{"id":1319,"date":"2024-10-30T14:17:24","date_gmt":"2024-10-30T14:17:24","guid":{"rendered":"https:\/\/montsebadia.net\/new\/projects\/"},"modified":"2024-11-22T12:55:18","modified_gmt":"2024-11-22T12:55:18","slug":"projects","status":"publish","type":"page","link":"https:\/\/montsebadia.net\/en\/projects\/","title":{"rendered":"Projects"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1319\" class=\"elementor elementor-1319 elementor-525\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d0fef4c e-flex e-con-boxed e-con e-parent\" data-id=\"d0fef4c\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-e7a9d04 e-con-full e-flex e-con e-child\" data-id=\"e7a9d04\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9352586 elementor-widget__width-initial animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"9352586\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Projects<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-931d3f8 animated-slow elementor-widget__width-initial elementor-invisible elementor-widget elementor-widget-image\" data-id=\"931d3f8\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"82\" height=\"81\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/10\/arrow.svg\" class=\"attachment-large size-large wp-image-673\" alt=\"\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e488be8 e-flex e-con-boxed e-con e-parent\" data-id=\"e488be8\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-a74d2cd animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"a74d2cd\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\"Discover the <em>projects<\/em> driving innovation in contemporary art and new media.\"<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-3900357 e-flex e-con-boxed e-con e-parent\" data-id=\"3900357\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-4d29a4c e-con-full e-flex e-con e-child\" data-id=\"4d29a4c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-a78c61a e-con-full e-flex e-con e-child\" data-id=\"a78c61a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-53f9217 e-con-full e-flex e-con e-child\" data-id=\"53f9217\" data-element_type=\"container\" 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class=\"e-search-results\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/output>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<button class=\"e-search-submit  \" type=\"submit\" aria-label=\"Search\">\n\t\t\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" width=\"14px\" height=\"13px\" viewBox=\"0 0 14 13\"><title>Group 5<\/title><g id=\"Page-1\" stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g id=\"Home\" transform=\"translate(-1252, -1602)\" stroke=\"#000000\"><g id=\"Group-5\" transform=\"translate(1253, 1603)\"><line x1=\"0\" y1=\"11\" x2=\"4\" y2=\"7\" id=\"Stroke-1\"><\/line><path d=\"M12,4.5 C12,6.9852 9.9854,9 7.5,9 C5.0146,9 3,6.9852 3,4.5 C3,2.0148 5.0146,0 7.5,0 C9.9854,0 12,2.0148 12,4.5 Z\" id=\"Stroke-3\"><\/path><\/g><\/g><\/g><\/svg>\n\t\t\t\t\t\t\t\t\t<\/button>\n\t\t\t\t<input type=\"hidden\" name=\"e_search_props\" 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.elementor-element.elementor-element-b5f3d97 img{\n    display:none;\n}\n.elementor-380 .elementor-element.elementor-element-b5f3d97 {\n     display: -webkit-box;\n    -webkit-box-orient: vertical;\n    -webkit-line-clamp: 6; \/* Number of lines to show *\/\n    overflow: hidden;\n    text-overflow: ellipsis;\n    margin-top:auto;\n}\n.elementor-380 .elementor-element.elementor-element-b5f3d97 p{\n    margin:0;\n}\/* End custom CSS *\/<\/style>\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3106 post-3106 post type-post status-publish format-standard hentry category-proyectos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/baremos-retributivos-para-profesionales-de-las-artes-visuales\/\">Salary scales<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/07\/04\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>4 - July - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p><a title=\"pdf document\" href=\"https:\/\/cultura.gencat.cat\/web\/.content\/dgcc\/05_Noticies\/2026\/Barems-Retributius_Arts_Visuals.pdf\" target=\"_blank\" rel=\"noopener\"><span dir=\"auto\">Salary scales for visual arts professionals<\/span><\/a><span dir=\"auto\"> aims to establish a <\/span><strong><span dir=\"auto\">framework document on the remuneration of curators and artists for the work carried out in contemporary art centers<\/span><\/strong><span dir=\"auto\"> integrated into the Public System of Visual Arts Facilities ( <\/span><strong><span dir=\"auto\">SPEAV<\/span><\/strong><span dir=\"auto\"> ).<\/span><\/p>\n<p><span dir=\"auto\">The main objective is to propose indicative salary scales that promote the dignity of cultural work and that the centers commit to applying.