{"id":1043,"date":"2012-07-01T14:09:42","date_gmt":"2012-07-01T14:09:42","guid":{"rendered":"https:\/\/montsebadia.net\/new\/100-dias-un-brevisimo-repaso-a-la-historia-y-las-implicaciones-de-documenta\/"},"modified":"2025-02-22T15:19:34","modified_gmt":"2025-02-22T15:19:34","slug":"100-dias-un-brevisimo-repaso-a-la-historia-y-las-implicaciones-de-documenta","status":"publish","type":"post","link":"https:\/\/montsebadia.net\/en\/100-dias-un-brevisimo-repaso-a-la-historia-y-las-implicaciones-de-documenta\/","title":{"rendered":"100 days. A very brief review of the history and implications of documenta"},"content":{"rendered":"<div class=\"lRu31\" dir=\"ltr\">\n<p>One hundred days is the time allotted to evaluate the management of a new government. One hundred days is the duration of documenta. Documenta, which is presenting its thirteenth edition this year, is one of the oldest and most prestigious art events, although perhaps the model is exhausted and needs urgent redefinition.<\/p>\n<p>Documenta was founded in 1955 in the German city of Kassel, with the aim of rebuilding and reactivating the city, as an art exhibition that accompanied a national horticultural fair. The first four editions (held in 1955, 1959, 1964 and 1968) were directed by the painter, architect and designer Arnold Bode and were consolidated as a place for presenting art. In 1972 Harald Szeemann took the reins and opened the event to conceptual practices. During the 100 days of documenta 5, Joseph Beuys created an office for the \u201cOrganisation of direct democracy through plebiscite\u201d, with meetings and debates.<\/p>\n<p>Manfred Schneckenburger, artistic director of documenta 6 (1977) and 8 (1987), incorporated two key aspects, still not sufficiently recognised: architecture and design in relation to the visual arts, and the expansion of artistic interventions throughout the city. Documenta 7 (1982) focused on painting and documenta 9 on diverse locations.<\/p>\n<p>Catherine David\u2019s Documenta 10 was a landmark, focusing on political issues, expanding the geopolitical map, while underlining the Beuysian idea of \u200b\u200bthe 100 days of debates. Documenta 11 (2002) emerged in the era of globalisation and multiculturalism. Curated by Okwui Enwezor and a large team of associated curators, it was aware of the need to review its own past. Its website recovered the history of the institution itself. Documenta 12 (2007), curated by Roger M. Buerghel, had a more self-reflective and autistic character.<\/p>\n<p>And we come to documenta 13. At the moment we note with curiosity that it is impossible to access the documenta archive from its website, but that the page is an unmanageable archive that collects the entire research process as well as numerous video interviews. We also note that the list is no longer just of artists but of writers, thinkers and other agents. Can the proliferation indicate a lack of specificity? What role can an event of these characteristics play in a world in which there can no longer be a single reference? What is its relationship of dependence on the market? Can the context of this macrostructure encourage a relevant reflection on the world in which we live? In 100 days, some answers.<\/p>\n<p>[Article published in Bonart, 2012]<\/p>\n<div class=\"OvtS8d\"><\/div>\n<div id=\"ow28\"><\/div>\n<\/div>\n<div class=\"UdTY9 WdefRb\" aria-hidden=\"true\" data-location=\"2\">\n<div class=\"kO6q6e\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>One hundred days is the time allotted to evaluate the management of a new government. One hundred days is the duration of documenta. Documenta, which is presenting its thirteenth edition this year, is one of the oldest and most prestigious art events, although perhaps the model is exhausted and needs urgent redefinition. Documenta was founded [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[28],"tags":[],"class_list":["post-1043","post","type-post","status-publish","format-standard","hentry","category-textos-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>100 days. 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Documenta was founded [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/montsebadia.net\/en\/100-dias-un-brevisimo-repaso-a-la-historia-y-las-implicaciones-de-documenta\/\" \/>\n<meta property=\"og:site_name\" content=\"Montse Badia\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/montse.badia.96\" \/>\n<meta property=\"article:published_time\" content=\"2012-07-01T14:09:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-22T15:19:34+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@montsebadia1\" \/>\n<meta name=\"twitter:site\" content=\"@montsebadia1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/montsebadia.net\/en\/100-dias-un-brevisimo-repaso-a-la-historia-y-las-implicaciones-de-documenta\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/montsebadia.net\/en\/100-dias-un-brevisimo-repaso-a-la-historia-y-las-implicaciones-de-documenta\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/montsebadia.net\/en\/#\/schema\/person\/e6d1199fca140cb29c5fdf8d92b3edd5\"},\"headline\":\"100 days. 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