{"id":1322,"date":"2024-10-30T13:44:22","date_gmt":"2024-10-30T13:44:22","guid":{"rendered":"https:\/\/montsebadia.net\/new\/news\/"},"modified":"2024-11-22T12:55:04","modified_gmt":"2024-11-22T12:55:04","slug":"news","status":"publish","type":"page","link":"https:\/\/montsebadia.net\/en\/news\/","title":{"rendered":"News"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1322\" class=\"elementor elementor-1322 elementor-485\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d0fef4c e-flex e-con-boxed e-con e-parent\" data-id=\"d0fef4c\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-e7a9d04 e-con-full e-flex e-con e-child\" data-id=\"e7a9d04\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div 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class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/jornada-sobre-periodisme-critica-i-arts-visuals\/\">Conference on journalism, criticism and visual arts<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/10\/28\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>28 - October - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>Within the framework of the Visual Arts Promotion Plan, the Catalan Institute for Cultural Companies (ICEC)\u2014through the SDE and in collaboration with the Panor\u00e0mic Festival\u2014is organizing a professional event aimed at reflecting on the challenges facing contemporary cultural journalism and creating a space for dialogue among professionals, creators, and the public.<\/p>\n<p>We are living through a period of profound transformation in the way public discourse circulates, and art criticism is no exception. Traditional newspapers and media outlets\u2014which for decades served as the primary space for constructing, disseminating, and legitimizing critical judgment on contemporary art\u2014have seen their influence as cultural tastemakers diminish. Today, a significant portion of the conversation surrounding the visual arts takes place through new digital channels and formats: specialized platforms, online magazines, podcasts, social media, newsletters, and independent projects\u2014all of which have come to play an increasingly vital role in the creation and distribution of content.<\/p>\n<p>This new landscape compels us to revisit some fundamental questions: Who performs the critical function today? Who shapes opinion and narratives regarding contemporary art? From what platforms do they speak, which audiences do they reach, and by what authority?<\/p>\n<p>This event aims to explore these issues by drawing on the experiences of cultural journalists, managers of digital platforms, artists, and content creators who are actively involved in shaping contemporary cultural discourse. Beyond analyzing the evolution of cultural journalism and art criticism, the event seeks to provide tools for understanding how the mechanisms of mediation, influence, and legitimation are currently structured within the visual arts\u2014and to examine the challenges this new ecosystem poses for the future of the sector.<\/p>\n<p>Objectives<\/p>\n<p>&#8211; To analyze the impact of digital transformation on cultural journalism and art criticism.<\/p>\n<p>&#8211; To identify the agents, platforms, and formats currently involved in constructing discourse around the visual arts. &#8211; To debate the role of social media, podcasts, independent publishing projects, and other emerging spaces for cultural mediation.<\/p>\n<p>&#8211; To reflect on current mechanisms of recommendation, authority, and critical legitimation.<\/p>\n<p>&#8211; To share the experiences and perspectives of professionals working within these new ecosystems of cultural communication.<\/p>\n<p>&nbsp;<\/p>\n<p>Program<br \/>\n09:40 \u2013 10:00<\/p>\n<p>Registration and welcome coffee<br \/>\n10:00 \u2013 11:30<\/p>\n<p>The artist as a media agent. How artists generate narratives and critical discourse without journalistic intermediation. Activism and the self-management of discourse.<\/p>\n<p>&#8211; Daniel Garc\u00eda And\u00fajar. Visual artist, activist, and new media theorist.<\/p>\n<p>&#8211; Cl\u00e0udia Rius. Cultural journalist and editor-in-chief at *N\u00favol*.<br \/>\n11:45 \u2013 13:15<\/p>\n<p>From the newsroom to the feed: where criticism happens today. Has criticism changed its medium, its nature, or has it disappeared altogether?<\/p>\n<p>&#8211; Joan Maria Minguet Batllori. Art historian and critic.