<\/span><\/p>\n<p><span dir=\"auto\">The proposal is an <\/span><strong><span dir=\"auto\">initiative of the General Directorate of Cultural Rights, Creation and Libraries<\/span><\/strong><span dir=\"auto\"> of the Department of Culture of the Generalitat of Catalonia and has been developed jointly by representatives of <\/span><strong><span dir=\"auto\">centers of the Public System of Visual Arts Facilities (SPEAV)<\/span><\/strong><span dir=\"auto\"> , and the <\/span><strong><span dir=\"auto\">professional associations PAAC<\/span><\/strong><span dir=\"auto\"> (Platforma Assembl\u00e9\u00e0ria d&#8217;Artistes de Catalunya) and <\/span><strong><span dir=\"auto\">ACCA<\/span><\/strong><span dir=\"auto\"> (Association Catalana de Cr\u00edtica d&#8217;Art). <\/span>Montse Badia has carried out the reporting of this document.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3068 post-3068 post type-post status-publish format-standard hentry category-proyectos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/alive-2026-the-kitchen-network-episode-4-de-luiza-prado\/\">A*LIVE 2026: The Kitchen Network. Episode 4 by Luiza Prado<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/03\/27\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>27 - March - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p><span style=\"color: #ff0000;\"><strong><em>The Kitchen Network. Episode 4<\/em> \u00a0<span style=\"color: #000000;\">by<\/span> <a href=\"https:\/\/www.luiza-prado.com\/\" target=\"_blank\" rel=\"noopener\">Luiza Prado<\/a><\/strong><\/span><br \/>\n<span style=\"color: #ff0000;\"><strong><a href=\"https:\/\/www.anticteatre.com\/\" target=\"_blank\" rel=\"noopener\">Antic Teatre, Barcelona<\/a><br \/>\nDate: 24\/3\/2026, 8 pm<\/strong><\/span><\/p>\n<p><img fetchpriority=\"high\" fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-medium wp-image-3065\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/03\/TKN-splash-300x212.jpg\" alt=\"\" width=\"300\" height=\"212\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/03\/TKN-splash-300x212.jpg 300w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/03\/TKN-splash-768x543.jpg 768w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/03\/TKN-splash.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong>Welcome to <i>The Kitchen Network<\/i>!<br \/>\nThe Fourth episode takes place in Barcelona!<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Unfolding as an episode in the last reality TV food competition on earth, this performance uses humour to examine the divide between online food cultures and their disconnection to wider issues of class, gender and geography.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this episode we step into a future where the European Union has dissolved, climate policy has failed, and old trade agreements have fractured. The promises of the European Green Deal remain unfinished across a continent marked by material scarcity, even as digital culture continues to project images of abundance.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Across Spain, farmland competes with data centers built to sustain cloud computing and AI. Water is diverted between crops and cooling systems; rural regions strain, cities expand, and digital infrastructure reshapes the landscape. In the absence of coordinated governance, spectacle becomes policy.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Food distribution is now governed by the Eurovision Exchange Agreement (EEA): each year, the country that wins Eurovision gains temporary authority over continental food allocation. Spain, the most recent winner, occupies a precarious position of relative abundance within an unequal and unstable Europe.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Water is tightly controlled, commodified, and unevenly distributed. This episode is sponsored by Blue Reserve, a premium hydration brand. Each contestant receives just two bottles to last the competition, as the AI host reminds viewers: \u201cBecause Not Everyone Gets a Second Pour.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With elderly residents from the surrounding neighborhood serving as judges,<em> <strong><a href=\"https:\/\/www.luiza-prado.com\/the-kitchen-network\" target=\"_blank\" rel=\"noopener\">The Kitchen Network<\/a><\/strong><\/em><\/span><span style=\"font-weight: 400;\">\u00a0stages cooking as performance in a time of scarcity, reflecting on inequality, digital expansion, and the politics of food in a fragmented Europe.<\/span><\/p>\n<figure id=\"attachment_74585\" aria-describedby=\"caption-attachment-74585\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/a-desk.org\/wp-content\/uploads\/2026\/02\/tm24_TheKitchenNetwork_MiriamMakebaAuditorium_HKW_2445_CCBYNCSA_LauraFiorio_015-1-595x397.jpg\"><img decoding=\"async\" class=\"wp-image-74585 size-full\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2026\/02\/tm24_TheKitchenNetwork_MiriamMakebaAuditorium_HKW_2445_CCBYNCSA_LauraFiorio_015-1.jpg\" alt=\"\" width=\"1000\" height=\"667\" \/><\/a><figcaption id=\"caption-attachment-74585\" class=\"wp-caption-text\">Jas Rault, Luiza Prado, Helen Pritchard, T.L. Cowan, The Kitchen Network: Anti-Fascism and Plants. Conversation and performance at transmediale 2024, HKW. Photo by Laura Fiorio. CC BY-NC-SA<\/figcaption><\/figure>\n<p><strong>About the <em>The Kitchen Network<\/em> &amp; Luiza Prado<\/strong><\/p>\n<p><span style=\"font-weight: 400;\"><em><a href=\"https:\/\/www.luiza-prado.com\/the-kitchen-network\" target=\"_blank\" rel=\"noopener\">The Kitchen Network<\/a><\/em> is a theatrical performance that continues Luiza Prado&#8217;s ongoing investigation of the necropolitical infrastructures around reproduction, nourishment, and planetary collapse.