{"id":695,"date":"2024-10-30T08:27:17","date_gmt":"2024-10-30T08:27:17","guid":{"rendered":"https:\/\/montsebadia.net\/new\/montse-badia-home\/"},"modified":"2026-09-03T11:01:59","modified_gmt":"2026-09-03T11:01:59","slug":"montse-badia-home","status":"publish","type":"page","link":"https:\/\/montsebadia.net\/en\/","title":{"rendered":"Montse Badia &#8211; Home"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"695\" class=\"elementor elementor-695 elementor-346\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-9779773 e-flex e-con-boxed e-con e-parent\" data-id=\"9779773\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d48ff31 elementor-widget__width-initial animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"d48ff31\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Contemporary art <span style=\"font-family:Time News Roman;font-style:italic\">&amp;<\/span> critical thinking<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d0fef4c e-flex e-con-boxed e-con e-parent\" data-id=\"d0fef4c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-931d3f8 animated-slow elementor-invisible elementor-widget elementor-widget-image\" data-id=\"931d3f8\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"680\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse.webp\" class=\"attachment-large size-large wp-image-1393\" alt=\"\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse.webp 720w, https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse-300x283.webp 300w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-e7a9d04 e-con-full e-flex e-con e-child\" data-id=\"e7a9d04\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e5aa689 animated-slow elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"e5aa689\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>I am Montse Badia, art historian and curator of exhibitions and projects. I am co-founder and director of <a href=\"https:\/\/a-desk.org\/en\/\" target=\"_blank\" rel=\"noopener\">A*DESK.<\/a>&nbsp;<\/p>\n<p>I am concerned about the standardization we are experiencing and the loss of rights. I believe that analysis of the past is crucial to understanding the present. I transfer all this to the curatorial practice and to the editorial field based on research and transdisciplinary work.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-15930b1 e-flex e-con-boxed e-con e-parent\" data-id=\"15930b1\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-ce54007 e-con-full e-flex e-con e-child\" data-id=\"ce54007\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ecb80c6 e-con-full e-flex e-con e-child\" data-id=\"ecb80c6\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9616f40 e-con-full e-flex e-con e-child\" 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class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">News<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-27c2254 elementor-grid-1 animated-slow elementor-grid-tablet-1 elementor-grid-mobile-1 elementor-invisible elementor-widget elementor-widget-loop-grid\" data-id=\"27c2254\" data-element_type=\"widget\" data-e-type=\"widget\" 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.elementor-element.elementor-element-83cecf4 > .elementor-widget-container{margin:0px 0px 10px 0px;}.elementor-widget-theme-post-content{color:var( --e-global-color-text );}.elementor-380 .elementor-element.elementor-element-b5f3d97{font-family:\"DM Sans\", Sans-serif;font-size:18px;font-weight:400;line-height:23px;letter-spacing:-0.77px;}\/* Start custom CSS for theme-post-title, class: .elementor-element-c4f1488 *\/.elementor-380 .elementor-element.elementor-element-c4f1488 a{\n    color:#000000;\n}\n.elementor-380 .elementor-element.elementor-element-c4f1488 a:hover{\n    text-decoration: underline;\n}\/* End custom CSS *\/\n\/* Start custom CSS for theme-post-content, class: .elementor-element-b5f3d97 *\/.elementor-380 .elementor-element.elementor-element-b5f3d97 p a{\n    color:#000000;\n    \n}\n.elementor-380 .elementor-element.elementor-element-b5f3d97 * {\n    font-size: 18px !important;\n    font-weight: normal !important;\n}\n.elementor-380 .elementor-element.elementor-element-b5f3d97 img{\n    display:none;\n}\n.elementor-380 .elementor-element.elementor-element-b5f3d97 {\n     display: -webkit-box;\n    -webkit-box-orient: vertical;\n    -webkit-line-clamp: 6; \/* Number of lines to show *\/\n    overflow: hidden;\n    text-overflow: ellipsis;\n    margin-top:auto;\n}\n.elementor-380 .elementor-element.elementor-element-b5f3d97 p{\n    margin:0;\n}\/* End custom CSS *\/<\/style>\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3218 post-3218 post type-post status-publish format-standard hentry category-news-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/talking-galleries-barcelona-symposium-2026\/\">Talking Galleries &#8211; Barcelona Symposium 2026<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/09\/24\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>24 - September - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"column2 column_space\">\n<p><a href=\"https:\/\/www.talkinggalleries.com\/project\/barcelona-symposium-2026\/\"><b><span data-contrast=\"auto\">Talking Galleries returns to MACBA on 5\u20136 October 2026 for the 12th edition of the Barcelona Symposium<\/span><\/b><\/a><span data-contrast=\"auto\">, its flagship annual event bringing together gallerists and leading voices from across the art world for two days of debate, exchange and networking.