<\/p>\n<p>&#8211; Toni Ribas. Deputy director of the newspaper *Ara*.<\/p>\n<p>&#8211; Carolina Ciuti. Cultural journalist and editor at *Exibart Espa\u00f1a*.<br \/>\n13:15 \u2013 14:15<\/p>\n<p>Lunch and networking<br \/>\n14:15 \u2013 15:45<\/p>\n<p>Curated digital platforms as spaces for criticism and dissemination. Independent platform models as alternatives to traditional spaces for cultural criticism and mediation. Who legitimizes discourse on art? Critical authority, algorithms, audiences, and the precarious nature of the sector.<\/p>\n<p>&#8211; Montse Badia. Curator, art historian, and co-founder of A*Desk.<\/p>\n<p>&#8211; Iv\u00e1n de la Nuez. Writer, essayist, and curator.<\/p>\n<p>&#8211; Judith M\u00e9ndez. Cultural communicator specializing in art history.<\/p>\n<p>&#8211; Carmen Corbera. Creator and host of the podcast *El Mundo del Arte*.<\/p>\n<p>\u2192 Session moderated by Roberta Bosco, a journalist specializing in contemporary art.<\/p>\n<p>&nbsp;<\/p>\n<p>30\/11\/2026. More information <a href=\"http:\/\/Vivimos un momento de profunda transformaci\u00f3n en c\u00f3mo circula el discurso p\u00fablico, y la cr\u00edtica de arte no es una excepci\u00f3n. Los diarios y medios tradicionales, que durante d\u00e9cadas fueron el espacio principal desde el que se constru\u00eda, difund\u00eda y legitimaba el juicio cr\u00edtico sobre el arte contempor\u00e1neo, han visto reducido su peso como prescriptores culturales. Hoy, una parte significativa de la conversaci\u00f3n sobre las artes visuales transita por nuevos canales y formatos digitales: plataformas especializadas, revistas online, podcasts, redes sociales, newsletters y proyectos independientes que han asumido un papel cada vez m\u00e1s relevante en la generaci\u00f3n y difusi\u00f3n de contenidos. Este nuevo escenario obliga a replantear algunas preguntas fundamentales: \u00bfqui\u00e9n ejerce hoy la funci\u00f3n cr\u00edtica? \u00bfQui\u00e9n genera opini\u00f3n y relato sobre el arte contempor\u00e1neo? \u00bfDesde qu\u00e9 espacios habla, a qu\u00e9 p\u00fablicos llega y con qu\u00e9 legitimidad? Esta jornada propone abordar estas cuestiones a partir de las experiencias de periodistas culturales, responsables de plataformas digitales, artistas y creadores de contenidos que participan activamente en la construcci\u00f3n del discurso cultural contempor\u00e1neo. M\u00e1s all\u00e1 de analizar la evoluci\u00f3n del periodismo cultural y de la cr\u00edtica de arte, la jornada quiere ofrecer herramientas para comprender c\u00f3mo se configuran hoy los mecanismos de mediaci\u00f3n, prescripci\u00f3n y legitimaci\u00f3n en el \u00e1mbito de las artes visuales y qu\u00e9 retos plantea este nuevo ecosistema para el futuro del sector. Objetivos - Analizar el impacto de la transformaci\u00f3n digital en el periodismo cultural y la cr\u00edtica de arte. - Identificar a los agentes, plataformas y formatos que actualmente intervienen en la construcci\u00f3n del discurso sobre las artes visuales. - Debatir el papel de las redes sociales, los podcasts, los proyectos editoriales independientes y otros espacios emergentes de mediaci\u00f3n cultural. - Reflexionar sobre los actuales mecanismos de prescripci\u00f3n, autoridad y legitimaci\u00f3n cr\u00edtica. - Compartir experiencias y perspectivas de profesionales que desarrollen su actividad en los nuevos ecosistemas de comunicaci\u00f3n cultural. Programa 09.40 - 10.00 h Inscripciones y caf\u00e9 de bienvenida 10:00 - 11:30 h El artista como agente medi\u00e1tico. C\u00f3mo el artista genera relato y discurso cr\u00edtico sin intermediaci\u00f3n period\u00edstica. Activismo y autogesti\u00f3n del discurso. - Daniel Garc\u00eda And\u00fajar. Artista visual, activista y te\u00f3rico de los nuevos medios. - Claudia Rius. Periodista cultural y jefe de redacci\u00f3n de Nube. 11.45 - 13.15 h De la redacci\u00f3n al feed: d\u00f3nde se hace cr\u00edtica hoy. \u00bfLa cr\u00edtica ha cambiado de apoyo, ha cambiado de naturaleza o ha desaparecido? - Joan Maria Minguet Batllori. Historiador y cr\u00edtico de arte. - Toni Ribas. Director adjunto del diario Ara. - Carolina Ciuti. Periodista cultural y editora de Exibart Espa\u00f1a. 13.15 - 14.15 h Almuerzo-Networking 14.15 - 15.45 h Plataformas digitales comisariadas como espacio cr\u00edtico y divulgativo. Los modelos de plataformas independientes como alternativas a los espacios tradicionales de cr\u00edtica y mediaci\u00f3n cultural. \u00bfQui\u00e9n legitima el discurso sobre arte? Autoridad cr\u00edtica, algoritmos, audiencias y precariedad del sector. - Montse Badia. Comisaria, historiadora del arte y cofundadora de A*Desk. - Iv\u00e1n de la Nuez. Escritor, ensayista y comisario. - Judith M\u00e9ndez. Divulgadora cultural especializada en historia del arte. - Carmen Corbera. Creadora y presentadora del podcast El Mundo del Arte. \u2192 Jornada moderada por Roberta Bosco, periodista especializada en arte contempor\u00e1neo.