Afinidades Electivas. El encuentro de dos colecciones

Afinidades electivas. El encuentro de dos colecciones toma su título de la novela Die Walhverwandtschaften (1809) en la que Goethe utiliza la afinidad química como metáfora aplicable a las relaciones amorosas. En el caso que nos ocupa, la afinidades electivas aluden a la voluntad de compartir puntos de vista, visiones de las cosas, el gusto […]

In first person

The idea of ​​testimony, of confession, speaking in the first person to narrate one’s own experience, as an expression of subjectivity or as an exposition of the intimate is a way of transmitting truthfulness. We see it in books, in documentaries, in television programmes and also in the works of artists. At a time when […]

What is the city but the people? Jeremy Deller at CA2M

  What is the city but the people? Jaremy Deller at CA2M Solely for having made The Battle of Orgreave (An Injury to One is an injury to All) (2001), Jeremy Deller merits a prominent position amongst the artists of the 21st century. Fortunately for him, Orgreave is just one amongst many other brilliant pieces. […]

ART AND EDUCATION / EDUCATION AND ART

In 2009, Maria Acaso published the book “Art education is not crafts. New practices in teaching arts and visual culture”, the content of which is as relevant today as it was six years ago. While the role that art education plays in compulsory education is increasingly secondary, Acaso claims the need to reinforce art education, […]

MIND MAPS

Mind maps allow information to be organised in a visual way through associations of concepts, words and images. For some artists, mind maps can also be a working or presentation methodology that allows them to understand the world, create stories that are as personal as they are idiosyncratic or uncover twisted plots. Jeremy Deller, Patricia […]

Six proposals and a feeling

The challenge is great: proposals to improve the context of the arts in Catalonia. The temptation to fall into discouraging diagnoses is there. But the guideline is clear: we are going to be proactive. So what is the context? What and who make up the artistic fabric? Obviously it is not only the institutions, large […]

Looking at history from the present, or how to activate the past

Revisiting the past from a contemporary perspective is a premise as necessary as it is delicate and, too often, boring. Depending on the motivations, you can generate tendentious rereadings or associations free of academicisms that can become the key to understanding some facts of the present. Apart from the Tricentenary theme, three interesting examples in […]