<\/span><\/p>\n<p>The event taking place at Antic Teatre in Barcelona on March 24, 2026 corresponds to the fourth episode of the series, which continues and completes the research developed by the artist while adapting to each specific context. The first episode, presented within the framework of Transmediale in Berlin (January 2024), emphasized the technological aspects of the project. The second, held in Nottingham (April 2024), focused on the kitchens of migrant communities. The third, presented at the restaurant of the Martin Gropius Bau in Berlin (October 2024), addressed labor and movement through the universe of the sandwich\u2014a food associated with work rhythms and whose culinary origins point to non-native traditions.<\/p>\n<p>In <em>The Network Kitchen. Episode 4<br \/>\n<\/em>Concept and direction: <strong>Luiza Prado<\/strong><br \/>\nMaster of Ceremonies: <strong>Albert S\u00e1nchez<\/strong><br \/>\nCook # 1: <strong>Monica Escudero<\/strong><br \/>\nCook # 2: <strong>Agnes Essonti Luque<\/strong><br \/>\nCook # 3: <strong>Irene Arcas<br \/>\n<\/strong>Jury: <strong>Old ladies from the community of the Antic Teatre<\/strong><\/p>\n<p><em>The Kitchen Network. Episode 4<\/em>\u00a0 is a produced by A*DESK.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-2993 post-2993 post type-post status-publish format-standard has-post-thumbnail hentry category-proyectos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/cartografias-de-agua\/\">Water cartographies<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2025\/10\/23\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>23 - October - 2025<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>We don&#8217;t just have a close relationship with water: <strong>we are water.<\/strong> 70% of our bodies and 71% of the planet are water, but only 2% is freshwater. Water is a finite resource that circulates, regenerates, and transforms, but cannot be created. The natural cycle can no longer keep pace with global demand: if in 1900 humanity consumed about 670 km\u00b3 annually, today it consumes nearly 4,000<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a>. We are, therefore, facing an <strong>ecological crisis<\/strong> that challenges the way we consume and manage this common good, which is also a human right.<\/p>\n<p>The renewable water available\u2014from rain, aquifers, reservoirs, or tanks\u2014depends on a complex infrastructure for collection, transportation, and treatment: wells, canals, desalination plants, and wastewater treatment plants. All of this forms a vital network that sustains human life, but also industrial, agricultural, and energy resources. It is no coincidence that the <strong>2025 Venice Architecture Biennale<\/strong> placed water at the center of the debate: while the Catalan Pavilion championed radical imagination as a tool to address its crisis, Benedetta Tagliabue&#8217;s project, <em>The Architecture of Virtual Water<\/em>, made the invisible water footprint visible.<\/p>\n<p>Drinking, eating, producing, and moving around require water. Therefore, almost all countries have <strong>Water Laws<\/strong> that regulate usage rights, quality, services, and tariffs, as well as the protection of rivers and lakes. Despite being a free resource, its treatment and distribution entail high costs. In many territories, scarcity and unequal access have generated tensions (<strong>water wars<\/strong>) that cross borders: this is the case with the conflicts around the Tigris and Euphrates, the Crimean Canal, Lake Chad, and the Eastern Mediterranean, as well as of abuses by transnational corporations in strategic economic sectors, which cause a negative impact on the environment and the affected communities<a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a>.<\/p>\n<p>Given this scenario, it is necessary to imagine <strong>hydro-social pacts<\/strong><a href=\"#_ftn3\" name=\"_ftnref3\">[3]<\/a> that integrate scientific, community, and environmental knowledge to ensure sustainable and fair management. As Yayo Herrero<a href=\"#_ftn4\" name=\"_ftnref4\">[4]<\/a> argues, recovering the memory of the five elements\u2014water, air, earth, fire, and life\u2014is essential to rethinking our relationship with the world. Water is a resource, a metaphor, and a memory; a force that shapes territories, bodies, and relationships.