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<div class=\"column2 column_space\">\n<p><span data-contrast=\"auto\">This year\u2019s programme will address some of the key questions shaping galleries and the art market today: from the evolving role and relevance of galleries and the motivations of next-generation collectors to the changing online art market, the current state of digital art, and the growing intersections between art and luxury.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"auto\">Alongside these debates, the Symposium will continue to place the experience of gallerists at the heart of the programme, with conversations exploring how distinctive gallery programmes are shaped and sustained over time, as well as dedicated interviews reflecting on the careers of leading international gallerists.<\/span><span data-ccp-props=\"{}\">\u00a0<\/span><\/p>\n<p class=\"p1\">With\u00a0the\u00a0participation\u00a0of:\u202f<b>Ignasi Aball\u00ed<\/b>\u00a0(artist),\u00a0<b>Georgina Adam<\/b>\u00a0(journalist\u00a0and\u00a0author), <strong>Montse Badia <\/strong>(Art Historian and Critic), <b>Jennifer Chert<\/b> (ChertL\u00fcdde), <strong>Carolina Ciuti<\/strong>, (Curator\/exibart.es), <b>Massimo De Carlo <\/b>(MASSIMODECARLO), <b>Natasha Degen <\/b>(Sotheby\u2019s\u00a0Institute\u00a0of\u00a0Art, New York),\u00a0<b>Michael Elmgreen<\/b> (Elmgreen &amp; Dragset), <strong>Pau Escat<\/strong> (Escat Gallery), <b>Alexander Forbes<\/b> (Artsy\/Artnet), <b>Marc Franc\u00e9s <\/b>(collector), <b>Victor\u00a0Gisler<\/b> (Mai 36 Galerie), <b>Carles Guerra<\/b> (curator and researcher), <b>Lluci\u00e0 Homs <\/b>(Talking Galleries), <b>Phin Jennings <\/b>(writer and researcher), <b>Samuel Leuenberger <\/b>(curator\/SALTS), <b>Mischa Lustin<\/b> (Galerina), <strong>Pedro Maisterra<\/strong> (Maisterra),\u00a0<b>Divya Pande<\/b>\u00a0(Victoria Mir\u00f3), <b>Rosario Peir\u00f3<\/b> (Museu\u00a0Picasso Barcelona), <strong>Miguel \u00c1ngel S\u00e1nchez<\/strong>, (ADN Galeria), <b>Tom Seymour <\/b>(The Art\u00a0Journal), <b>Pau Waelder <\/b>(Niio Art), and\u00a0<b>Jocelyn Wolff<\/b> (Galerie Jocelyn Wolff).<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"column2 clearfix\">\n<p><img fetchpriority=\"high\" fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-17306\" src=\"https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-169x300.png\" sizes=\"(max-width: 350px) 100vw, 350px\" srcset=\"https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-169x300.png 169w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-576x1024.png 576w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-768x1365.png 768w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-864x1536.png 864w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-1152x2048.png 1152w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-1200x2133.png 1200w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-924x1643.png 924w, https:\/\/www.talkinggalleries.com\/wp-content\/uploads\/Banner-Exibart-Vertical-1-50x89.png 50w\" alt=\"\" width=\"350\" height=\"622\" \/><\/p>\n<\/div>\n<\/div>\n<div class=\"clearfix divider-common divider-line\"><\/div>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3180 post-3180 post type-post status-publish format-standard hentry category-news-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/rethinking-collection-governance-ethics-stewardship-and-institutional-responsibility\/\">Rethinking Collection Governance: Ethics, Stewardship and Institutional Responsibility<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/08\/27\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>27 - August - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h4 data-block-key=\"evb09\"><a href=\"https:\/\/cimam.org\/news-archive\/rethinking-collection-governance\/\"><i>Rethinking Collection Governance: Ethics, Stewardship and Institutional Responsibility<\/i><\/a><\/h4>\n<ul>\n<li data-block-key=\"ev2cj\"><b>Date:<\/b> 18 September 2026<\/li>\n<li data-block-key=\"vhd2\"><b>Time:<\/b> 10:00 &#8211; 11:30 hrs.<\/li>\n<li data-block-key=\"53cg9\"><b>Location:<\/b> Auditori Meier, MACBA Museu d&#8217;Art Contemporani de Barcelona (Pla\u00e7a del \u00c0ngels, 1, Barcelona).<\/li>\n<li data-block-key=\"bnj78\">Admission is free, but registration is required as seating is limited. <a href=\"https:\/\/entrades.macba.cat\/muslinkIV\/index.jsp?nom_cache=MUSEU&amp;property=MUSEU&amp;codiActiv=2510&amp;lang=4#close\"><b>Register here<\/b><\/a><\/li>\n<\/ul>\n<p data-block-key=\"b502q\">Organized by <b>CIMAM<\/b> (the International Committee for Museums and Collections of Modern Art) in collaboration with <a href=\"https:\/\/www.macba.cat\/en\/activities\/rethinking-collection-governance-ethics-stewardship-and-institutional-responsibility\/\"><b>MACBA Public Programs<\/b><\/a>, this panel will explore what ethical principles should guide the management of a museum collection today.