\" target=\"_blank\" rel=\"noopener\">here<\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3262 post-3262 post type-post status-publish format-standard hentry category-news-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/nuevas-estrategias-en-la-programacion-de-las-artes-visuales\/\">New strategies in visual arts programming<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/10\/28\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>28 - October - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>Pannel discussion: <em>New strategies in visual arts programming, <\/em>with Marco Scotini (Nuova Academia di Belle Arti), Jenny Nordquist (Landskrona Foto) and Martina Mill\u00e0 (Fundaci\u00f3 Mir\u00f3). Moderation: Montse Badia<\/p>\n<p>Monday, November 9, 10:45 &#8211; 11:45 h.<\/p>\n<p><a href=\"https:\/\/festivalpanoramic.cat\/en\/agenda\/professional-international-week-la-porxada-panoramic\/\" target=\"_blank\" rel=\"noopener\">Panor\u00e0mic Pro<\/a>. Roca Umbert. F\u00e0brica de les Arts, Granollers.<\/p>\n<p>In the context of <a href=\"https:\/\/festivalpanoramic.cat\/en\/\" target=\"_blank\" rel=\"noopener\">\u00a0Festival Panoramic<\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3242 post-3242 post type-post status-publish format-standard hentry category-news-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/between-architecture-and-collecting-shared-sensibilities\/\">Between Architecture and Collecting: Shared Sensibilities<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/10\/28\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>28 - October - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>Panel discussion: <em>Between Architecture and Collecting: Shared Sensibilities<\/em> with Gerardo van Waalwijk van Doorn, \u00c1lvaro Gonz\u00e1lez Cerezo and Jorge Fern\u00e1ndez G\u00f3mez. Moderation: Montse Badia<\/p>\n<p>Saturday, November 7, 17:00 &#8211; 18:00 h.<\/p>\n<p>&nbsp;<\/p>\n<p><img fetchpriority=\"high\" fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-medium wp-image-3243\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/10\/TERTULIAS-_-TERTULES-_-TALKS-_-byi2026_ENG-300x177.jpg\" alt=\"\" width=\"300\" height=\"177\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/10\/TERTULIAS-_-TERTULES-_-TALKS-_-byi2026_ENG-300x177.jpg 300w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/10\/TERTULIAS-_-TERTULES-_-TALKS-_-byi2026_ENG.jpg 623w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>In the context of the Art Salon <a href=\"https:\/\/byinvitation.es\/en\/byi2026-en\/\" target=\"_blank\" rel=\"noopener\">By Invitation<\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3218 post-3218 post type-post status-publish format-standard hentry category-news-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/talking-galleries-barcelona-symposium-2026\/\">Talking Galleries &#8211; Barcelona Symposium 2026<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/09\/24\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>24 - September - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"column2 column_space\">\n<p><a href=\"https:\/\/www.talkinggalleries.com\/project\/barcelona-symposium-2026\/\"><b><span data-contrast=\"auto\">Talking Galleries returns to MACBA on 5\u20136 October 2026 for the 12th edition of the Barcelona Symposium<\/span><\/b><\/a><span data-contrast=\"auto\">, its flagship annual event bringing together gallerists and leading voices from across the art world for two days of debate, exchange and networking.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<div class=\"column2 column_space\">\n<p><span data-contrast=\"auto\">This year\u2019s programme will address some of the key questions shaping galleries and the art market today: from the evolving role and relevance of galleries and the motivations of next-generation collectors to the changing online art market, the current state of digital art, and the growing intersections between art and luxury.