<\/p>\n<p>Within this framework, <strong>Water<\/strong> <strong>Cartographies <\/strong>proposes a journey through four artistic practices that transform water into a device of perception, a historical trace, a genealogy of the body, and a tool of resistance. The exhibition unfolds as a confluence of perspectives that link ecology, spirituality, technology, and care. The works invite us to pause, to listen to the passage of time and the body, to perceive liquidity as a space of relationship and shared memory.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Anna Dot. <em>Libacions<\/em> [Libations] (2022\u2013ongoing)<\/strong><\/p>\n<p><em>Libations<\/em> is a project consisting of a series of ceramic pateras and collective actions. It is inspired by Greek libation rituals, in which water or wine was poured in honor of the deceased. The vases, decorated with local flora and fauna, have been activated in Paris, Villava, and Sant Mart\u00ed d&#8217;Emp\u00faries. In this latest action, included in the exhibition <em>Waters, Languages, and Forgetfulness<\/em> (Museo del Mediterr\u00e1neo, 2024), the libations followed the historical path of the Ter River, from Colomers to the Mediterranean, paying homage to an ancient branch of the river now reduced to irrigation canals. <em>Libations<\/em> combines research, poetic gesture, and community, reminding us that every drop contains a story.<\/p>\n<p><strong>Caterina Miralles Tagliabue.<em> 0.5 <\/em>(2025)<\/strong><\/p>\n<p><em>0.5<\/em> is an audiovisual installation that contrasts the technological intelligence of climate research centers with the wisdom of the fishermen of the Venetian Lagoon. The title, &#8220;0.5 cm,&#8221; alludes to the annual rise in water levels, a symbol of the impact of the Anthropocene. Divided into four thematic sections, it combines data, stories, and landscapes to reflect on ecology, memory, and the coexistence of human and non-human forms of knowledge. The work becomes a space for observation and listening where scientific information and traditional wisdom converge in a single flow.<\/p>\n<p><strong>Fina Miralles. <em>Mar, cel i terra <\/em>[Sea, Sky, and Earth] (1973) and <em>El retorn<\/em> [The Return] (2012)<\/strong><\/p>\n<p>Key figure of the Catalan conceptual art, Miralles has explored the direct relationship between body and nature through actions with earth, grass, stones, and water. <em>Sea, Sky, and Earth<\/em> is a collage that combines words and images\u2014sea, sky, cloud, rain, sun\u2014to allude to the ecosystem as a living unit. <em>The Return<\/em> is the photographic record of a later action that directly connects with those carried out in the 1970s (<em>Relationships. The Body&#8217;s Relationship with Water. The Body in the Sea<\/em>) and also relates to his work on the figure of women, the fountain, the sea, and women of water as forms of ancestral memory. As the artist says: &#8220;What is important is the water that sings, the living water. The water sings, the birds sing, the mermaids, the whales, and we sing.&#8221;<a href=\"#_ftn5\" name=\"_ftnref5\">[5]<\/a> His work invites us to relearn how to listen to this primal song, as an act of affirmation and grounding.<\/p>\n<p><strong>Stella Rahola Matutes. <em>La Cronometradora<\/em> [The Timekeeper] (2023)<\/strong><\/p>\n<p><em>The Timekeeper<\/em> is an installation that turns glass into a metaphor for water and time. Through a translucent and breathing architecture, the work reflects on the artisanal and scientific process of the material, its porous and mutable nature. Rahola proposes a &#8220;drinkable&#8221; art, made of steam and light, that reminds us of the interdependence between matter, medium, and body. Her research connects tradition and innovation, manual knowledge and technology, and champions an artistic practice committed to sustainability and caring for the planet.<\/p>\n<p>&nbsp;<\/p>\n<p>Thus, <strong>Water Cartographies <\/strong>traces an itinerary that combines sensitivity, knowledge, and commitment. The works assembled speak to the need to imagine a new water culture\u2014a culture that recognizes water not as a resource to be exploited, but as a shared way of life. In times of climate emergency, these practices invite us to think from the perspective of flow, to understand that, like water, we too are part of an endless cycle of transformation and return.<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\"><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"size-medium wp-image-2985 alignleft\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/10\/cartografies_d_aigua-212x300.jpeg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/10\/cartografies_d_aigua-212x300.jpeg 212w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/10\/cartografies_d_aigua-724x1024.jpeg 724w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/10\/cartografies_d_aigua-768x1086.jpeg 768w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/10\/cartografies_d_aigua.jpeg 905w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>[<em><strong>Water Cartographies<\/strong><\/em> is a group exhibition curated by Montse Badia, with the artists <strong>Anna Dot<\/strong>, <strong>Fina Miralles<\/strong>, <strong>Caterina Miralles Tagliabue<\/strong>, <strong>Stella Rahola Matutes<\/strong>, and presented at the<a href=\"https:\/\/fundaciouniques.art\/exposicions\/\" target=\"_blank\" rel=\"noopener\"> Fundaci\u00f3 \u00daniques<\/a> 11\/6\/25 &#8211; 2\/14\/26]<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\"><\/a><\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> Paniagua, Jes\u00fas M. <em>Agua. Historia, Tecnolog\u00eda y Futuro<\/em> [Water. History, Technology, and the Future]. Ed. Guadalmaz\u00e1n, Madrid 2023.