<\/p>\n<p data-block-key=\"7hgjf\">Museum collections are among the most important cultural assets entrusted to museums. Yet recent international cases have revealed how vulnerable they can become when governance structures change, ownership shifts, or political and economic interests take precedence over their long-term stewardship.<\/p>\n<p data-block-key=\"3ol6p\">As museums navigate increasingly complex questions around acquisition, stewardship, provenance, restitution, access, sustainability, and accountability, collection management is being redefined as a fundamentally ethical practice rather than solely a technical or administrative one.<\/p>\n<p data-block-key=\"98n7f\">Recent developments, including the newly <a href=\"https:\/\/cimam.org\/news-archive\/icom-adopts-its-revised-code-of-ethics-for-museums\/\">adopted ICOM Code of Ethics<\/a>, highlight the growing importance of <b>public trust<\/b>, <b>cultural rights<\/b>, <b>community participation<\/b>, <b>transparency<\/b>, and <b>responsible stewardship<\/b> in shaping decisions about collections.<\/p>\n<p data-block-key=\"2ftm9\">In this conversation, <b>Doryun Chong<\/b>, Chair of CIMAM&#8217;s Museum Watch Committee and Artistic Director and Chief Curator of M+, Hong Kong; <b>Amanda de la Garza<\/b>, President of CIMAM and Deputy Artistic Director of the Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid; and <b>Claudia Segura<\/b>, Head of Collection at MACBA, Museu d\u2019Art de Contemporani de Barcelona, will explore the particular challenges faced by modern and contemporary art museum collections.<\/p>\n<p data-block-key=\"un8j\">Moderated by <b>Montse Badia<\/b>, art historian, critic, curator, and cultural researcher based in Barcelona, this panel will also consider how museums can respond to increasingly complex political, economic, and institutional contexts while protecting collections as bodies of knowledge and ensuring their long-term public value.<\/p>\n<p data-block-key=\"6jpi7\">These are the same questions that have prompted CIMAM to launch a<a href=\"https:\/\/cimam.org\/museum-watch\/call-for-contributions-ethical-principles-for-museum-collections\/\"> new international research initiative<\/a> to <b>develop a<\/b> <b><i>Glossary on Ethical Principles for Collection Management<\/i><\/b><i>.<\/i><\/p>\n<p data-block-key=\"71kna\"><i>Invited Speakers:<\/i><\/p>\n<p data-block-key=\"4pfhc\"><b>Doryun Chong<\/b><\/p>\n<figure class=\"richtext-image left\"><img decoding=\"async\" src=\"https:\/\/cimam.org\/media\/images\/Doryun_Chong_compressed.width-800.jpg\" alt=\"Doryun Chong\" width=\"800\" height=\"533\" \/><\/figure>\n<p>Doryun Chong, Artistic Director and Chief Curator, M+, Hong Kong SAR, China. Photo: Dan Leung. Image courtesy of M+, Hong Kong<\/p>\n<p data-block-key=\"el2gq\"><b>Doryun Chong<\/b> is Artistic Director and Chief Curator, M+, Hong Kong, Asia\u2019s first global museum of visual culture of the 20th and 21st centuries. He joined M+ in September 2013 as its inaugural Chief Curator and also became Deputy Director, Curatorial in January 2016. Since October 2024, he has served as Artistic Director. He oversees all content-related aspects, including exhibitions, collections, learning and interpretation, publishing, and digital content, across the museum&#8217;s three main disciplinary areas of design and architecture, moving image, and visual culture.<\/p>\n<p data-block-key=\"9vbfp\">Before joining M+, Chong developed his museum career in the United States. He studied art history and anthropology at the University of California, Berkeley, where he also completed graduate work in art history focused on non-Western modern and contemporary art, particularly in East Asia. He has held curatorial positions at the Asian Art Museum of San Francisco, the Walker Art Center in Minneapolis, and the Museum of Modern Art in New York.<\/p>\n<p data-block-key=\"2snjb\"><b>Amanda de la Garza Mata<\/b> (Mexico, 1981) Lives and works in Madrid, Spain.<\/p>\n<figure class=\"richtext-image left\"><img decoding=\"async\" src=\"https:\/\/cimam.org\/media\/images\/Amanda_de_la_Garza_CIMAM_President_2026-28.width-800.jpg\" alt=\"Amanda de la Garza_CIMAM President 2026-28\" width=\"800\" height=\"533\" \/><\/figure>\n<p data-block-key=\"2ied1\">Amanda de la Garza. Deputy Artistic Director, Museo Nacional Centro de Arte Reina Sof\u00eda (MNCARS), Madrid, Spain<\/p>\n<p data-block-key=\"dgu2e\">She is currently Deputy Artistic Director at Museo Nacional Centro de Arte Reina Sof\u00eda in Madrid. She is the President of CIMAM (International Committee for Museums and Collections of Modern Art) for the period 2026-2028. From 2020 to 2024, she was General Director of Visual Arts and of the University Museum of Contemporary Art (MUAC) at UNAM in M\u00e9xico City, one of the most important art museums in Latin America. Trained in Curatorial Studies, Art History, Anthropology and Sociology, between 2012 and 2019 she worked as an associate curator at MUAC. She has curated and coordinated more than 30 exhibitions of modern and contemporary art, archival exhibitions, and public art projects. She has published essays, interviews and reviews in catalogues, books and specialized magazines. She was a member of the board of ICOM Mexico from 2021 to 2024.