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Alongside these debates, the Symposium will continue to place the experience of gallerists at the heart of the programme, with conversations exploring how distinctive gallery programmes are shaped and sustained over time, as well as dedicated interviews reflecting on the careers of leading international gallerists.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p class=\"p1\">With\u00a0the\u00a0participation\u00a0of:\u202f<b>Ignasi Aball\u00ed<\/b>\u00a0(artist),\u00a0<b>Georgina Adam<\/b>\u00a0(journalist\u00a0and\u00a0author), <strong>Montse Badia <\/strong>(Art Historian and Critic), <b>Jennifer Chert<\/b> (ChertL\u00fcdde), <strong>Carolina Ciuti<\/strong>, (Curator\/exibart.es), <b>Massimo De Carlo <\/b>(MASSIMODECARLO), <b>Natasha Degen <\/b>(Sotheby\u2019s\u00a0Institute\u00a0of\u00a0Art, New York),\u00a0<b>Michael Elmgreen<\/b> (Elmgreen &amp; Dragset), <strong>Pau Escat<\/strong> (Escat Gallery), <b>Alexander Forbes<\/b> (Artsy\/Artnet), <b>Marc Franc\u00e9s <\/b>(collector), <b>Victor\u00a0Gisler<\/b> (Mai 36 Galerie), <b>Carles Guerra<\/b> (curator and researcher), <b>Lluci\u00e0 Homs <\/b>(Talking Galleries), <b>Phin Jennings <\/b>(writer and researcher), <b>Samuel Leuenberger <\/b>(curator\/SALTS), <b>Mischa Lustin<\/b> (Galerina), <strong>Pedro Maisterra<\/strong> (Maisterra),\u00a0<b>Divya Pande<\/b>\u00a0(Victoria Mir\u00f3), <b>Rosario Peir\u00f3<\/b> (Museu\u00a0Picasso Barcelona), <strong>Miguel \u00c1ngel S\u00e1nchez<\/strong>, (ADN Galeria), <b>Tom Seymour <\/b>(The Art\u00a0Journal), <b>Pau Waelder <\/b>(Niio Art), and\u00a0<b>Jocelyn Wolff<\/b> (Galerie Jocelyn Wolff).<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"column2 clearfix\">\n<p><img decoding=\"async\" class=\"alignnone wp-image-17306\" src=\"https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-169x300.png\" sizes=\"(max-width: 350px) 100vw, 350px\" srcset=\"https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-169x300.png 169w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-576x1024.png 576w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-768x1365.png 768w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-864x1536.png 864w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-1152x2048.png 1152w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-1200x2133.png 1200w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-924x1643.png 924w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-50x89.png 50w\" alt=\"\" width=\"350\" height=\"622\" \/><\/p>\n<\/div>\n<\/div>\n<div class=\"clearfix divider-common divider-line\"><\/div>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3180 post-3180 post type-post status-publish format-standard hentry category-news-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/rethinking-collection-governance-ethics-stewardship-and-institutional-responsibility\/\">Rethinking Collection Governance: Ethics, Stewardship and Institutional Responsibility<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/08\/27\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>27 - August - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 data-block-key=\"evb09\"><a href=\"https:\/\/cimam.org\/news-archive\/rethinking-collection-governance\/\"><i>Rethinking Collection Governance: Ethics, Stewardship and Institutional Responsibility<\/i><\/a><\/h4>\n<ul>\n<li data-block-key=\"ev2cj\"><b>Date:<\/b> 18 September 2026<\/li>\n<li data-block-key=\"vhd2\"><b>Time:<\/b> 10:00 &#8211; 11:30 hrs.<\/li>\n<li data-block-key=\"53cg9\"><b>Location:<\/b> Auditori Meier, MACBA Museu d&#8217;Art Contemporani de Barcelona (Pla\u00e7a del \u00c0ngels, 1, Barcelona).<\/li>\n<li data-block-key=\"bnj78\">Admission is free, but registration is required as seating is limited. <a href=\"https:\/\/entrades.macba.cat\/muslinkIV\/index.jsp?nom_cache=MUSEU&amp;property=MUSEU&amp;codiActiv=2510&amp;lang=4#close\"><b>Register here<\/b><\/a><\/li>\n<\/ul>\n<p data-block-key=\"b502q\">Organized by <b>CIMAM<\/b> (the International Committee for Museums and Collections of Modern Art) in collaboration with <a href=\"https:\/\/www.macba.cat\/en\/activities\/rethinking-collection-governance-ethics-stewardship-and-institutional-responsibility\/\"><b>MACBA Public Programs<\/b><\/a>, this panel will explore what ethical principles should guide the management of a museum collection today.