<br \/>\n<a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a> Arenal Lora, Libia (ed.), <em>Negocios insaciables: Estados, Transnacionales, Derechos humanos y Agua.<\/em> [Insatiable Business: States, Transnational Corporations, Human Rights, and Water]. Ed. Fundaci\u00f3n para la Cooperaci\u00f3n APY Solidaridad en Acci\u00f3n, 2015.<br \/>\n<a href=\"#_ftnref3\" name=\"_ftn3\">[3]<\/a> Cerarols Ram\u00edrez, Rosa. &#8220;Hydrosocial Pact&#8221; at <em>100 words for the water: a vocabulary<\/em>. (Ed. Eva Franch i Gilabert, Mireia Luz\u00e1rraga, Alejandro Mui\u00f1o). <em>Catalog Catalonia in Venice. Water Parliaments<\/em>. Collateral Event of the 19th International Architecture Exhibition _ La Biennale di Venezia. Lars M\u00fcller Publishers, Institut Ramon Llull and Col\u00b7legi d&#8217;Arquitectes de Catalunya (COAC), 2025<br \/>\n<a href=\"#_ftnref4\" name=\"_ftn4\">[4]<\/a> Herrero, Yayo. <em>Los cinco elementos. Una cartilla de alfabetizaci\u00f3n ecol\u00f3gica.<\/em> [The Five Elements: An Ecological Literacy Primer] Arc\u00e0dia Editors. Barcelona, 2021.<br \/>\n<a href=\"#_ftnref5\" name=\"_ftn5\">[5]<\/a> Fina Miralles in conversation with Mireia Sallar\u00e8s. &#8220;The water sings, we\u00a0 sing&#8221;. Video-interview. Fons #06\u00a0 MACBA, 2021<\/p>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-2980 post-2980 post type-post status-publish format-standard hentry category-proyectos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/alive-2025-cuerpos-de-evidencia-con-adam-broomberg-ido-nahari\/\">A*LIVE 2025: \u201cBodies of Evidence&#8221; with Adam Broomberg &#038; Ido Nahari<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2025\/10\/20\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>20 - October - 2025<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"title\">\n<p><strong><span style=\"font-size: 16px;\">Date: Thursday, 16 October 2025, 19:30 h<br \/>\n<\/span>Location: MACBA, Auditorio Meier, Barcelona\u00a0<span style=\"font-size: 16px;\"><br \/>\n<\/span><\/strong><\/p>\n<p><span style=\"color: #ff0000;\"><strong>The lecture \u201cBodies of Evidence&#8221; with Adam Broomberg &amp; Ido Nahari analyzes the circulation and functioning of violent images of past and present genocides.<\/strong><\/span><\/p>\n<p>From Gaza to Namibia, Nahari and Broomberg review the visual techniques of demonization and glorification in war imagery to address their fundamental role in defining and representing the moral limits of violence. The debate revolves around the new fundamentalist grammar created by this documentation, which visualizes affliction\u2014the shattered bodies of vulnerable victims facing seemingly invulnerable invaders\u2014and thus sanctifies certain ways of life while devaluing others.<\/p>\n<p>This presentation follows and expands on the reflections we introduced last July (links to articles below), continuing our exploration of how images circulate, codify, and shape the perception of violence.<\/p>\n<p><strong>Cover image \u00a9 Adam Berry<\/strong><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"x84AFcxwIt\"><p><a href=\"https:\/\/a-desk.org\/en\/magazine\/ways-of-unseeing\/\">Ways of Unseeing<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Ways of Unseeing&#8221; &#8212; A*Desk\" src=\"https:\/\/a-desk.org\/en\/magazine\/ways-of-unseeing\/embed\/#?secret=H3mSNcrxRr#?secret=x84AFcxwIt\" data-secret=\"x84AFcxwIt\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"Kc6B5z1Og2\"><p><a href=\"https:\/\/a-desk.org\/en\/magazine\/trading-cards-with-lives\/\">Trading Cards With Lives<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Trading Cards With Lives&#8221; &#8212; A*Desk\" src=\"https:\/\/a-desk.org\/en\/magazine\/trading-cards-with-lives\/embed\/#?secret=kYgqGeX89U#?secret=Kc6B5z1Og2\" data-secret=\"Kc6B5z1Og2\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"ZpJMnvPKBN\"><p><a href=\"https:\/\/a-desk.org\/en\/magazine\/performative-rape\/\">Performative Rape<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Performative Rape&#8221; &#8212; A*Desk\" src=\"https:\/\/a-desk.org\/en\/magazine\/performative-rape\/embed\/#?secret=JXrkMtn7Sw#?secret=ZpJMnvPKBN\" data-secret=\"ZpJMnvPKBN\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"5Yn8aaovQR\"><p><a href=\"https:\/\/a-desk.org\/en\/magazine\/gaze-deprivation\/\">Gaze Deprivation<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Gaze Deprivation&#8221; &#8212; A*Desk\" src=\"https:\/\/a-desk.org\/en\/magazine\/gaze-deprivation\/embed\/#?secret=65uPiVlmdP#?secret=5Yn8aaovQR\" data-secret=\"5Yn8aaovQR\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"lpxNM8Jiug\"><p><a href=\"https:\/\/a-desk.org\/en\/magazine\/evidence-of-bodies\/\">Evidence of Bodies<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Evidence of Bodies&#8221; &#8212; A*Desk\" src=\"https:\/\/a-desk.org\/en\/magazine\/evidence-of-bodies\/embed\/#?secret=zOJyvBmHfC#?secret=lpxNM8Jiug\" data-secret=\"lpxNM8Jiug\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<hr \/>\n<\/div>\n<p>&#8220;Bodies of Evidence&#8221; is an event organized by A*DESK and PEI OBERT &#8211; <a href=\"https:\/\/www.macba.cat\/es\/actividades\/cuerpos-de-evidencia\/\" target=\"_blank\" rel=\"noopener\">MACBA.