<\/p>\n<p data-block-key=\"9ktik\"><b>Claudia Segura Campins<\/b><\/p>\n<figure class=\"richtext-image left\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cimam.org\/media\/images\/P1170077p.width-800.jpg\" alt=\"P1170077p\" width=\"800\" height=\"1066\" \/><\/figure>\n<p data-block-key=\"6l0a3\">Claudia Segura Campins (Barcelona, 1984) is currently Head of Collection at MACBA (Museu d\u2019Art Contemporani de Barcelona), following her role as Curator of Exhibitions and Collection at the same institution since 2019. Her curatorial work includes several presentations of MACBA\u2019s Collection, as well as numerous solo exhibitions, most notably the first monographic exhibition of performance artist Mar\u00eda Teresa Hincapi\u00e9.<\/p>\n<p data-block-key=\"biu90\">She holds a BA in Humanities from Pompeu Fabra University in Barcelona (2007) and an MA in Contemporary Art Theory from Goldsmiths, University of London (2008). From 2015 to 2019, she was Director and Chief Curator of NC-arte in Bogot\u00e1, Colombia, where she curated numerous site-specific projects by artists such as Amalia Pica, Luis Camnitzer, Xavier Le Roy, Nicol\u00e1s Paris, Nicol\u00e1s Consuegra, Los Carpinteros, Do Ho Suh, and Alia Farid, among others.<\/p>\n<p data-block-key=\"28ugq\">Previously, she worked as a cultural project coordinator at Fundaci\u00f3n \u201cla Caixa\u201d in Barcelona (2010\u20132012), served as an external curator for the Mardin Biennial in Turkey (2014\u20132015), and acted as mentor at the Sala d\u2019Art Jove in Barcelona (2014) and at the Cano Laboratory at the National University Museum in Bogot\u00e1 (2018). She was also a visiting lecturer at the Universidad de los Andes in Bogot\u00e1 (2017).<\/p>\n<p data-block-key=\"6m13m\">She has curated projects in Spain, Colombia, Los Angeles, Chicago, Mexico City, Turkey, Lisbon, Miami and London. She frequently contributes to exhibition catalogues, gives lectures, and writes for specialized art publications.<\/p>\n<p data-block-key=\"c9er1\"><i>Moderator:<\/i><\/p>\n<p data-block-key=\"bog0j\"><b>Montse Badia<\/b><\/p>\n<figure class=\"richtext-image left\"><img loading=\"lazy\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cimam.org\/media\/images\/Montse_Badia.width-800.jpg\" alt=\"Montse Badia\" width=\"800\" height=\"533\" \/><\/figure>\n<p data-block-key=\"4ql1g\">Montse Badia. Photo by Agus Izquierdo.<\/p>\n<p data-block-key=\"dt5qq\">Montse Badia is an art historian, critic, curator, and cultural researcher based in Barcelona.<\/p>\n<p data-block-key=\"3sgp0\">She has contributed to numerous international publications, including <i>Transversal<\/i>, <i>arts.zin<\/i>, <i>Untitled<\/i> (London), <i>NU: The Nordic Art Review<\/i> (Stockholm), <i>Tema Celeste<\/i> (Milan), <i>ARCO<\/i>, and <i>Bonart<\/i>. Her curatorial work has been presented at institutions including De Appel (Amsterdam), Apexart (New York), K\u00fcnstlerhaus Bethanien (Berlin), Fundaci\u00f3 Joan Mir\u00f3, MACBA \u2013 Museu d&#8217;Art Contemporani de Barcelona, MNAC &#8211; Museu Nacional d&#8217;Art de Catalunya and Fundaci\u00f3n &#8220;la Caixa&#8221;, among others. She has served as associate curator of Espai 13 at Fundaci\u00f3 Joan Mir\u00f3 and of the Centre d&#8217;Art Santa M\u00f2nica. She has also been a member of the advisory committee of the Yaxs Foundation and artistic director of the contemporary art collection Cal Cego.<\/p>\n<p data-block-key=\"jm6a\">She is co-founder and director of <b>A*DESK. Independent Institute of Criticism and Contemporary Art<\/b>, and director of the Master&#8217;s Degree in Contemporary Art: Context, Mediation and Management at IL3 \u2013 Universitat de Barcelona.<\/p>\n<p data-block-key=\"8v62a\">Recently she has also participated in several studies on the Catalan contemporary art ecosystem commissioned by CONCA (Catalan National Council for Culture and the Arts) and served as rapporteur for the framework document on remuneration standards for visual arts professionals promoted by the Government of Catalonia.<\/p>\n<p data-block-key=\"59lss\">Montse Badia is a member of AICA (International Association of Art Critics) and ACCA (Catalan Association of Art Critics).<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-529b479 animated-slow elementor-invisible elementor-widget elementor-widget-button\" data-id=\"529b479\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/montsebadia.net\/en\/news\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Go to news<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-bb15159 e-con-full post-column e-flex e-con e-child\" data-id=\"bb15159\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-5cc0936 elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"5cc0936\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Projects<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1500dde elementor-grid-1 animated-slow elementor-grid-tablet-1 elementor-grid-mobile-1 elementor-invisible elementor-widget