El programa de este año abordará algunas de las cuestiones clave que definen actualmente a las galerías y al mercado del arte: desde la evolución del papel y la relevancia de las galerías y las motivaciones de la próxima generación de coleccionistas, hasta la transformación del mercado del arte en línea, el estado actual del arte digital y las crecientes convergencias entre el arte y el lujo.
Paralelamente a estos debates, el simposio seguirá situando la experiencia de los galeristas en el centro del programa, con conversaciones que explorarán cómo se configuran y mantienen en el tiempo las propuestas distintivas de las galerías, así como entrevistas dedicadas a reflexionar sobre la trayectoria de destacados galeristas internacionales.
Con la participación de: Ignasi Aballí (artista), Georgina Adam (periodista y escritora), Montse Badia (historiadora y crítica de arte), Jennifer Chert (ChertLüdde), Carolina Ciuti, (Curator/exibart.es), Massimo De Carlo (MASSIMODECARLO), Natasha Degen (Sotheby’s Institute of Art, New York), Michael Elmgreen (Elmgreen & Dragset), Pau Escat (Escat Gallery), Alexander Forbes (Artsy/Artnet), Marc Francés (coleccionista), Victor Gisler (Mai 36 Galerie), Carles Guerra (curator e investigador), Llucià Homs (Talking Galleries), Phin Jennings (escritor e investigador), Samuel Leuenberger (curator/SALTS), Mischa Lustin (Galerista), Pedro Maisterra (Maisterra), Divya Pande (Victoria Miró), Rosario Peiró (Museu Picasso Barcelona), Miguel Ángel Sánchez, (ADN Galeria), Tom Seymour (The Art Journal), Pau Waelder (Niio Art), and Jocelyn Wolff (Galerie Jocelyn Wolff).
Location: Auditori Meier, MACBA Museu d’Art Contemporani de Barcelona (Plaça del Àngels, 1, Barcelona).
Admission is free, but registration is required as seating is limited. Register here
Organized by CIMAM (the International Committee for Museums and Collections of Modern Art) in collaboration with MACBA Public Programs, this panel will explore what ethical principles should guide the management of a museum collection today.
Museum collections are among the most important cultural assets entrusted to museums. Yet recent international cases have revealed how vulnerable they can become when governance structures change, ownership shifts, or political and economic interests take precedence over their long-term stewardship.
As museums navigate increasingly complex questions around acquisition, stewardship, provenance, restitution, access, sustainability, and accountability, collection management is being redefined as a fundamentally ethical practice rather than solely a technical or administrative one.
Recent developments, including the newly adopted ICOM Code of Ethics, highlight the growing importance of public trust, cultural rights, community participation, transparency, and responsible stewardship in shaping decisions about collections.
In this conversation, Doryun Chong, Chair of CIMAM’s Museum Watch Committee and Artistic Director and Chief Curator of M+, Hong Kong; Amanda de la Garza, President of CIMAM and Deputy Artistic Director of the Museo Nacional Centro de Arte Reina Sofía, Madrid; and Claudia Segura, Head of Collection at MACBA, Museu d’Art de Contemporani de Barcelona, will explore the particular challenges faced by modern and contemporary art museum collections.
Moderated by Montse Badia, art historian, critic, curator, and cultural researcher based in Barcelona, this panel will also consider how museums can respond to increasingly complex political, economic, and institutional contexts while protecting collections as bodies of knowledge and ensuring their long-term public value.
These are the same questions that have prompted CIMAM to launch a new international research initiative to develop aGlossary on Ethical Principles for Collection Management.
Invited Speakers:
Doryun Chong
Doryun Chong, Artistic Director and Chief Curator, M+, Hong Kong SAR, China. Photo: Dan Leung. Image courtesy of M+, Hong Kong
Doryun Chong is Artistic Director and Chief Curator, M+, Hong Kong, Asia’s first global museum of visual culture of the 20th and 21st centuries. He joined M+ in September 2013 as its inaugural Chief Curator and also became Deputy Director, Curatorial in January 2016. Since October 2024, he has served as Artistic Director. He oversees all content-related aspects, including exhibitions, collections, learning and interpretation, publishing, and digital content, across the museum’s three main disciplinary areas of design and architecture, moving image, and visual culture.
Before joining M+, Chong developed his museum career in the United States. He studied art history and anthropology at the University of California, Berkeley, where he also completed graduate work in art history focused on non-Western modern and contemporary art, particularly in East Asia. He has held curatorial positions at the Asian Art Museum of San Francisco, the Walker Art Center in Minneapolis, and the Museum of Modern Art in New York.
Amanda de la Garza Mata (Mexico, 1981) Lives and works in Madrid, Spain.