<\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-2935 post-2935 post type-post status-publish format-standard has-post-thumbnail hentry category-proyectos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/lux-un-recorrido-por-el-imaginario-de-la-luz\/\">LUX. A journey through the imagery of light<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2025\/06\/09\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>9 - June - 2025<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>Light permeates myths, revolutions, and landscapes, an ancient symbol of knowledge and transformation. Electricity saw it spread to the rhythm of cities, shaping ways of life and dreams. In art, light reveals and reinvents the world. This online exhibition commission by the <a href=\"https:\/\/xarxa.museunacional.cat\/en\/\" target=\"_blank\" rel=\"noopener\">Xarxa de Museus d&#8217;Art de Catalunya<\/a> invites you to explore imaginary\u00a0 world of light, accompanied by a soundtrack.<\/p>\n<h4 style=\"text-align: center;\"><a href=\"https:\/\/xarxa.museunacional.cat\/en\/a-journey-through-the-imagery-of-light\/\" target=\"_blank\" rel=\"noopener\">LUX. Un journey through the imagery of light<\/a><\/h4>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2946 size-large\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_ENG-1024x553.jpg\" alt=\"\" width=\"800\" height=\"432\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_ENG-1024x553.jpg 1024w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_ENG-300x162.jpg 300w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_ENG-768x415.jpg 768w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_ENG-1536x829.jpg 1536w, https:\/\/montsebadia.net\/wp-content\/uploads\/2025\/06\/LUX_ENG-2048x1106.jpg 2048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-1622 post-1622 post type-post status-publish format-standard hentry category-proyectos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/alive-radical-cuteness\/\">A*LIVE: Radical Cuteness<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2025\/02\/12\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>12 - February - 2025<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3><span class=\"HwtZe\" lang=\"en\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">The 11th edition of A*LIVE, the multi-layered, transversal and expansive public event programme of A*DESK in collaboration with the Museu de l\u2019Art Prohibit, on 6\/11\/2024 at 7:30 p.m.<\/span><\/span><\/span><\/h3>\n<p><span class=\"HwtZe\" lang=\"en\">In the ongoing debate about access to knowledge, censorship, fake news, distraction tactics, screen dependency, and the decline in critical thinking, A*LIVE 2024 delves into the concept of\u00a0<strong><em>Radical Cuteness<\/em>.<\/strong><\/span><\/p>\n<h3><span class=\"HwtZe\" lang=\"en\"><em>Radical Cuteness<\/em><\/span><\/h3>\n<p><span class=\"HwtZe\" lang=\"en\">The influence of memes and \u201ccute\u201d in popular culture is a radical part of collective imagination, from examples of sexualization of military propaganda, violence, to ways of radicalization in different areas through tenderness. Radical Cuteness aims to unmask the mechanisms that, based on subliminal strategies of seduction \u2013 the adorable, the childish, the tender, the vulnerable, the fragile, the soft \u2013 influence, disturb and confuse in order to reprogram minds. This approach questions the cultural and political meanings behind these aesthetics. Such disruptive mechanisms are increasingly more internal than external and go beyond prohibition to deploy their control from a veritable psychological warfare that the digital environment only intensifies. We see it through the massive presence on the Internet of very popular and attractive DIY products, in which subliminal aspects shape the collective consciousness, introducing supremacist messages.<\/span><\/p>\n<p>A*LIVE 2024, <i>Radical Cuteness<\/i><\/p>\n<h3>A*LIVE 2024,\u00a0<i>Radical Cuteness<br \/>\n<\/i><i>Subliminal Strategies: Prohibition and Control: Unraveling the Power of Psychological Warfare in the Digital Age<\/i><\/h3>\n<p>A*LIVE 2024,\u00a0<i>Radical Cuteness<\/i>\u00a0<span class=\"HwtZe\" lang=\"en\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">delves into these themes from an agile and dynamic structure.