{"id":801,"date":"2020-09-03T10:13:00","date_gmt":"2020-09-03T10:13:00","guid":{"rendered":"https:\/\/montsebadia.net\/new\/salo-diana-1977-78\/"},"modified":"2025-02-13T19:13:38","modified_gmt":"2025-02-13T19:13:38","slug":"salo-diana-1977-78","status":"publish","type":"post","link":"https:\/\/montsebadia.net\/en\/salo-diana-1977-78\/","title":{"rendered":"Sal\u00f3 Diana (1977-78)"},"content":{"rendered":"<p><img decoding=\"async\" src=\"\/IMG\/jpg\/-41.jpg\" alt=\"-41.jpg\" align=\"center\" \/><\/p>\n<p>Sal\u00f3 Diana (1977-78). The ghost of Barcelona&#8217;s paradise is a research project that recovers the memory of a paradigmatic case of theatrical self-management, the Sal\u00f3 Diana. The experience coincides with the end of Franco&#8217;s regime and the period of transition, a time when everything was yet to be done.<\/p>\n<p>The Sal\u00f3 Diana is the result of the demands for the professionalization of the theatrical sector at the time and arises as an assembly experience initiated by Mario Gas, Carlos Lucena (Bujalance, 1925- Madrid, 1995) and Albert Dueso (Barcelona, \u200b\u200b1952-2007). Located in the old Diana Cinema, on Sant Pau street in Barcelona, \u200b\u200bthe Diana was born out of a need for praxis, to have an assembly environment linked to a production center in which diversity and plurality (of its members and its program) were the dominant notes.<\/p>\n<p>The history of the Sal\u00f3 Diana, as brief as it is intense, is collected in the book Sal\u00f3 Diana (1977-1978). El fantasma del para\u00edso barcelon\u00e9s (co-edited by Montse Badia and Mario Gas) through extensive documentary research, as well as interviews with a good number of people who were beginning their professional careers at that time, such as Mario Gas himself, Vicky Pe\u00f1a, S\u00edlvia Munt, Ricard Borr\u00e1s, Juanjo Puigcorb\u00e9, Pau Riba or Carme El\u00edas, among others. The publication is accompanied by a <a href=\"https:\/\/ajuntament.barcelona.cat\/lavirreina\/es\/actividades\/salo-diana-1977-1978-el-fantasma-del-paraiso-barcelones\/462\">public programme<\/a> that will bring them together in a round table moderated by Rosa Badia.<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><img decoding=\"async\" src=\"\/IMG\/jpg\/-40.jpg\" alt=\"-40.jpg\" align=\"center\" \/><\/p>\n<p>[Interview with Mario Gas, at the program Tot \u00e9s com\u00e8dia by Rosa Badia. Cadena ser (5-9-2020)-&gt;<br \/>\nhttps:\/\/play.cadenaser.com\/audio\/370RD010000001641799\/?ssm=whatsapp]<br \/>\n<a href=\"\/IMG\/mp3\/.mp3\">.mp3<\/a><\/p>\n<p>Interview with Marc Gir\u00f3 at the program Vost\u00e9 Primer. RAC1 (23-9-2020)<\/p>\n<p><a href=\"\/IMG\/mp3\/-3.mp3\">-3.mp3<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sal\u00f3 Diana (1977-78). The ghost of Barcelona&#8217;s paradise is a research project that recovers the memory of a paradigmatic case of theatrical self-management, the Sal\u00f3 Diana. The experience coincides with the end of Franco&#8217;s regime and the period of transition, a time when everything was yet to be done. The Sal\u00f3 Diana is the result [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[30],"tags":[],"class_list":["post-801","post","type-post","status-publish","format-standard","hentry","category-proyectos-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sal\u00f3 Diana (1977-78) - Montse Badia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/montsebadia.net\/en\/salo-diana-1977-78\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sal\u00f3 Diana (1977-78) - Montse Badia\" \/>\n<meta property=\"og:description\" content=\"Sal\u00f3 Diana (1977-78). The ghost of Barcelona&#8217;s paradise is a research project that recovers the memory of a paradigmatic case of theatrical self-management, the Sal\u00f3 Diana. The experience coincides with the end of Franco&#8217;s regime and the period of transition, a time when everything was yet to be done. 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