, Economia de l\u2019art es proposa analitzar aspectes com els possibles di\u00e0legs entre art i economia, la depend\u00e8ncia de l\u2019art del mercat o com es defineix el valor en art. El resultat \u00e9s una exposici\u00f3 que reuneix treballs de trenta-cinc artistes, entre els quals trobem un estudiat equilibri entre noms de refer\u00e8ncia, com Joseph Beuys, Antoni Muntadas, Alfredo Jaar, Andreas Gursky, Santiago Sierra o Rirkrit Tiravanija; una bona representaci\u00f3 de la escena art\u00edstica polonesa (Rafal Bujnowski, Oskar Dawicki, Pola Dwurnik) i altres artistes ben actius en l\u2019escena internacional, com Dan Perjovschi, Christoph B\u00fcchel, Leopold Kessler, Michael Landy o Jota Castro, entre d\u2019altres.<\/p>\n

Si fa deu anys el Museu Ludwig de Col\u00f2nia en el projecte Economia del temps proposava un tema semblant per\u00f2 molt m\u00e9s acotat i concret: l\u2019ambig\u00fcitat de les nocions de producci\u00f3 i efectivitat en art, Economia de l\u2019art posa de nou en evid\u00e8ncia com l\u2019exposici\u00f3 segueix sent un problema per als projectes de tesi i, com passa massa sovint, s\u2019acaba convertint en un mostrari de possibilitats d\u2019all\u00f2 que el cat\u00e0leg acaba explorant m\u00e9s a fons. En aquest cas, l\u2019exposici\u00f3 apunta diversos temes i aproximacions, dels quals n\u2019esmentarem nom\u00e9s alguns: l\u2019anotaci\u00f3 “Kunst-Kapital” escrita en un bitllet de 10 marcs per Joseph Beuys (i reinterpretat anys m\u00e9s tard per Alfredo Jaar); el temps que triguen a desapar\u00e8ixer $ 1000 despr\u00e9s de successius canvis de moneda (Antoni Muntadas); la destrucci\u00f3 de totes les pertinences de l\u2019artista plantejada com una cadena de producci\u00f3 (Michael Landy); la subhasta a ebay de la participaci\u00f3 art\u00edstica a la biennal Manifesta (Christoph B\u00fcchel); un programa de telebotiga en qu\u00e8 es venen obres d\u2019art (Christian Jankowski), o l\u2019actualitat comentada mitjan\u00e7ant dibuixos tan directes com precisos (Dan Perjovschi).<\/p>\n

L\u2019exposici\u00f3 \u00e9s convencional en relaci\u00f3 al que mostra i com ho mostra. Inclou diverses propostes relacionades amb el paper moneda per\u00f2 no, per exemple, el Time Bank iniciat per Anton Vidokle, que \u00e9s una proposta real d\u2019un altre tipus d\u2019economia, tan alternativa com antiga, basada en l\u2019intercanvi. I si pensem en propostes idiosincr\u00e0tiques que q\u00fcestionen l\u2019economia de l\u2019art d\u2019una manera real, trobem a menys de 100 km del Museu d\u2019Art Contemporani de Crac\u00f2via, Bury Mis; l\u2019estudi d\u2019un artista-dissenyador-inventor, independent de galeries i mercats, que recull tant l\u2019her\u00e8ncia de Schwitters i la seva Merzbau com les idees de Monte Verit\u00e0, tan apreciades per Harald Szeemann.<\/p>\n

Per\u00f2 tornant al cat\u00e0leg de l\u2019exposici\u00f3, \u00e9s el text del periodista i escriptor Edwin Bendyk “La faula de les abelles: els dividends art\u00edstics i l\u2019economia de Warhol” el que centra el tema i amplia l\u2019\u00e0mbit de reflexi\u00f3 m\u00e9s enll\u00e0 de les arts visuals. Segons Bendyk, la tradicional teoria del valor no sintonitza b\u00e9 amb els artistes, llevat que aquests estiguin directament relacionats amb un treball productiu, \u00e9s a dir, creant valor al mercat. No obstant aix\u00f2, a partir de la noci\u00f3 d\u2019economia de la singularitat (que va m\u00e9s enll\u00e0 del valor objectiu perqu\u00e8 t\u00e9 en compte altres factors i contribucions), l\u2019art i la cultura haurien de ser tractats seguint l\u2019exemple de les abelles que narra l\u2019economista franc\u00e8s Yann Moulier Boutang en el seu llibre L\u2019abeille et l\u2019Economiste, de manera que el valor del treball de les abelles no vindria determinat per la producci\u00f3 de mel, sin\u00f3 per les conseq\u00fc\u00e8ncies de la seva feina pr\u00e8via amb les flors. “Desafortunadament”, conclou Bendyk, “la l\u00f2gica del capitalisme ha impedit que els camps de l\u2019art i la cultura es converteixin en un espai per a la inversi\u00f3 que expandeixi el prat on les abelles puguin treballar de forma creativa”.<\/p>\n

L\u2019exemple de les abelles enlla\u00e7a perfectament amb un llibre de l\u2019artista Antonio Ortega, recentment publicat i comentat aqu\u00ed per Gloria Guirao, no nom\u00e9s pel gust d\u2019Ortega en il\u00b7lustrar les seves teories amb exemples, sin\u00f3 perqu\u00e8 a Demagogia y propaganda en arte, l\u2019economia de l\u2019art \u00e9s un dels temes centrals, en aquest cas des del punt de vista del paper determinant de la instituci\u00f3.<\/p>\n","protected":false},"excerpt":{"rendered":"

Vincle a l’article a A*DESK El tema de l\u2019exposici\u00f3 de l\u2019estiu al Museu d\u2019Art Contemporani de Crac\u00f2via (MOCAK) no \u00e9s precisament lleuger. Comissariada per Monika Koziol, Delfina Piekarska i Maria Anna Potocka, Economia de l\u2019art es proposa analitzar aspectes com els possibles di\u00e0legs entre art i economia, la depend\u00e8ncia de l\u2019art del mercat o com […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-992","post","type-post","status-publish","format-standard","hentry","category-textos-ca"],"yoast_head":"\nEconomia de l'art - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/ca\/economia-del-arte\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Economia de l'art - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"Vincle a l’article a A*DESK El tema de l\u2019exposici\u00f3 de l\u2019estiu al Museu d\u2019Art Contemporani de Crac\u00f2via (MOCAK) no \u00e9s precisament lleuger. 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