elementor-widget-loop-grid\" data-id=\"1500dde\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;template_id&quot;:380,&quot;columns&quot;:1,&quot;_animation&quot;:&quot;fadeIn&quot;,&quot;columns_tablet&quot;:1,&quot;row_gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:20,&quot;sizes&quot;:[]},&quot;_skin&quot;:&quot;post&quot;,&quot;columns_mobile&quot;:&quot;1&quot;,&quot;edit_handle_selector&quot;:&quot;[data-elementor-type=\\&quot;loop-item\\&quot;]&quot;,&quot;row_gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;row_gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"loop-grid.post\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-loop-container elementor-grid\" role=\"list\">\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3229 post-3229 post type-post status-publish format-standard hentry category-proyectos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/aqua-et-tempus-alvar-calvet\/\">Aqua et Tempus. \u00c0lvar Calvet<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/10\/06\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>6 - October - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p><a href=\"https:\/\/medol.cat\/activitats\/exposicio-aqua-et-tempus-alvar-calvet\/?wcs_timestamp=1791572400\">AQUA ET TEMPUS, exhibition by \u00c0lvar Calvet, curated by Montse Badia, at the Vaults of the Roman circus of Tarragona<\/a><\/p>\n<p><strong>AQUA ET TEMPUS or the archaeology of anticipation<\/strong><\/p>\n<p>Rivers exemplify one of the great paradoxes of our relationship with nature. We know they are living systems, yet we have learnt to view them as resources that can be managed. It is within this conflicted reality that much of \u00c0lvar Calvet\u2019s work unfolds.<\/p>\n<p>In <em>Aqua et Tempus<\/em>, these concerns converge around the River Aniene. The exhibition showcases the work undertaken during Calvet\u2019s residency in Lazio from 2024 to 2025 and builds on <em>Seven Places, Seven Souls<\/em> and <em>The Seven Souls of the Aniene<\/em>. The Aniene, a tributary of the Tiber, flows through a region containing numerous archaeological remains and hydraulic systems. Calvet approaches it as if trying to read a landscape that has been written and rewritten countless times.<\/p>\n<p>Archaeology plays a central role. Heads, hearts, oil lamps shaped like river trout, banners, sediment coins and small water shrines seem displaced from their time. Calvet is drawn to the ambiguity of the objects. They are both remnants of what has gone before and harbingers of a relationship with water that we cannot yet imagine.<\/p>\n<p>The pieces derive from experiences along the Aniene, from encounters with people connected to the river and from actions that form a secular liturgy. Walking, offering and burying are the three stages of <em>The Seven Souls of the Aniene<\/em> procession. Walking adjusts the body to a different scale; offering establishes a relationship not based on possession; burying introduces a gesture contrary to extraction.<\/p>\n<p>The ritual is not a romantic evocation of nature, but a means of introducing a different way of paying attention. The objects give form to what lies beyond the languages of management, such as the experience of a place or the disappearance of a species. The trout-shaped lamp refers to a species that has disappeared from the Aniene; the seven water shrines relate to seven specific points along the river and the tensions inherent in each. One of these shrines has already formed part of a procession and a burial; the other six, prepared for future processions and burials, remain as forms of anticipation. The coins made from sediment, meanwhile, raise a question about value.<\/p>\n<p>Water cannot be separated from geopolitics. Its flow, distribution and retention determine relationships between territories and communities. The river brings present-day conflicts to light: water as a common asset and an economic resource, and the desire to control its cycles.<\/p>\n<p>In <em>Seven Places, Seven Souls<\/em> Calvet is led, with his eyes covered, by seven people to different sites along the Aniene. Blindness forces him to listen and accept the guidance of people who know and look after the river. Not being able to see helps him notice things that would otherwise escape him.<\/p>\n<p>Somewhere between archaeology and anticipation, between memory and preservation, the objects in <em>Aqua et Tempus<\/em> remain as time capsules; they conserve the memory of what has already passed and keep the possibility of what is yet to come alive. The issue is not only what we have lost, but what we are still able to preserve.<\/p>\n<p>&nbsp;<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3106 post-3106 post type-post status-publish format-standard hentry category-proyectos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/baremos-retributivos-para-profesionales-de-las-artes-visuales\/\">Salary scales<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/07\/04\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>4 - July - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p><a title=\"pdf document\" href=\"https:\/\/cultura.gencat.cat\/web\/.content\/dgcc\/05_Noticies\/2026\/Barems-Retributius_Arts_Visuals.pdf\" target=\"_blank\" rel=\"noopener\"><span dir=\"auto\">Salary scales for visual arts professionals<\/span><\/a><span dir=\"auto\"> aims to establish a <\/span><strong><span dir=\"auto\">framework document on the remuneration of curators and artists for the work carried out in contemporary art centers<\/span><\/strong><span dir=\"auto\"> integrated into the Public System of Visual Arts Facilities ( <\/span><strong><span dir=\"auto\">SPEAV<\/span><\/strong><span dir=\"auto\"> ).