<\/p>\n<p data-block-key=\"7hgjf\">Museum collections are among the most important cultural assets entrusted to museums. Yet recent international cases have revealed how vulnerable they can become when governance structures change, ownership shifts, or political and economic interests take precedence over their long-term stewardship.<\/p>\n<p data-block-key=\"3ol6p\">As museums navigate increasingly complex questions around acquisition, stewardship, provenance, restitution, access, sustainability, and accountability, collection management is being redefined as a fundamentally ethical practice rather than solely a technical or administrative one.<\/p>\n<p data-block-key=\"98n7f\">Recent developments, including the newly <a href=\"https:\/\/cimam.org\/news-archive\/icom-adopts-its-revised-code-of-ethics-for-museums\/\">adopted ICOM Code of Ethics<\/a>, highlight the growing importance of <b>public trust<\/b>, <b>cultural rights<\/b>, <b>community participation<\/b>, <b>transparency<\/b>, and <b>responsible stewardship<\/b> in shaping decisions about collections.<\/p>\n<p data-block-key=\"2ftm9\">In this conversation, <b>Doryun Chong<\/b>, Chair of CIMAM&#8217;s Museum Watch Committee and Artistic Director and Chief Curator of M+, Hong Kong; <b>Amanda de la Garza<\/b>, President of CIMAM and Deputy Artistic Director of the Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid; and <b>Claudia Segura<\/b>, Head of Collection at MACBA, Museu d\u2019Art de Contemporani de Barcelona, will explore the particular challenges faced by modern and contemporary art museum collections.<\/p>\n<p data-block-key=\"un8j\">Moderated by <b>Montse Badia<\/b>, art historian, critic, curator, and cultural researcher based in Barcelona, this panel will also consider how museums can respond to increasingly complex political, economic, and institutional contexts while protecting collections as bodies of knowledge and ensuring their long-term public value.<\/p>\n<p data-block-key=\"6jpi7\">These are the same questions that have prompted CIMAM to launch a<a href=\"https:\/\/cimam.org\/museum-watch\/call-for-contributions-ethical-principles-for-museum-collections\/\"> new international research initiative<\/a> to <b>develop a<\/b> <b><i>Glossary on Ethical Principles for Collection Management<\/i><\/b><i>.<\/i><\/p>\n<p data-block-key=\"71kna\"><i>Invited Speakers:<\/i><\/p>\n<p data-block-key=\"4pfhc\"><b>Doryun Chong<\/b><\/p>\n<figure class=\"richtext-image left\"><img decoding=\"async\" src=\"https:\/\/cimam.org\/media\/images\/Doryun_Chong_compressed.width-800.jpg\" alt=\"Doryun Chong\" width=\"800\" height=\"533\" \/><\/figure>\n<p>Doryun Chong, Artistic Director and Chief Curator, M+, Hong Kong SAR, China. Photo: Dan Leung. Image courtesy of M+, Hong Kong<\/p>\n<p data-block-key=\"el2gq\"><b>Doryun Chong<\/b> is Artistic Director and Chief Curator, M+, Hong Kong, Asia\u2019s first global museum of visual culture of the 20th and 21st centuries. He joined M+ in September 2013 as its inaugural Chief Curator and also became Deputy Director, Curatorial in January 2016. Since October 2024, he has served as Artistic Director. He oversees all content-related aspects, including exhibitions, collections, learning and interpretation, publishing, and digital content, across the museum&#8217;s three main disciplinary areas of design and architecture, moving image, and visual culture.<\/p>\n<p data-block-key=\"9vbfp\">Before joining M+, Chong developed his museum career in the United States. He studied art history and anthropology at the University of California, Berkeley, where he also completed graduate work in art history focused on non-Western modern and contemporary art, particularly in East Asia. He has held curatorial positions at the Asian Art Museum of San Francisco, the Walker Art Center in Minneapolis, and the Museum of Modern Art in New York.<\/p>\n<p data-block-key=\"2snjb\"><b>Amanda de la Garza Mata<\/b> (Mexico, 1981) Lives and works in Madrid, Spain.