Amanda de la Garza. Deputy Artistic Director, Museo Nacional Centro de Arte Reina Sofía (MNCARS), Madrid, Spain
She is currently Deputy Artistic Director at Museo Nacional Centro de Arte Reina Sofía in Madrid. She is the President of CIMAM (International Committee for Museums and Collections of Modern Art) for the period 2026-2028. From 2020 to 2024, she was General Director of Visual Arts and of the University Museum of Contemporary Art (MUAC) at UNAM in México City, one of the most important art museums in Latin America. Trained in Curatorial Studies, Art History, Anthropology and Sociology, between 2012 and 2019 she worked as an associate curator at MUAC. She has curated and coordinated more than 30 exhibitions of modern and contemporary art, archival exhibitions, and public art projects. She has published essays, interviews and reviews in catalogues, books and specialized magazines. She was a member of the board of ICOM Mexico from 2021 to 2024.
Claudia Segura Campins
Claudia Segura Campins (Barcelona, 1984) is currently Head of Collection at MACBA (Museu d’Art Contemporani de Barcelona), following her role as Curator of Exhibitions and Collection at the same institution since 2019. Her curatorial work includes several presentations of MACBA’s Collection, as well as numerous solo exhibitions, most notably the first monographic exhibition of performance artist María Teresa Hincapié.
She holds a BA in Humanities from Pompeu Fabra University in Barcelona (2007) and an MA in Contemporary Art Theory from Goldsmiths, University of London (2008). From 2015 to 2019, she was Director and Chief Curator of NC-arte in Bogotá, Colombia, where she curated numerous site-specific projects by artists such as Amalia Pica, Luis Camnitzer, Xavier Le Roy, Nicolás Paris, Nicolás Consuegra, Los Carpinteros, Do Ho Suh, and Alia Farid, among others.
Previously, she worked as a cultural project coordinator at Fundación “la Caixa” in Barcelona (2010–2012), served as an external curator for the Mardin Biennial in Turkey (2014–2015), and acted as mentor at the Sala d’Art Jove in Barcelona (2014) and at the Cano Laboratory at the National University Museum in Bogotá (2018). She was also a visiting lecturer at the Universidad de los Andes in Bogotá (2017).
She has curated projects in Spain, Colombia, Los Angeles, Chicago, Mexico City, Turkey, Lisbon, Miami and London. She frequently contributes to exhibition catalogues, gives lectures, and writes for specialized art publications.
Moderator:
Montse Badia
Montse Badia. Photo by Agus Izquierdo.
Montse Badia is an art historian, critic, curator, and cultural researcher based in Barcelona.
She has contributed to numerous international publications, including Transversal, arts.zin, Untitled (London), NU: The Nordic Art Review (Stockholm), Tema Celeste (Milan), ARCO, and Bonart. Her curatorial work has been presented at institutions including De Appel (Amsterdam), Apexart (New York), Künstlerhaus Bethanien (Berlin), Fundació Joan Miró, MACBA – Museu d’Art Contemporani de Barcelona, MNAC – Museu Nacional d’Art de Catalunya and Fundación «la Caixa», among others. She has served as associate curator of Espai 13 at Fundació Joan Miró and of the Centre d’Art Santa Mònica. She has also been a member of the advisory committee of the Yaxs Foundation and artistic director of the contemporary art collection Cal Cego.
She is co-founder and director of A*DESK. Independent Institute of Criticism and Contemporary Art, and director of the Master’s Degree in Contemporary Art: Context, Mediation and Management at IL3 – Universitat de Barcelona.
Recently she has also participated in several studies on the Catalan contemporary art ecosystem commissioned by CONCA (Catalan National Council for Culture and the Arts) and served as rapporteur for the framework document on remuneration standards for visual arts professionals promoted by the Government of Catalonia.
Montse Badia is a member of AICA (International Association of Art Critics) and ACCA (Catalan Association of Art Critics).
I Plenario del Sistema Público de Equipamentos de Artes Visuales
Cultura y derechos para la salud democrática
Auditorio del Convento del MACBA – 30 de junio de 2026
Esta jornada se articula en torno a dos ejes que se interrelacionan.
El primero explora la relación entre artes visuales y salud individual, social y comunitaria.
El segundo aborda los derechos culturales como derechos inalienables de todas las personas.
Ambas dimensiones convergen en una misma convicción: la cultura es un principio activo frente al malestar, el repliegue individualista y el avance de corrientes regresivas.
Organiza: Dirección General de Derechos Culturales, Creación y Bibliotecas del Departamento de Cultura de la Generalidad de Cataluña.
Bienvenida y presentación a cargo de Xavier Fina, director general de Derechos Culturales, Creación y Bibliotecas Conversaciones:
• Arte como principio activo en el contexto médico y asistencial. Conversación entre Sergi Blancafort y Montserrat Verdú, con Pilar Cruz.
• Arte y salud desde las prácticas artísticas. Conversación dinamizada por José Antonio Delgado con Gemma Paris y Felipe G.
• Arte como principio activo para la salud de las comunidades. Conversación entre Javier Rodrigo y Quim Packard
• Arte por la salud democrática. Conversación dinamizada por Amanda Cuesta con Mar Sureda y Nerea Campo.
• Salud económica en las prácticas artísticas. Presentación Baremos de retribución profesional con Montse Badia y Ester Martínez.
Clausura institucional a cargo del Hble. Dª. Sonia Hernández Almodóvar, consejera de Cultura de la Generalidad de Cataluña
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