{"id":761,"date":"2021-12-10T15:14:57","date_gmt":"2021-12-10T15:14:57","guid":{"rendered":"https:\/\/montsebadia.net\/new\/reset\/"},"modified":"2025-02-13T17:12:49","modified_gmt":"2025-02-13T17:12:49","slug":"reset","status":"publish","type":"post","link":"https:\/\/montsebadia.net\/en\/reset\/","title":{"rendered":"Reset"},"content":{"rendered":"<p><a href=\"https:\/\/bonart.cat\/ca\/n\/42915\/reset\">Reset, together with Maria Mu\u00f1oz. Special Portfolio by A*DESK for Bonart (December 2021 &#8211; February 2022)<\/a><\/p>\n<div class=\"flex flex-row items-center gap-1 justify-start mt-2\"><\/div>\n<div class=\"text-base font-lato content mt-4 overflow-hidden\">\n<p>If there is one thing the artistic community has, it is its capacity to assimilate the moment, the critical spirit and the willingness to make difficulties visible from a space of freedom, or at least that is what we think. Economic orthodoxy \u2013completely integrated into our thinking and responsible for the disorder we find ourselves in\u2013 has led us, in a subtle and deceptive way, to internalize a set of values \u200b\u200band ways of seeing the world that prevents us from RE-imagining radical changes.<\/p>\n<p>We are in a time of prefixes. The concepts exist but it is the nuances that actualize their meanings. This RE prefix that has been repeated to exhaustion in recent months is what we explore in this monograph. RE is so present that there is even talk of the \u201cRE generation\u201d. It is no longer even biological. It does not encompass people born in a time frame with common patterns of thought or behavior, but RE-unites a \u201cmental generation\u201d, which shares a supportive, inclusive, resilient, flexible, dynamic and adaptable attitude. Reasonable qualities to be able to navigate in these \u201cliquid times\u201d, as Zygmunt Bauman defined them, full of uncertainty and at the same time possibilities, of empowerment, but also of fragility.<\/p>\n<p>They are also times to think about collectivity. For this reason, we have invited multidisciplinary, transversal and multifaceted profiles in order to RE-act on an amalgam of proposed concepts. The result is a puzzle of formal and mental approaches. Mar Arza works on rewriting; Armen Avanessian and Andreas T\u00f6pfer speculate and draw the notion of recursion; Fito Conesa refreshes us with new technologies. Eli Corti\u00f1as poetically explores refeminizing; Gisela Chillida finds reaction in re-reaction; Frau Diamanda\/Hector Acu\u00f1a and Pol Merchan explore, from different positions, the implications of re-gendering. Marcelo Exp\u00f3sito&#8217;s regrouping leads us to a sense of community; Laura Gonz\u00e1lez and Chiquita Room claim the idea of \u200b\u200bself-fulfillment from an individual and human point of view; Mart\u00ed Manen relates past and present to build the future. Marta Marc\u00e9 re-emerges with mythology; resilience comes through Diana Padr\u00f3n. Mois\u00e9s Puente brings us closer to reinventing the city; Tere Recarens redraws, and, finally, Eirik Senje seeks reactivation from longing.<\/p>\n<p>The pandemic has shown that, to address the climate emergency, the growing social dystopias and any emerging crisis, it is necessary to RE-settle the system in its entirety. Put more positively, would it be possible to promote change in this structural fragility in which we are immersed? This RE-set will depend on our ability to listen to what is happening around us and on the symbiosis between all the figures involved. LET&#8217;S RESET!<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Reset, together with Maria Mu\u00f1oz. Special Portfolio by A*DESK for Bonart (December 2021 &#8211; February 2022) If there is one thing the artistic community has, it is its capacity to assimilate the moment, the critical spirit and the willingness to make difficulties visible from a space of freedom, or at least that is what we [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[28],"tags":[],"class_list":["post-761","post","type-post","status-publish","format-standard","hentry","category-textos-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Reset - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/en\/reset\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reset - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"Reset, together with Maria Mu\u00f1oz. Special Portfolio by A*DESK for Bonart (December 2021 &#8211; February 2022) If there is one thing the artistic community has, it is its capacity to assimilate the moment, the critical spirit and the willingness to make difficulties visible from a space of freedom, or at least that is what we [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/montsebadia.net\/en\/reset\/\" \/>\n<meta property=\"og:site_name\" content=\"Montse Badia\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/montse.badia.96\" \/>\n<meta property=\"article:published_time\" content=\"2021-12-10T15:14:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-13T17:12:49+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@montsebadia1\" \/>\n<meta name=\"twitter:site\" content=\"@montsebadia1\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/montsebadia.net\/en\/reset\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/montsebadia.net\/en\/reset\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/montsebadia.net\/en\/#\/schema\/person\/e6d1199fca140cb29c5fdf8d92b3edd5\"},\"headline\":\"Reset\",\"datePublished\":\"2021-12-10T15:14:57+00:00\",\"dateModified\":\"2025-02-13T17:12:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/montsebadia.net\/en\/reset\/\"},\"wordCount\":459,\"publisher\":{\"@id\":\"https:\/\/montsebadia.net\/en\/#organization\"},\"articleSection\":[\"Textos\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/montsebadia.net\/en\/reset\/\",\"url\":\"https:\/\/montsebadia.net\/en\/reset\/\",\"name\":\"Reset - 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