<\/p>\n<figure class=\"richtext-image left\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cimam.org\/media\/images\/Amanda_de_la_Garza_CIMAM_President_2026-28.width-800.jpg\" alt=\"Amanda de la Garza_CIMAM President 2026-28\" width=\"800\" height=\"533\" \/><\/figure>\n<p data-block-key=\"2ied1\">Amanda de la Garza. Deputy Artistic Director, Museo Nacional Centro de Arte Reina Sof\u00eda (MNCARS), Madrid, Spain<\/p>\n<p data-block-key=\"dgu2e\">She is currently Deputy Artistic Director at Museo Nacional Centro de Arte Reina Sof\u00eda in Madrid. She is the President of CIMAM (International Committee for Museums and Collections of Modern Art) for the period 2026-2028. From 2020 to 2024, she was General Director of Visual Arts and of the University Museum of Contemporary Art (MUAC) at UNAM in M\u00e9xico City, one of the most important art museums in Latin America. Trained in Curatorial Studies, Art History, Anthropology and Sociology, between 2012 and 2019 she worked as an associate curator at MUAC. She has curated and coordinated more than 30 exhibitions of modern and contemporary art, archival exhibitions, and public art projects. She has published essays, interviews and reviews in catalogues, books and specialized magazines. She was a member of the board of ICOM Mexico from 2021 to 2024.<\/p>\n<p data-block-key=\"9ktik\"><b>Claudia Segura Campins<\/b><\/p>\n<figure class=\"richtext-image left\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cimam.org\/media\/images\/P1170077p.width-800.jpg\" alt=\"P1170077p\" width=\"800\" height=\"1066\" \/><\/figure>\n<p data-block-key=\"6l0a3\">Claudia Segura Campins (Barcelona, 1984) is currently Head of Collection at MACBA (Museu d\u2019Art Contemporani de Barcelona), following her role as Curator of Exhibitions and Collection at the same institution since 2019. Her curatorial work includes several presentations of MACBA\u2019s Collection, as well as numerous solo exhibitions, most notably the first monographic exhibition of performance artist Mar\u00eda Teresa Hincapi\u00e9.<\/p>\n<p data-block-key=\"biu90\">She holds a BA in Humanities from Pompeu Fabra University in Barcelona (2007) and an MA in Contemporary Art Theory from Goldsmiths, University of London (2008). From 2015 to 2019, she was Director and Chief Curator of NC-arte in Bogot\u00e1, Colombia, where she curated numerous site-specific projects by artists such as Amalia Pica, Luis Camnitzer, Xavier Le Roy, Nicol\u00e1s Paris, Nicol\u00e1s Consuegra, Los Carpinteros, Do Ho Suh, and Alia Farid, among others.<\/p>\n<p data-block-key=\"28ugq\">Previously, she worked as a cultural project coordinator at Fundaci\u00f3n \u201cla Caixa\u201d in Barcelona (2010\u20132012), served as an external curator for the Mardin Biennial in Turkey (2014\u20132015), and acted as mentor at the Sala d\u2019Art Jove in Barcelona (2014) and at the Cano Laboratory at the National University Museum in Bogot\u00e1 (2018). She was also a visiting lecturer at the Universidad de los Andes in Bogot\u00e1 (2017).<\/p>\n<p data-block-key=\"6m13m\">She has curated projects in Spain, Colombia, Los Angeles, Chicago, Mexico City, Turkey, Lisbon, Miami and London. She frequently contributes to exhibition catalogues, gives lectures, and writes for specialized art publications.<\/p>\n<p data-block-key=\"c9er1\"><i>Moderator:<\/i><\/p>\n<p data-block-key=\"bog0j\"><b>Montse Badia<\/b><\/p>\n<figure class=\"richtext-image left\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cimam.org\/media\/images\/Montse_Badia.width-800.jpg\" alt=\"Montse Badia\" width=\"800\" height=\"533\" \/><\/figure>\n<p data-block-key=\"4ql1g\">Montse Badia. Photo by Agus Izquierdo.<\/p>\n<p data-block-key=\"dt5qq\">Montse Badia is an art historian, critic, curator, and cultural researcher based in Barcelona.<\/p>\n<p data-block-key=\"3sgp0\">She has contributed to numerous international publications, including <i>Transversal<\/i>, <i>arts.zin<\/i>, <i>Untitled<\/i> (London), <i>NU: The Nordic Art Review<\/i> (Stockholm), <i>Tema Celeste<\/i> (Milan), <i>ARCO<\/i>, and <i>Bonart<\/i>. Her curatorial work has been presented at institutions including De Appel (Amsterdam), Apexart (New York), K\u00fcnstlerhaus Bethanien (Berlin), Fundaci\u00f3 Joan Mir\u00f3, MACBA \u2013 Museu d&#8217;Art Contemporani de Barcelona, MNAC &#8211; Museu Nacional d&#8217;Art de Catalunya and Fundaci\u00f3n &#8220;la Caixa&#8221;, among others. She has served as associate curator of Espai 13 at Fundaci\u00f3 Joan Mir\u00f3 and of the Centre d&#8217;Art Santa M\u00f2nica. She has also been a member of the advisory committee of the Yaxs Foundation and artistic director of the contemporary art collection Cal Cego.