<\/span><\/span>\u00a0<span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">To do so, it has\u00a0<strong>Nuria G\u00f3mez Gabriel<\/strong>\u00a0as master of ceremonies and host of the event;<\/span><\/span>\u00a0<span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">the screening of the video\u00a0<strong>Nation Estate<\/strong>\u00a0(2011) by the artist\u00a0<strong>Larissa Sansour<\/strong>;<\/span><\/span>\u00a0<span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">a\u00a0<strong>performance conference<\/strong>\u00a0by\u00a0<strong>Noura Tafeche<\/strong>\u00a0and\u00a0<strong>Alex Quicho<\/strong>.<\/span><\/span>\u00a0<span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">The graphic image and visuals of the project that introduce the different sections are by the artists\u00a0<strong>Momu &amp; No Es<\/strong>.\u00a0\u00a0<\/span><\/span><\/span><span class=\"HwtZe\" lang=\"en\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">A*LIVE 2024 event is completed with a\u00a0<strong>Q&amp;A<\/strong>\u00a0section, led by the responsibles of\u00a0<\/span><\/span><\/span><span class=\"HwtZe\" lang=\"en\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">A*DESK,\u00a0<strong>Montse Badia and Maria Mu\u00f1oz<\/strong>.<\/span><\/span><\/span><\/p>\n<p><a href=\"https:\/\/a-desk.org\/en\/proyecto\/alive-2024-radical-cuteness\/\">M\u00e1s info<\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-715 post-715 post type-post status-publish format-standard hentry category-proyectos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/patrimonio-nacional-nueva-exposicion-temporal-en-el-mnac\/\">National Heritage. New Temporary Exhibition at MNAC<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2024\/05\/23\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>23 - May - 2024<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>N\u00faria G\u00fcell closes the first cycle of the public programme Geysers (curated by Montse Badia) with a lecture entitled <a href=\"https:\/\/www.museunacional.cat\/es\/actividades\/conferencia-patrimonio-nacional-nueva-exposicion-temporal-en-el-mnac\">NATIONAL HERITAGE. New temporary exhibition at the MNAC, 2024<\/a>.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-medium wp-image-1403\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/05\/cartell_72_ppp_2-1-238x300.webp\" alt=\"\" width=\"100%\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/05\/cartell_72_ppp_2-1-238x300.webp 238w, https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/05\/cartell_72_ppp_2-1.webp 600w\" sizes=\"(max-width: 238px) 100vw, 238px\" \/><\/p>\n<p>The artist makes public her extensive research into the little-known function of museums as custodians of works of art that undergo some judicial process. A search inside and outside the museum and the result of multiple conversations with professionals in the management, security and registration of works of art in heritage centres.<\/p>\n<p>N\u00faria G\u00fcell&#8217;s proposal takes the form of a conference in which she compiles this entire process, to evoke an exhibition curated, no longer by art specialists, but by the courts of justice.<\/p>\n<p>N\u00faria G\u00fcell understands her artistic practice &#8220;as a socially and politically necessary practice in which the cultural fact and the established are put into play.&#8221; Her work process starts with the research and analysis of data and situations, continues with the posing of questions and, finally, with a proposal for action with real impact.<\/p>\n<p>In her research at the Museu Nacional d&#8217;Art de Catalunya, she focuses on a little-known but common function of museums: that of safeguarding works that are in judicial custody, that is, those assets (works of art) that judges proceed to secure as litigious assets when a seizure or confiscation is decreed in a legal case.<\/p>\n<p>N\u00faria G\u00fcell delves into this role of custodian, which clearly falls within the functions of the museum (as defined by UNESCO, &#8220;the institution at the service of society that researches, collects, conserves, interprets and exhibits tangible and intangible heritage&#8221;) but which, at the same time, reveals the other side of the notion of heritage associated with humanistic values, knowledge, beauty or goodness. Precisely because of their value, works of art are also subject to looting, falsification or illegal acquisitions.<\/p>\n<p>In order to delve deeper into the frictions generated by definitions of heritage value arising from non-legitimised narratives, N\u00faria G\u00fcell&#8217;s proposal takes the form of a conference in which she compiles her entire research process, to evoke an exhibition curated not by art specialists but by the courts of justice. With this project, N\u00faria G\u00fcell invites us to re-evaluate the dichotomy between idealised notions of cultural preservation and the legal complexities underlying the custody of art in a contemporary social context.