<\/span><\/p>\n<p><span dir=\"auto\">The main objective is to propose indicative salary scales that promote the dignity of cultural work and that the centers commit to applying.<\/span><\/p>\n<p><span dir=\"auto\">The proposal is an <\/span><strong><span dir=\"auto\">initiative of the General Directorate of Cultural Rights, Creation and Libraries<\/span><\/strong><span dir=\"auto\"> of the Department of Culture of the Generalitat of Catalonia and has been developed jointly by representatives of <\/span><strong><span dir=\"auto\">centers of the Public System of Visual Arts Facilities (SPEAV)<\/span><\/strong><span dir=\"auto\"> , and the <\/span><strong><span dir=\"auto\">professional associations PAAC<\/span><\/strong><span dir=\"auto\"> (Platforma Assembl\u00e9\u00e0ria d&#8217;Artistes de Catalunya) and <\/span><strong><span dir=\"auto\">ACCA<\/span><\/strong><span dir=\"auto\"> (Association Catalana de Cr\u00edtica d&#8217;Art). <\/span>Montse Badia has carried out the reporting of this document.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5ca2f62 animated-slow elementor-invisible elementor-widget elementor-widget-button\" data-id=\"5ca2f62\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/montsebadia.net\/en\/projects\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Go to projects<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d0d5673 e-con-full post-column e-flex e-con e-child\" data-id=\"d0d5673\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b7900a7 animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"b7900a7\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Texts\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4587184 elementor-grid-1 elementor-grid-tablet-1 elementor-grid-mobile-1 elementor-invisible elementor-widget elementor-widget-loop-grid\" data-id=\"4587184\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;template_id&quot;:380,&quot;columns&quot;:1,&quot;_animation&quot;:&quot;fadeIn&quot;,&quot;columns_tablet&quot;:1,&quot;row_gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:20,&quot;sizes&quot;:[]},&quot;_skin&quot;:&quot;post&quot;,&quot;columns_mobile&quot;:&quot;1&quot;,&quot;edit_handle_selector&quot;:&quot;[data-elementor-type=\\&quot;loop-item\\&quot;]&quot;,&quot;row_gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;row_gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}\" data-widget_type=\"loop-grid.post\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-loop-container elementor-grid\" role=\"list\">\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3170 post-3170 post type-post status-publish format-standard hentry category-textos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/la-belleza-en-disputa\/\">Beauty in dispute<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/08\/05\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>5 - August - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>The CCCB is an institution that, consistently throughout its history, has defined itself as \u201ca multidisciplinary cultural center dedicated to exploring the major themes of contemporary society through diverse languages \u200b\u200band formats.\u201d In its thirty-two years of history, topics such as artificial intelligence, the brain, suburban culture, and figures from diverse fields\u2014Chris Ware, Agn\u00e8s Varda, Stanley Kubrick, the Marquis de Sade, and, more recently, Merc\u00e8 Rodoreda\u2014have shaped exhibition and public programs capable of offering multiple approaches and levels of interpretation.<\/p>\n<p><a href=\"https:\/\/www.cccb.org\/en\/w\/exhibitions\/the-cult-of-beauty\" target=\"_blank\" rel=\"noopener\"><em>The Cult of Beauty<\/em><\/a> addresses one of these great universal themes. As Umberto Eco pointed out, beauty is an aspiration shared by all cultures, although it has never been an absolute or immutable category. Its relevance is especially significant today, when it continues to be a social construct profoundly influenced by the beauty industry, the attention economy, and social media. The exhibition stems from a cultural and political stance that doesn\u2019t so much aim to define beauty as to analyze the mechanisms that sustain its cult.<\/p>\n<p>The show is, in fact, an adaptation of the exhibition of the same name presented at the <a href=\"https:\/\/wellcomecollection.org\/exhibitions\/the-cult-of-beauty\" target=\"_blank\" rel=\"noopener\">Wellcome Collection in London in 2023<\/a>. The original curator, Janice Li, has been joined by researchers blanca arias and J\u00falia Llull, whose contributions expand the initial narrative and incorporate more pluralistic, critical perspectives, open to dissent.<\/p>\n<p>The exhibition begins deliberately chronologically, guiding the visitor through classical ideals of beauty, based on principles of proportion, gender, and virtue. However, this seemingly stable narrative is interrupted by artworks that introduce fissures and raise questions. The works of Lorenza B\u00f6ttner and Carlos Motta, among others, problematize these normative models and demonstrate the extent to which beauty has historically functioned as a device for inclusion and exclusion.