<\/p>\n<p data-block-key=\"jm6a\">She is co-founder and director of <b>A*DESK. Independent Institute of Criticism and Contemporary Art<\/b>, and director of the Master&#8217;s Degree in Contemporary Art: Context, Mediation and Management at IL3 \u2013 Universitat de Barcelona.<\/p>\n<p data-block-key=\"8v62a\">Recently she has also participated in several studies on the Catalan contemporary art ecosystem commissioned by CONCA (Catalan National Council for Culture and the Arts) and served as rapporteur for the framework document on remuneration standards for visual arts professionals promoted by the Government of Catalonia.<\/p>\n<p data-block-key=\"59lss\">Montse Badia is a member of AICA (International Association of Art Critics) and ACCA (Catalan Association of Art Critics).<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3161 post-3161 post type-post status-publish format-standard hentry category-news-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/principios-activos-cultura-y-derechos-para-la-salud-democratica\/\">Active Principles: Culture and Rights for Democratic Health<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/06\/30\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>30 - June - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>1st Plenary Session of the Public System of Visual Arts Facilities<\/p>\n<p>Culture and Rights for Democratic Health<\/p>\n<p>MACBA Convent Auditorium \u2013 June 30, 2026.<\/p>\n<p>This event is structured around two interconnected themes.<\/p>\n<p>The first explores the relationship between the visual arts and individual, social, and community health.<\/p>\n<p>The second addresses cultural rights as inalienable rights for everyone.<\/p>\n<p>Both dimensions converge on a shared conviction: culture acts as an active force against distress, individualistic withdrawal, and the rise of regressive trends.<\/p>\n<p>Organized by: Directorate General for Cultural Rights, Creation, and Libraries, Department of Culture, Government of Catalonia.<\/p>\n<p>Welcome and introduction by Xavier Fina, Director General for Cultural Rights, Creation, and Libraries.<\/p>\n<p>Conversations:<\/p>\n<p>\u2022 Art as an active force in medical and care settings. Conversation between Sergi Blancafort and Montserrat Verd\u00fa, with Pilar Cruz.<\/p>\n<p>\u2022 Art and health through artistic practices. Conversation facilitated by Jos\u00e9 Antonio Delgado with Gemma Paris and Felipe G.<\/p>\n<p>\u2022 Art as an active force for community health. Conversation between Javier Rodrigo and Quim Packard.<\/p>\n<p>\u2022 Art for democratic health. Conversation facilitated by Amanda Cuesta with Mar Sureda and Nerea Campo.<\/p>\n<p>\u2022 Economic health in artistic practices. Presentation on professional remuneration scales with Montse Badia and Ester Mart\u00ednez.<\/p>\n<p>Institutional closing remarks by the Hon. S\u00f2nia Hern\u00e1ndez Almod\u00f3var, Minister of Culture of the Government of Catalonia.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3146\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02124-copia-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02124-copia-300x200.jpg 300w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02124-copia-768x512.jpg 768w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02124-copia.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/> <img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3149\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02133-copia-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02133-copia-300x200.jpg 300w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02133-copia-768x512.jpg 768w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02133-copia.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/> <img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3152\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02152-copia-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02152-copia-300x200.jpg 300w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02152-copia-768x512.jpg 768w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02152-copia.