1.0Montse Badiahttps://montsebadia.net/en/adminhttps://montsebadia.net/en/author/badia/rich600338<blockquote class="wp-embedded-content" data-secret="Y9zUaeZ1dH"><a href="https://montsebadia.net/en/alicia-framis-guantanamo-museum-eng/">ALICIA FRAMIS. Guantanamo Museum</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://montsebadia.net/en/alicia-framis-guantanamo-museum-eng/embed/#?secret=Y9zUaeZ1dH" width="600" height="338" title="“ALICIA FRAMIS. Guantanamo Museum” — Montse Badia" data-secret="Y9zUaeZ1dH" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://montsebadia.net/wp-includes/js/wp-embed.min.js </script> Alicia Framis takes conflicts or contradictions she sees around her as the starting point for the new ideas, models or prototypes that make up her series. Violence, security, coexistence, communication and loneliness are among the key themes that have articulated her work. Framis gets involved in specific issues and projects for a certain period of […]