<\/p>\n<p>As the exhibition progresses, dichotomies such as beautiful\/ugly or virtue\/failure begin to crumble, although others continue to operate strongly, especially the association between beauty and youth. Forms of exclusion persist, albeit in new configurations. From colonial exoticism, capable of objectifying any form of otherness, we move to contemporary mechanisms of invisibility linked to race, gender, or identity. In response, trans, queer, and non-binary collectives have developed strategies of self-expression, resistance, and the construction of collective memory. In this context, Colita\u2019s portraits dedicated to the Roma community, Ang\u00e9lica Dass\u2019s <em>Humanae project<\/em>, with its wide spectrum of skin tones, and Norma P\u00e9rez\u2019s trans portraits engage particularly effectively with the exhibition\u2019s themes.<\/p>\n<p>The exhibition then delves into the complex relationship between beauty, medicine, and science. From the cosmetic practices of ancient Egypt to the anatomical ideals of the Renaissance, the journey leads to the present, where the obsession with image\u2014an extreme result of the society of the spectacle\u2014is amplified by the commercialization of pharmaceuticals, aesthetic treatments, and surgical procedures. The new standards are no longer necessarily associated with proportion or virtue, but increasingly with purchasing power. Beauty thus appears as a privilege that can be bought, with consequences that affect both physical health and emotional well-being. How can we identify these forms of control in order to conquer greater spaces of autonomy? Where does individual desire end and collective pressure begin? The works of Marina Vargas and Arvida Bystr\u00f6m point precisely to this overflowing of normative limits, making visible the restrictions that underlie any standard.<\/p>\n<p>The installation <em>Mirror, Mirror on the Wall<\/em>, by Xcessive Aesthetics, places the visitor before a distorting mirror that reflects the visual pollution that accompanies our daily experience. An incessant flow of images, filters, algorithms, and aspirational models that we consume through social media, from which it is increasingly difficult to escape, raises numerous questions: Who establishes the standards of beauty today: cultural institutions, the beauty industry, algorithms, or social media? How do filters, artificial intelligence, and digital editing affect our perception of ourselves? Can there be an aesthetic of difference that is not absorbed by the market? Are we witnessing a democratization of beauty or a sophistication of its control mechanisms? Is it possible to imagine a society less obsessed with appearance? What do we lose when we have we turned beauty into an obligation?<\/p>\n<p>But <em>The Cult of Beauty<\/em> is not confined to the exhibition space. As is usual at the CCCB, the project is expanded through a robust <a href=\"https:\/\/www.cccb.org\/en\/w\/exhibitions\/the-cult-of-beauty#section03\" target=\"_blank\" rel=\"noopener\">public program<\/a> featuring thinkers and specialists such as Eloy Fern\u00e1ndez Porta, Remedios Zafra, and the curators themselves. In addition, there is an <a href=\"https:\/\/www.cccb.org\/en\/w\/exhibitions\/the-cult-of-beauty#section06\" target=\"_blank\" rel=\"noopener\">educational program for LGBTQ+ youth,<\/a> coordinated by Cordova and developed in collaboration with artists like \u00a5E$Si PERSE and Toni Herv\u00e1s, as well as the film series <a href=\"https:\/\/www.cccb.org\/en\/w\/seasons\/gandules-2026\" target=\"_blank\" rel=\"noopener\"><em>Beautiful and Eternal<\/em><\/a>, curated by Desir\u00e9e de Fez for Las Gandules 2026. The selection of fantasy and science fiction films addresses issues such as youth, aesthetic pressure, and the obsession with preserving beauty, extending many of the questions raised by the exhibition onto the screen.<\/p>\n<p>Rather than offering definitive answers, <em>The Cult of Beauty<\/em> invites us to critically reconsider an idea we often take for granted. Because, if beauty has never been a neutral category, perhaps the real challenge lies in asking ourselves who defines it, who benefits from it, and who inevitably falls outside its boundaries.<\/p>\n<p><strong>The exhibition <a href=\"https:\/\/www.cccb.org\/en\/w\/exhibitions\/the-cult-of-beauty\" target=\"_blank\" rel=\"noopener\"><em>The Cult of Beauty<\/em>,<\/a> curated by Janice Li, blanca arias, and J\u00falia Llull, along with its accompanying public program, can be visited and followed at the CCCB until November 8, 2026.