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/> <img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3155\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02154-copia-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02154-copia-300x200.jpg 300w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02154-copia-768x512.jpg 768w, https:\/\/montsebadia.net\/wp-content\/uploads\/2026\/06\/XMG02154-copia.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Photos Xavier Menal<\/p>\n<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/MzirnU5foVI?si=uNFn85100-5bstfh\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3088 post-3088 post type-post status-publish format-standard hentry category-news-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/podcast-el-mundo-del-arte-el-papel-del-comisaria-y-la-critica-de-arte-con-montse-badia\/\">Podcast El Mundo del Arte: The curatorial rol and art criticism with Montse Badia<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/04\/21\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>21 - April - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6cjY-d0Qico?si=TgAYL8hRsULPvUOQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Interview with Carmen Corbera for the podcast El Mundo del Arte.<\/p>\n<p>March 2026.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3023 post-3023 post type-post status-publish format-standard hentry category-news-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/condiciones-laborales-en-las-artes-simposium\/\">Laboral Conditions in the Arts (symposium)<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2025\/11\/25\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>25 - November - 2025<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DRRg9n0iCYE\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\">\n<div style=\"padding: 16px;\">\n<p>&nbsp;<\/p>\n<div style=\"display: flex; flex-direction: row; align-items: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div>\n<\/div>\n<\/div>\n<div style=\"padding: 19% 0;\"><\/div>\n<div style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"><\/div>\n<div style=\"padding-top: 8px;\">\n<div style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\">Ver esta publicaci\u00f3n en Instagram<\/div>\n<\/div>\n<div style=\"padding: 12.5% 0;\"><\/div>\n<div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\">\n<div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div>\n<div style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div>\n<\/div>\n<div style=\"margin-left: 8px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"><\/div>\n<\/div>\n<div style=\"margin-left: auto;\">\n<div style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div>\n<div style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div>\n<div style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div>\n<\/div>\n<\/div>\n<div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\">\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div>\n<div style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"><a style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/DRRg9n0iCYE\/?utm_source=ig_embed&amp;utm_campaign=loading\" target=\"_blank\" rel=\"noopener\">Una publicaci\u00f3n compartida de AICA International (@aica_int)<\/a><\/p>\n<\/div>\n<\/blockquote>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n<p><iframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hKGGuchR0vs?si=dYyPkhrMdoJYUJjv\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t<div class=\"e-load-more-anchor\" data-page=\"1\" data-max-page=\"5\" data-next-page=\"https:\/\/montsebadia.net\/en\/?e-page-129fdb9=2\"><\/div>\n\t\t\t\t<nav class=\"elementor-pagination\" aria-label=\"Pagination\">\n\t\t\t<span class=\"page-numbers prev\"><<\/span>\n<span aria-current=\"page\" class=\"page-numbers current\"><span class=\"elementor-screen-only\">Page<\/span>1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/montsebadia.net\/en\/wp-json\/wp\/v2\/pages\/1322\/?e-page-129fdb9=2\"><span 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5<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-1322","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>News - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/en\/news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"News - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"News &#8220;News, interviews and publications&#8221; Search Group 5 Group 5\" \/>\n<meta property=\"og:url\" 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