<\/p>\n<p><a href=\"https:\/\/canal.mesmnac.cat\/mira\/patrimonio-nacional-nova-exposicio-temporal-al-mnac-conferencia-performativa-de-nuria-guell\/\">Video of the lecture<\/a><\/p>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-717 post-717 post type-post status-publish format-standard hentry category-proyectos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/crowded-museums\/\">Crowded Museums<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2023\/10\/24\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>24 - October - 2023<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>This intervention is part of the <a href=\"https:\/\/www.museunacional.cat\/en\/geysers-museu-nacional-dart-de-catalunya\">Geysers<\/a> programme<\/p>\n<p>Raquel Friera&#8217;s work is based on performative strategies, historical re-readings, the presentation of parallelisms and slight shifts that configure critical views on relevant issues of the current moment.<\/p>\n<p>In her previous works, the artist has made re-enactments of classic performances (by Bas Jan Ader, John Cage or Tehching Hsieh) in which the re-enactment made by a female figure generates shifts of meaning and new readings. She is co-creator, together with Xavier Bassas, of the Institute of Suspended Time that explores and proposes alternative forms of time that go beyond mere productivity.<\/p>\n<p>The public presentation of the research carried out by Raquel Friera in the Geysers programme takes the form of a performance and fits into the framework of the current debate on the function of museums. The historical investigation of these functions takes Raquel Friera to the mid-nineteenth century, to the Louvre in Paris and to the National Gallery in London. And there he finds paintings (such as Giuseppe Castiglione&#8217;s Salon Carr\u00e9, Louvre (1865) or Frederick Mackenzie&#8217;s The National Gallery at Mrs J.J. Angerstein&#8217;s House, Pall Mall (1824)) that show museum halls full of visitors who, in addition to looking at the works hanging on the walls, are also having meetings, naps or picnics. In this use of the museum as a public space, it was not only the free admission that was key, but also the layout of the rooms, which had movable and autonomous furniture that visitors could arrange according to their needs.<\/p>\n<p><a href=\"https:\/\/canal.mesmnac.cat\/mira\/crowded-museums-performance-de-raquel-friera\/\" target=\"_blank\" rel=\"noopener\">Crowded museums performance video<\/a><\/p>\n<p>Raquel Friera&#8217;s performance, <a href=\"https:\/\/www.museunacional.cat\/es\/performance-crowded-museums\">Crowded Museums<\/a> (2023), recreates an interview conducted by the members of the Select Committee with the keeper of the National Gallery (1850) in which they discuss the tensions placed on the museum as a public space (with groups bringing food and drinks, small children dirtying the floor, inappropriate behaviour, etc.). The report itself already suggests a possible solution: regulations and access fees.<\/p>\n<p>In this way, Raquel Friera&#8217;s performance addresses a hotly debated topic: the functions of the museum, in order to recreate the historical drift of museums, from a public space to a space of consumption.<\/p>\n<p><a href=\"https:\/\/blog.museunacional.cat\/en\/museums-and-res-publica-from-the-crowded-museums-performance-by-raquel-friera\/\">Museums and res publica. From the performance Crowded Museums by Raquel Friera<\/a><\/p>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t<div class=\"e-load-more-anchor\" data-page=\"1\" data-max-page=\"9\" data-next-page=\"https:\/\/montsebadia.net\/en\/?e-page-129fdb9=2\"><\/div>\n\t\t\t\t<nav class=\"elementor-pagination\" aria-label=\"Pagination\">\n\t\t\t<span class=\"page-numbers prev\"><<\/span>\n<span aria-current=\"page\" class=\"page-numbers current\"><span class=\"elementor-screen-only\">Page<\/span>1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/montsebadia.net\/en\/wp-json\/wp\/v2\/pages\/1319\/?e-page-129fdb9=2\"><span class=\"elementor-screen-only\">Page<\/span>2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/montsebadia.net\/en\/wp-json\/wp\/v2\/pages\/1319\/?e-page-129fdb9=3\"><span class=\"elementor-screen-only\">Page<\/span>3<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/montsebadia.net\/en\/wp-json\/wp\/v2\/pages\/1319\/?e-page-129fdb9=9\"><span class=\"elementor-screen-only\">Page<\/span>9<\/a>\n<a class=\"page-numbers next\" href=\"https:\/\/montsebadia.net\/en\/?e-page-129fdb9=2\">><\/a>\t\t<\/nav>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Projects &#8220;Discover the projects driving innovation in contemporary art and new media.&#8221; Search Group 5 Group 5<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-1319","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Projects - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/en\/projects\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Projects - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"Projects &#8220;Discover the projects driving innovation in contemporary art and new media.&#8221; 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