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>[<a href=\"https:\/\/a-desk.org\/en\/spotlight\/la-belleza-en-disputa\/\" target=\"_blank\" rel=\"noopener\">Art\u00edcle published in A*DESK 5-8-2026]<\/a><\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"380\" class=\"elementor elementor-380 e-loop-item e-loop-item-3112 post-3112 post type-post status-publish format-standard hentry category-textos-en\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-85936b4 post-item e-flex e-con-boxed e-con e-parent\" data-id=\"85936b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c4f1488 elementor-widget elementor-widget-theme-post-title elementor-page-title elementor-widget-heading\" data-id=\"c4f1488\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/montsebadia.net\/en\/arts-visuals-col%c2%b7laboracions-i-formacio-en-temps-de-precarietat-i-expansio-museistica\/\">Visual Arts. Collaborations and training in times of precariousness and museum expansion 2025<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-83cecf4 elementor-widget elementor-widget-post-info\" data-id=\"83cecf4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"post-info.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<ul class=\"elementor-inline-items elementor-icon-list-items elementor-post-info\">\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item elementor-repeater-item-8164e95 elementor-inline-item\" itemprop=\"datePublished\">\n\t\t\t\t\t\t<a href=\"https:\/\/montsebadia.net\/en\/2026\/07\/04\/\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text elementor-post-info__item elementor-post-info__item--type-date\">\n\t\t\t\t\t\t\t\t\t\t<time>4 - July - 2026<\/time>\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t<\/li>\n\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b5f3d97 elementor-widget elementor-widget-theme-post-content\" data-id=\"b5f3d97\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-content.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p>Text on the field of visual arts for the <a href=\"https:\/\/drac.cultura.gencat.cat\/\/handle\/20.500.12368\/38142#page=1\" target=\"_blank\" rel=\"noopener\">Annual Report: State of Culture and the Arts 2025<\/a><\/p>\n<p>The CoNCA Annual Report is a public document that analyses the state of culture and the arts in Catalonia, reviewing the main trends, data and cultural policies of the previous year. It also evaluates the action of public administrations in cultural matters and identifies structural challenges in the sector. Finally, it proposes strategic recommendations to strengthen the Catalan cultural ecosystem and guide future policies.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-060619e animated-slow elementor-invisible elementor-widget elementor-widget-button\" data-id=\"060619e\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/montsebadia.net\/en\/texts\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Go to texts<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9dfb36c e-flex e-con-boxed e-con e-parent\" data-id=\"9dfb36c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-32415fe e-con-full e-flex e-con e-child\" data-id=\"32415fe\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6050ec9 animated-slow elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"6050ec9\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\"It is crucial to revalue art and culture, highlighting their social impact. Institutions must focus on quality and sustainability rather than speed. The system is saturated and unsustainable, and it is time to reinvent itself.\"<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a70268e animated-slow elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"a70268e\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Montse Bad\u00eda<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4be13c3 animated-slow elementor-widget__width-initial elementor-invisible elementor-widget elementor-widget-text-editor\" data-id=\"4be13c3\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.youtube.com\/watch?v=UqkKAErK8mQ\" target=\"_blank\" rel=\"noopener\">Gu\u00e8isers, at the Museu Nacional d&#8217;Art de Catalunya &#8211; MNAC Canal<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-246c47a animated-slow elementor-invisible elementor-widget elementor-widget-image\" data-id=\"246c47a\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"540\" height=\"540\" src=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse2.webp\" class=\"attachment-large size-large wp-image-1396\" alt=\"\" srcset=\"https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse2.webp 540w, https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse2-300x300.webp 300w, https:\/\/montsebadia.net\/wp-content\/uploads\/2024\/11\/img-montse2-150x150.webp 150w\" sizes=\"(max-width: 540px) 100vw, 540px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Contemporary art &amp; critical thinking I am Montse Badia, art historian and curator of exhibitions and projects. I am co-founder and director of A*DESK.&nbsp; I am concerned about the standardization we are experiencing and the loss of rights. I believe that analysis of the past is crucial to understanding the present. I transfer all this [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-695","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Montse Badia - Home - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Montse Badia - Home - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"Contemporary art &amp; critical thinking I am Montse Badia, art historian and curator of exhibitions and projects. 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